strip trailing whitespace in a bunch of content fields

1 files changed, 29 insertions, 29 deletions

diff --git a/album/v8lume.yaml b/album/v8lume.yaml
index 07ca676..d26b09f 100644
--- a/album/v8lume.yaml
+++ b/album/v8lume.yaml
@@ -53,7 +53,7 @@ Commentary: |-
     Overall, making the Volume 8 cover was a really fun project, and helping this team (and the team helping me) has been the greatest thing I've experienced in years, maybe ever.
     I hope you have fun (or had fun, if you're reading this retroactively) with the album. Stay safe out there.
     <img src="media/misc/v8lume-collage.jpg" width="450">
-    
+
     <i>XenoZane:</i> (Booklet Assembler)
     fuck you bob i do not read your commentary because you put so many fucking pictures like goddamn
 
@@ -107,7 +107,7 @@ Commentary: |-
     Then S[FRESH JIMMY dropped and I realized ""weird electronic song"" was exactly the genre that I had established as being Jimmy's in Fresh Jimmy's Fresh Beatz. So I continued from the Homestuck Anthem parts to FJFB parts and then a part from... a different anthem."
 
     <i>yazshu:</i> (Artist)
-    yo i made this fuckin trackart gangster as fuck man fresh jimmys a fucking og motherfucker and i needed this fucking trackart to respect that yo so i gave my man fj a fuckin boombox and shit and put him behind an urban citty decaying wall and shit yeah man what a fuckin g id let him suck my fucking dick with his motherfucking scaly bubble mouth holy shit that sounds so fucking hot ngl anyways yeah fresh jimmys a fucking g shoutout to my man wheals for making this track hes pretty cool 
+    yo i made this fuckin trackart gangster as fuck man fresh jimmys a fucking og motherfucker and i needed this fucking trackart to respect that yo so i gave my man fj a fuckin boombox and shit and put him behind an urban citty decaying wall and shit yeah man what a fuckin g id let him suck my fucking dick with his motherfucking scaly bubble mouth holy shit that sounds so fucking hot ngl anyways yeah fresh jimmys a fucking g shoutout to my man wheals for making this track hes pretty cool
 ---
 Track: Conflict! (Guitarkind)
 Artists:
@@ -153,8 +153,8 @@ URLs:
 - https://youtu.be/15i0jf9OJ1k
 Commentary: |-
     <i>TirantBacon:</i> (Composer)
-    Ah, unintentional touhou. How unintentionally touhou. This unintentionally reminds me of a particular song that ends with touhou and starts with unintentional. 
-    Making this song was absurdly fun. It was the first time I've really got to make another version of someone else's song, and I enjoyed what I could do with it. It's not a huge song, and especially not a crazy song in any way shape or form. It was just a small idea that ended with me putting it on the album. And yes, it doesn't sound like a touhou song at all. I'm not a mad man, and especially not [[artist:zun|ZUN]] in the slightest :) 
+    Ah, unintentional touhou. How unintentionally touhou. This unintentionally reminds me of a particular song that ends with touhou and starts with unintentional.
+    Making this song was absurdly fun. It was the first time I've really got to make another version of someone else's song, and I enjoyed what I could do with it. It's not a huge song, and especially not a crazy song in any way shape or form. It was just a small idea that ended with me putting it on the album. And yes, it doesn't sound like a touhou song at all. I'm not a mad man, and especially not [[artist:zun|ZUN]] in the slightest :)
     All I can really hope is that you like it as much as I liked making it!
 
