02/07/2020

4 files changed, 24 insertions, 3 deletions

diff --git a/album/alterniabound/album.txt b/album/alterniabound/album.txt
index ef29640..69285f9 100644
--- a/album/alterniabound/album.txt
+++ b/album/alterniabound/album.txt
@@ -58,7 +58,7 @@ Commentary:
     Don't tell anyone, but this is actually a remix of one of Jit's old fansongs called <a href="track/under-the-hat/index.html">Under the Hat</a>, which was a battle theme for Dad. So if your heart still pines for him... his soul and pipe are contained deep within this track.
     So damn catchy and sleuthy.
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-Track: BL1ND JUST1C3 - 1NV3ST1G4T1ON !!
+Track: BL1ND JUST1C3 : 1NV3ST1G4T1ON !!
 Artist: Malcolm Brown
 References: The Lemonsnout Turnabout, Sburban Jungle
 URLs: https://homestuck.bandcamp.com/track/bl1nd-just1c3-1nv3st1g4t1on-2
diff --git a/album/homestuck-vol-1-4/album.txt b/album/homestuck-vol-1-4/album.txt
index ff5dd1f..7516e01 100644
--- a/album/homestuck-vol-1-4/album.txt
+++ b/album/homestuck-vol-1-4/album.txt
@@ -290,7 +290,7 @@ Original Date: April 13, 2010
 URLs: https://homestuck.bandcamp.com/track/doctor-3
 Commentary:
     <i>Clark Powell:</i>
-    Doctor was originally by Buzinkai and then a now non-active member Michael Vellejo added a few bits of percussion to it. I then put together a larger mix of the tune with shinier production and a glockenspiel tag, and this was the version Andrew used in the end.
+    Doctor was originally by Buzinkai and then a now non-active member Michael Vallejo added a few bits of percussion to it. I then put together a larger mix of the tune with shinier production and a glockenspiel tag, and this was the version Andrew used in the end.
     <i>Buzinkai:</i>
     Doctor was written before Homestuck, actually. The only thing I can really remember was that Super Smash Bros Brawl came out right before I finished it. The original loop (which is not the one specifically heard in the comic, but was included in the album release) was directly inspired by music from Cave Story, and I was trying to at the time musically embody how I felt at the time, I think. Though it never seems to come out exactly as I plan it, I enjoyed the results. I will say that I cannot truly believe how many people have remixed it.
     The arpeggio part at the end goes between the left, both, and right speakers sequentially. I was too lazy to set the channel settings manually, so I did each note on a different instrument, which is set to each speaker channel. Not many people know that, and I think it actually made it a living hell for remixers who got a hold of the original file.
diff --git a/album/mobius-trip-and-hadron-kaleido/album.txt b/album/mobius-trip-and-hadron-kaleido/album.txt
index 3b97774..da2c42a 100644
--- a/album/mobius-trip-and-hadron-kaleido/album.txt
+++ b/album/mobius-trip-and-hadron-kaleido/album.txt
@@ -4,6 +4,27 @@ Cover Art: Tavia Morra, Richard Gung
 Track Art: Tavia Morra, Richard Gung
 Date: May 31, 2011 00:00:04
 FG: #eecc22
+Commentary:
+    <i>Michael Guy Bowman:</i>
+    <i>Is there a linear story to this album, or is it some other form of story telling?</i>
+    I've seen a good handful of questions like this and I'd be glad to clear this up. This album does have characters and a story behind it, but it is not a linear story or a rock opera. It's an eponymous album by its members Mobius Trip and Hadron Kaleido.
+    Back when Andrew proposed the music project in March of 2009, he made it clear that one of the things he wanted to do was create a lot of "fake bands" which would exist as actual musical entities within the Homestuck Universe in much the same light as the Gorillaz, the Monkees, or the Chipmunks (wow, those are all animal names). While we accomplished that somewhat with albums like "Squiddles Singalong", most of the concept albums have largely been musical homages to the actual characters. For example the Felt didn't "make" their album of the same name, the music team made it as program music.
+    <i>Mobius Trip and Hadron Kaleido</i> is meant to be literally an album that Mobius and Hadron would make together. Like the Kernelsprites, they spread their knowledge of Sburb and <u>The Ultimate Riddle</u> cryptically through overtly complex riddles rendered as rock music. They have a seemingly limitless knowledge of all things in the Homestuck universe, or do they? For all their answers they don't just give anything away, they tease you with their songs.
+    Hoohoohoo!
