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diff --git a/album/lofam4.txt b/album/lofam4.txt index 1597b1e..6000ff8 100644 --- a/album/lofam4.txt +++ b/album/lofam4.txt @@ -3,6 +3,7 @@ Directory: lofam4 Cover Art: Sozzay Wallpaper Art: Sozzay Banner Art: Sozzay +Banner Dimensions: 1100x203 Date: September 9, 2017 Date Added: March 16, 2020 Color: #aed6f0 @@ -246,6 +247,7 @@ Track: Daywalker ~Rise~ Artist: Catboss Track Art: Emily Jane Duration: 3:12 +References: track:daywalker-rise-contest Art Tags: - Kanaya URLs: @@ -981,7 +983,10 @@ Track: Upward Meowvement (Davepetasprite^2 Owns) Artist: LydianChord Track Art: CybeR Duration: 2:01 -Referenes: Upward Movement (Dave Owns), Nepeta's Theme +Referenes: +- Amen, Brother +- Upward Movement (Dave Owns) +- Nepeta's Theme Art Tags: - Davepeta URLs: @@ -996,7 +1001,7 @@ Track: Requited (Dirtiest Remix) Artist: David Dycus Track Art: Josefin B. Duration: 5:08 -Referenes: Requited +References: Requited Art Tags: - Nepeta - Meulin @@ -1471,7 +1476,7 @@ URLs: - https://youtu.be/oTRDtWd5JBM Commentary: <i>Shandy:</i> - A track to celebrate the Striders finally talking and hasing out their differences! Because it's a Stirders song, I couldn't help adding a little breakdwon. Sharp-eared listeners may also note that in the call-and-response main melody, the first synth is in 4/4 time and the second synth is in triplets—just as Dave and Dirk aren't quite in perfect lockstep. I left the ending open ended and hopeful, because I feel like the final chapter on their relationship has yet to be written. + A track to celebrate the Striders finally talking and hashing out their differences! Because it's a Stirders song, I couldn't help adding a little breakdown. Sharp-eared listeners may also note that in the call-and-response main melody, the first synth is in 4/4 time and the second synth is in triplets—just as Dave and Dirk aren't quite in perfect lockstep. I left the ending open ended and hopeful, because I feel like the final chapter on their relationship has yet to be written. <i><b>SplitSuns:</b></i> Dave and Dirk's reuinion on the spires of LOTAK was serious and poignant, but not without its sillier moments. This art is a mashup and showcase of the most ironic bullshit the Striders had to offer throughout the story. Smuppets galore, their plush rumps and jutting probosices laid alongside such gems as a Game Bro magazine, an artifacted Statue of Liberty, the lovable Squarewave and Sawtooth, and SBaHJ icons including the Big Man himself. And who could forget Guy Fieri's surprise appearance, his scream frozen in place as he prepares to assume the title of the next Antichrist? But that's a story for another time. ------------------------------------------------------------------------------- @@ -1522,7 +1527,7 @@ Commentary: - [[Lotus]] - 3:08-3:12 - [[Do You Remem8er Me]] - 3:17-4:20 - [[Skaian Skirmish]] - 3:38-4:00 - - [[Homestuck Anthem] - 4:42-4:54 + - [[Homestuck Anthem]] - 4:42-4:54 ------------------------------------------------------------------------------- Track: The Sin and the Salvation Artist: psithurist @@ -1777,7 +1782,7 @@ URLs: - https://youtu.be/XpIc_vizYRw Commentary: <i>Grace Medley:</i> - This song started out as a test to see if I could replicate that bassy blare from every major action film trailer from the past six or so years. Then, it evolved into a Rhapsody in Green cover, and the rest is history. While making this I had the image of the Midnight Crew's casino burning down as Spades struggles to escape, then I re-thought it over with Lord English's arrival into Jack's body, then Jake's battle against the leprechauns, until I eventually decided, "as long as it's Felt-themed, this song isa bout it". There are a few references to Felt-based songs in here, too. The aforementioned Rhapsody in Green, the eerie variation of English from early on in Carne Vale, the opening from Afraid of the Darko (although quite drastically rewritten for a cinematic vibe) and a hopeful piano reprise of Carne Vale as a reflection of the first defeat Jake had left the Felt with. Then it concludes with the tail-end of English, because the Felt never truly stay down. + This song started out as a test to see if I could replicate that bassy blare from every major action film trailer from the past six or so years. Then, it evolved into a Rhapsody in Green cover, and the rest is history. While making this I had the image of the Midnight Crew's casino burning down as Spades struggles to escape, then I re-thought it over with Lord English's arrival into Jack's body, then Jake's battle against the leprechauns, until I eventually decided, "as long as it's Felt-themed, this song is about it". There are a few references to Felt-based songs in here, too. The aforementioned Rhapsody in Green, the eerie variation of English from early on in Carne Vale, the opening from Afraid of the Darko (although quite drastically rewritten for a cinematic vibe) and a hopeful piano reprise of Carne Vale as a reflection of the first defeat Jake had left the Felt with. Then it concludes with the tail-end of English, because the Felt never truly stay down. <i>sonotcanon:</i> snowman a la mal from inception. credit to power for the concept! ------------------------------------------------------------------------------- @@ -1830,7 +1835,8 @@ Commentary: Prospitian Monody started life as a techno/ambient fusion with acoustic instruments in for fun too, which is a fancy way of saying I have no idea what genres actually mean. It also had a completely different melody. People told me