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author | (quasar) nebula <qznebula@protonmail.com> | 2023-04-25 12:16:08 -0300 |
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committer | (quasar) nebula <qznebula@protonmail.com> | 2023-04-25 12:16:08 -0300 |
commit | 933e7b8ef37034af784b4a62a2e38c35bb8811e4 (patch) | |
tree | 97e8a74cd43f7eba2dfa49cec99debc980ceb1c5 /guidelines/albums-and-tracks.md |
highly WIP initial commit
Diffstat (limited to 'guidelines/albums-and-tracks.md')
-rw-r--r-- | guidelines/albums-and-tracks.md | 9 |
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diff --git a/guidelines/albums-and-tracks.md b/guidelines/albums-and-tracks.md new file mode 100644 index 0000000..c4cfbae --- /dev/null +++ b/guidelines/albums-and-tracks.md @@ -0,0 +1,9 @@ +# Album & Track Guidelines + +## `Name` field + +### Name albums and tracks according to Bandcamp release + +Generally, HSMusic uses Bandcamp as the primary reference for album listings. Many albums which have been released across multiple platforms have slight differences in track naming (e.g. capitalization) — we prefer the naming on Bandcamp first. We also do our best not to editorialize here. Even if different tracks follow different capitalization rules seemingly arbitrarily, we leave that as-is! + +When there hasn't been a Bandcamp release, track and album naming can be a bit of a throw. Prefer another music streaming platform first, or whichever platform has the most complete track listing (e.g. if SoundCloud is missing a few tracks while YouTube has the full release, then pull names from YouTube). If the tracks haven't been officially released on *any* platforms, use whatever comes closest to "official" naming: titles as credited in video games, a title the artist passingly called the work when referencing it from some other commentary, etc. |