+    <i>How much thought did you put into connecting the album with Homestuck? Or was it just supposed to be a silly thing with a loose connection?</i>
+    From the very beginning I wanted to make this an album for Homestuck fans, but I also wanted this to be something which could be listened to from the outside-in. My goal was to create a solid set of songs that would revisit the basic themes of Homestuck, meaning that the fans would get a whole new dimension to the world of Homestuck and listeners unfamiliar with the comic could discover listen to it and, if so intrigued, discover the entire world of MSPA to create context for the album. Think of it as the relationship between <i>House of Leaves</i> and the band Poe - there is intertextuality between the literature and music and together they create a bigger picture. Plus, you can discover them in whatever order you like.
+    Personally, I believe the album is very faithful to the basic ideas of Homestuck. All the big themes are there: time, eternity, repetition, survival, the unknown, fractals, betrayal, dreams, romance, hypnosis, pumpkins, etc. While I certainly had ideas for songs already floating around before the fake band project fell in my lap, my rule of thumb was to incorporate Homestuck any time I hit a dead-end and didn't know what to do. Plus, the process of planning the art was something that Tavia and I were working on from almost the very beginning.
+    <i>how much of the instrumentation was synthesized and how much of it was organic? i'm thinking specifically of the fiddly guitar bits in forever</i>
+    I play every instrument on this record, and all the ones that aren't real instruments I either played through a synthesizer or sequenced myself. All the guitar is real guitar played by myself. I did all of the singing except for some backup vocals by Tavia. About half of the bass parts are me playing an old P-Bass and the other half are some spectacularly vintage-sounding synth basses that I sequenced. While I do play drums, I was unable to use my drum set in the making of this album and instead spent an intense amount of time laying down the drum parts as the first step in making each track. Most of the performance side of the album was really quick and just involved running through the song and playing a midi keyboard run through patches.
+    The "fiddly guitar bits" are played on a white Epiphone Les Paul named Glinda.
+    <i>Are there any intentional song similarities or specific inspirations, musically? Chain of Prospit reminds me a LOT of She Blinded Me With Science by Thomas Dolby, in a very good way.</i>
+    None of the songs are supposed to sound intentionally like any other song, but my style is informed by the groups I've listened to that I really enjoy. I can see the resemblance, but when I listen to my own music I always hear a demolition derby of every song I've ever liked. All the things I've seen posted about my music being a mix between groups like Daft Punk, David Bowie, or They Might Be Giants really satisfy me because those are most of the same things I listen to.
+    I think I listened to "She Blinded Me With Science" a lot about five years ago. Thomas Dolby is a cool guy. I really like his soundtrack to Gate to the Mind's Eye.
+    <i>Tavia Morra:</i>
+    <i>Also any fun stories you can share from taking the pictures for the graphics?</i>
+    For the portrait of Hadron's face, I cobbled together my little lighting and shooting rig with the following: tripod, camera, music stand, orange extension cord, nightlight, and a chair. It was super guerrilla, if you consider shooting in the comfort of your own home guerrilla. Either way, it was actually a very pleasant photoshoot that didn't require an extensive amount of time to set up.
+    Oh, and I kept eating cookies during one of the photoshoots.
+    That's all I can remember at the moment. Bowman might remember more.
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 Track: Forever
 URLs: https://bowman.bandcamp.com/track/forever
diff --git a/album/one-year-older/album.txt b/album/one-year-older/album.txt
index c88115c..235ced6 100644
--- a/album/one-year-older/album.txt
+++ b/album/one-year-older/album.txt
@@ -92,7 +92,7 @@ Track Art: Killian Ng
 URLs: https://erikscheele.bandcamp.com/track/unlabeled
 Commentary:
     <i>Erik Scheele:</i>
-    This is the second of the solo piano pieces on this album, at least in the main tracks, and a really late release as well, given that it first <a href="https://www.homestuck.com/story/3725">appeared</a> in the comic some time around a year ago. I've held it back from getting released just so it could go on this record, so I'm glad it could finally go out.
+    This is the second of the solo piano pieces on this album, at least in the main tracks, and a really late release as well, given that it first appeared in the comic some time around a year ago. I've held it back from getting released just so it could go on this record, so I'm glad it could finally go out.
     This is also the only piece on the album that doesn't have a specific event to go along with it. Instead, I went for where it appeared in the comic when placing it, and see it as more of a small interlude. The intermission between Act 1 and Act 2 of a musical, if you will. The art is meant to go along with this as well, a sort of non-canon get-together of the first set of trolls and kids we know, and I can imagine them playing this record while they chill.
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 Track: Skaian Shrapnel