the piano didn't fit so I made it synth, people told me the melody was aimless but couldn't explain why so I just rewrote it and blindly hoped, and they liked it but then production sucked again so I made it orchestral, and then the whole thing became synth instruments, which I kind afound bland but also it works well and I don't know what else to do. ANYWAY ENOUGH RAMBLING ABOUT USELESS FEEDBACK LETS GET TO THE SONG ITSELF A monody is essentially a dirge, except that it's not a dirge? It's dirgeish anyway. (fucking hell ost) This is like a funeral hymn for the White King, but the Dersite army is slaughtering all the Prospitians that try to mourn, so in the end the funeral ends up being held by some Dersites who aren't sympathetic to Prospit, but do respect tradition and politeness and etiquette and so on, so to compensate for it being a funeral for the enemy they make it all imposing and evil. (The Black King is too busy ending the world to notice.) You could sort of view it as a counterpart to [[track:broken-dreams]] on the SBURB OST, but focusing more on Derse's triumph than on Prospit's downfall. <i><b>wheals:</b></i> - Jas posted a quite different original version of this art, showing a funeral procession of sorts for the king's impaled head, but replaced it with this even more impressive composition featuring a more dynamic posee and focused around a central Dersite. There was some disagreement on the discord server whether it looked better with or without the three in the top left, which ended with the tree being put in at 8% transparency. + Jas posted a quite different original version of this art, showing a funeral procession of sorts for the king's impaled head, but replaced it with this even more impressive composition featuring a more dynamic posee and focused around a central Dersite. There was some disagreement on the discord server whether it looked better with or without the tree in the top left, which ended with the tree being put in at 8% transparency. + Also johndave is a bad ship suck it viko ------------------------------------------------------------------------------- Track: Shatter Artist: M3l0m4ni4c @@ -1887,7 +1893,7 @@ URLs: Commentary: <i>Interrobang:</i> The song that eventually came to be known as Ultimate Alchemy started at a time I found myself listening to Volume 7's Earthsea Borealis, which remains one of my favorite Homestuck songs ever. One day, a melody popped into my head, and I started writing. At some point in the composition process I decided I might as well try to submit the song to LOFAM4, and with quite a bit of much-appreciated feedback from the judges, got it into a completed state. The biggest surprise as I was finishing up work occurred when Viko Riféo pointed out that what I had thought was the original melody throughout the song was in fact Bilions, which is a great song from the Genesis Frog album that I had embarrassingly forgotten about. - A lot of people helped me to get this song into the state that it's in now, and I'd like to take this opportunity to thank them. Thanks to Viko Riféo and Kusoro, who both had some really great ideas on mastering and percussion that ultimately didn't make it into the final song; to Wheals for giving it a final name, and ESPECIALLY to Seijen, whose mastering amde the final product much better than I could have ever thought. And of course many, many, many thanks to Circlejourney, whose art is indescribably fitting and amazing. Finally I'd like to thank the LOFAM4 team for all their help and support, y'all are a bunch of great people and it's been an honor to have this opportunity. + A lot of people helped me to get this song into the state that it's in now, and I'd like to take this opportunity to thank them. Thanks to Viko Riféo and Kusoro, who both had some really great ideas on mastering and percussion that ultimately didn't make it into the final song; to Wheals for giving it a final name, and ESPECIALLY to Seijen, whose mastering made the final product much better than I could have ever thought. And of course many, many, many thanks to Circlejourney, whose art is indescribably fitting and amazing. Finally I'd like to thank the LOFAM4 team for all their help and support, y'all are a bunch of great people and it's been an honor to have this opportunity. <i>Circlejourney:</i> The track is clearly about the Ultimate Alchemy, which I also find it very evocative of. I took that prompt on as faithfully as I could. This is one part of a larger iamge formed of the covers of this, [[Crystalendofgames]], and [[Black Hole / White Door]]. @@ -2125,9 +2131,9 @@ URLs: - https://youtu.be/_X8T8PjS8N4 Commentary: <i>Seijen:</i> - Time and time again I make a drum and bass song and im never satisfied with the drum mix. Like the time befoe and that time before. The snare is powerful but the kicks are never too prominent without being overtly compressed. Its always the same as the last time. But this track was a little different, instead I said "ooh that was horrible" because like the time before the kicks never seem to be enough. Its just the same as the last time. Bot those basses though. so ill. I feel sick now. Just like that time I ate at that Chinese place. I got sick there the time before but that was a year before. "Oh that was so gross" I uttered after taking my first bite of that gen. tso chicken. It was just the same as the last time. + Time and time again I make a drum and bass song and im never satisfied with the drum mix. Like the time befoe and that time before. The snare is powerful but the kicks are