     <i>CreatorOfJanespeak:</i> (Artist)
@@ -276,13 +276,13 @@ URLs:
 - https://youtu.be/zh0vrpdst58
 Commentary: |-
     <i>TirantBacon:</i>
-    "this is it the moament youre all been a waiting for 
-    swet bro had dead 
-    hecka jeff is angery 
+    "this is it the moament youre all been a waiting for
+    swet bro had dead
+    hecka jeff is angery
     jhon egbret is stutid
-    If you've heard the song already before reading the commentary, you'll know it's pretty intense in terms of instrumentation. I wanted this specific song to fit a stunning conclusion to the ""Hecka Jeff wants to kill Jhon Egbret"" saga which is currently being brought up in CaNWC. It actually has an interesting production backstory, involving numerous attempts at trying to conceptualize how this song would be arranged. 
-    I first made a song of the same name a while back, but I declared it ""too awkward to have it on any proper album"", so I discarded it without hope that I would attempt another version, until the hecka jeff album came around, resulting in a short mediocre publish of what I thought would be a good battle theme at the time. I THEN decided to rework this song from the point I left off of the original, which is why I kept the original intro from the previous version. 
-    There are many points I'd like to mention about the song, but to keep it short I'd like to say that I really enjoyed making it, and that this song isn't meant to blow anyone's socks off, but it's suppose to tell a story. I feel as if I've come a long way in terms of composition knowledge + production knowledge, and I think this song really shows it well. 
+    If you've heard the song already before reading the commentary, you'll know it's pretty intense in terms of instrumentation. I wanted this specific song to fit a stunning conclusion to the ""Hecka Jeff wants to kill Jhon Egbret"" saga which is currently being brought up in CaNWC. It actually has an interesting production backstory, involving numerous attempts at trying to conceptualize how this song would be arranged.
+    I first made a song of the same name a while back, but I declared it ""too awkward to have it on any proper album"", so I discarded it without hope that I would attempt another version, until the hecka jeff album came around, resulting in a short mediocre publish of what I thought would be a good battle theme at the time. I THEN decided to rework this song from the point I left off of the original, which is why I kept the original intro from the previous version.
+    There are many points I'd like to mention about the song, but to keep it short I'd like to say that I really enjoyed making it, and that this song isn't meant to blow anyone's socks off, but it's suppose to tell a story. I feel as if I've come a long way in terms of composition knowledge + production knowledge, and I think this song really shows it well.
     (If you couldn't guess the title is a reference to The Princess Bride, a movie I haven't watch yet! I should totally go watch it.)"
 
     <i>Minish:</i> (Artist)
@@ -325,7 +325,7 @@ URLs:
 - https://youtu.be/kdWGod89Pkw
 Commentary: |-
     <i>Ragzilla:</i> (Composer)
-    Cool and new webcomic is the perfect mix of silly joke and actual effort into making silly jokes. I love the Roller Coaster Tycoon joke, and i wanted the "actual effort, but still a silly joke" feel to it. I love making EDM music, so I chose a quick tempo, and just rolled with it. I wanted it to be upbeat, and also happy. 
+    Cool and new webcomic is the perfect mix of silly joke and actual effort into making silly jokes. I love the Roller Coaster Tycoon joke, and i wanted the "actual effort, but still a silly joke" feel to it. I love making EDM music, so I chose a quick tempo, and just rolled with it. I wanted it to be upbeat, and also happy.
 
     <i>Makin:</i> (Artist)
     I made this a long long time ago for another song, so long that I have genuinely forgotten which one it was. I think it was a cookiefonster song, but he didn't like this glorious track art, so I had to shelve it. Wheals reminded me that this track was missing art and that mine fit it perfectly, so its time had finally come.
@@ -463,7 +463,7 @@ Lyrics: |-
     Bowman
     Is
     Awesome
-    Mi-mi-mi-michael 
+    Mi-mi-mi-michael
     Bow— Bow-bow— Bo-bow— Bowman
     I-i-is— is
     Awes— Awes— Awes-awes-awes-awes-awesome!
@@ -518,7 +518,7 @@ Lyrics: |-
     (I-i-is—) (A-a-a-a-a-a-a— Michael Bowma—)
     (A-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a—) Awesome! Awesome! Awesome! Awesome!
     Mi-chael-Bow-man...
-    
+
     (One hundred percent! One hundred percent! One hundred percent... One hundred percent... One hundred percent... One hundred percent... One hundred percent...)
 Commentary: |-
     <i>WHATISLOSTINTHEMINES:</i> (Composer)
@@ -616,7 +616,7 @@ Commentary: |-
     All I really did was transcribe more parts of the RCT theme song and the second half of Aggrieve but it was still fun to do.
 