never too prominent without being overtly compressed. Its always the same as the last time. But this track was a little different, instead I said "ooh that was horrible" because like the time before the kicks never seem to be enough. Its just the same as the last time. But those basses though. so ill. I feel sick now. Just like that time I ate at that Chinese place. I got sick there the time before but that was a year before. "Oh that was so gross" I uttered after taking my first bite of that gen. tso chicken. It was just the same as the last time. <i><b>Kal-la-kal-la:</b></i> - The concept of vampires has existed for millennia. There seems to be a split amongst moder ndepictions between vampires as grotesque being and vampires as alluring and beautiful. Exsanguinated, with its vocal samples describing disgust, expresses this, and the track art displays the dichotomy well, depicting a very beautiful Kanaya Maryam with blood in all the colours of the rainbow dripping from her mouth. Were it that Homestuck neurofunk should have a particular aesthetic sensibility, it would be bloodied rainbow-drinkers. + The concept of vampires has existed for millennia. There seems to be a split amongst modern depictions between vampires as grotesque being and vampires as alluring and beautiful. Exsanguinated, with its vocal samples describing disgust, expresses this, and the track art displays the dichotomy well, depicting a very beautiful Kanaya Maryam with blood in all the colours of the rainbow dripping from her mouth. Were it that Homestuck neurofunk should have a particular aesthetic sensibility, it would be bloodied rainbow-drinkers. ------------------------------------------------------------------------------- Track: Premortem Artist: Noisemaker @@ -2142,7 +2148,7 @@ URLs: - https://youtu.be/5cJNegoYjuU Commentary: <i>Noisemaker:</i> - If some of you thought this was le canrival from Cool and New Webcomic's V8LUME, then you'd be right! I nitially made le canrival as a Cool and New Webcomic track, but the folks over on the Land of Fans and Music team took some interest in it. So, we arranged to have it put on the next LOFAM, under a new, more classy name. + If some of you thought this was le canrival from Cool and New Webcomic's V8LUME, then you'd be right! I initially made le canrival as a Cool and New Webcomic track, but the folks over on the Land of Fans and Music team took some interest in it. So, we arranged to have it put on the next LOFAM, under a new, more classy name. <i>0syTezy:</I> this track art you see right here took over two months of work as we needed to space out time for other projects as well. the setting takes place in the land of tents and mirth as shown. the experience of creating this project was sorta stressful but fun. it was mostly stressful for me since I had many other things I needed to work on. EllenZarael worked with me over the course of the drawing. ------------------------------------------------------------------------------- @@ -2304,7 +2310,7 @@ URLs: - https://youtu.be/2Tm2S88RlCg Commentary: <i>Aris Martiniain:</i> - God, this was so much work. Oh yeah, and I lost the first half of the project file towards the end so I couldn't go back and edit it. Ugh. But all in all, I'm pretty happy with how it turned out. The original plan was to go through the CANMT discography and pick the most iconic songs over time. If you're unfamiliar with its discography, I highly recommend you at least <a href="https://coolandnewwebcomic.bandcamp.com/">go give it a glance</a>. I roughly settled on useing Cascante, Tick/Tock, Fruity Pebbles Redux, Gunshow, Rex Mille Geromius, Doctor and Penumbra Phantasm (cool and new vol V), Contra (from Cool and New Homestuck), Moshi Moshi, Final Confrontation, Unintentional Touhou, In the Beginning/Contact, Formation, Jungle #3, Muse of Nanchos, Flintstones, Gunshow 2, and of course, the RCT theme and Bowman's credit score. Shoutouts to difarem for making the "it's between my buttocks" vocalid for me. Revisit/Rewind, which is based heavily on Ascend, was released as the Cool and New Homestuck song for [S] Credits. + God, this was so much work. Oh yeah, and I lost the first half of the project file towards the end so I couldn't go back and edit it. Ugh. But all in all, I'm pretty happy with how it turned out. The original plan was to go through the CANMT discography and pick the most iconic songs over time. If you're unfamiliar with its discography, I highly recommend you at least <a href="https://coolandnewwebcomic.bandcamp.com/">go give it a glance</a>. I roughly settled on using Cascante, Tick/Tock, Fruity Pebbles Redux, Gunshow, Rex Mille Geromius, Doctor and Penumbra Phantasm (cool and new vol V), Contra (from Cool and New Homestuck), Moshi Moshi, Final Confrontation, Unintentional Touhou, In the Beginning/Contact, Formation, Jungle #3, Muse of Nanchos, Flintstones, Gunshow 2, and of course, the RCT theme and Bowman's credit score. Shoutouts to difarem for making the "it's between my buttocks" vocaloid for me. Revisit/Rewind, which is based heavily on Ascend, was released as the Cool and New Homestuck song for [S] Credits. <i><b>wheals:</b></i> This art was made in like five hours on Christmas 2016 when i yelled at nights to make some John/Aradia art for Revisit/Rewind (it being based off Ascend, with its iconic John/Aradia art). That's basically the plot of The Christmas Carol and by writing this seven months later I'm now the Ghost of Christmas Future. I'll let Past Nights (the Ghost of Christmas Past) fill you in on the rest: <i>nights:</i> |