     <i>Skyplayer:</i> (Artist)
-    I have no skill whatsoever in 2D art. Therefore, you get to experience this grotesque 3D creation of Rose that's reminiscent of a certain Tank Engine.You can also see I also tinted the logo purple, which is about my limit of 2D art. 
+    I have no skill whatsoever in 2D art. Therefore, you get to experience this grotesque 3D creation of Rose that's reminiscent of a certain Tank Engine.You can also see I also tinted the logo purple, which is about my limit of 2D art.
 ---
 Track: The Bird is Back
 Artists:
@@ -661,9 +661,9 @@ URLs:
 Commentary: |-
     <i>TirantBacon:</i> (Composer)
     <b>WHO LET THAT SAX IN</b>
-    I originally planned to make this song totally unrelated to CaNWC as more of a Vriska song then Vrasky song, but I just couldn't resist mixing it up a notch. Vrasky just needed a theme so badly, and how appropriate for an album titled Volume 8 too! I know we haven't actually gotten much to really look at in terms of Vrasky's appearances, but I feel as if this song was right for her in some way (don't quote me on that). 
-    This song starts off very wonky and out of place, and definitely has no really direction. I made most of the song in a blues scale because that's usually what was running for Vriska. The song then jumps into a major scale, which is what I wanted to represent the fact that Vrasky may not be so evil, besides obviously being kinda demanding during her first appearance, and just darn right misunderstood. There's also a Moshi Moshi reference, which is pretty cool. 
-    All in all I hope you enjoy listening to this loud, out of control, messy Vrasky themed song that I spent several hours on trying to perfect to the closest degree, AM I IM8ORT8ANT yet? 
+    I originally planned to make this song totally unrelated to CaNWC as more of a Vriska song then Vrasky song, but I just couldn't resist mixing it up a notch. Vrasky just needed a theme so badly, and how appropriate for an album titled Volume 8 too! I know we haven't actually gotten much to really look at in terms of Vrasky's appearances, but I feel as if this song was right for her in some way (don't quote me on that).
+    This song starts off very wonky and out of place, and definitely has no really direction. I made most of the song in a blues scale because that's usually what was running for Vriska. The song then jumps into a major scale, which is what I wanted to represent the fact that Vrasky may not be so evil, besides obviously being kinda demanding during her first appearance, and just darn right misunderstood. There's also a Moshi Moshi reference, which is pretty cool.
+    All in all I hope you enjoy listening to this loud, out of control, messy Vrasky themed song that I spent several hours on trying to perfect to the closest degree, AM I IM8ORT8ANT yet?
 
     <i>avocado:</i> (Artist)
     why
@@ -801,7 +801,7 @@ Commentary: |-
     People liked [[track:fighting-spirit-redux|Fighting Spirit Redux]] so I decided to do another song like that, this time remaking Fighting Spirit Second Form with cool and new motifs. This time I was a lot less self indulgent with picking melodies to use but I got to use some less common ones which was pretty cool and new. My favorite parts of this are Moshi Moshi? and Battle Against an Average Foe. I probably could've used [[track:unintentional-touhou|Unintentional Touhou]] as well but for some reason that didn't occur to me.
 
     <i>trip:</i> (Artist)
-    i tried to mimic the original fighting spirit second form art but with the lodar gang. thats about it. hot artists thoughts on this piece: hecka jef looks like gary oak with a fat ass and a blue onesie but honestly im at peace with that idea. also fresh germyquensprit looks like a fucking demon which is rad. 
+    i tried to mimic the original fighting spirit second form art but with the lodar gang. thats about it. hot artists thoughts on this piece: hecka jef looks like gary oak with a fat ass and a blue onesie but honestly im at peace with that idea. also fresh germyquensprit looks like a fucking demon which is rad.
 
     <i>Scarodactyl:</i> (Artist)
     I added big, beefy arms ~~for no discernable reason~~ on the advice of my art guru, and they ran with it, and for that I am forever grateful.
@@ -823,7 +823,7 @@ URLs:
 - https://youtu.be/C1ieAWpteAU
 Commentary: |-
     <i>olegoleg123:</i> (Composer)
-    This song was not originally meant for CANWC and/or Homestuck, however, I decided to apply it here because of two reasons: I felt like it would fit Rose fairly well and I wanted this song to become a persistent leitmotif in CANWC(since original, serious leitmotifs is what the CANWC soundtrack is still very much lacking). Later, I made a few candidates for the ""second version"" of this song(Aura of Void(unfinished), <a href="https://soundcloud.com/olegoleg123/halloween-2016-preview">Halloween Track</a>(unrelated to CANWC), <a href="https://soundcloud.com/olegoleg123/dance-of-colour">Dance of Colour</a>(didn't really turn out all that good), HQ Remaster(didn't really go anywhere after the first two bars, will possibly be continued and released as and ""Alpha Version""))     
+    This song was not originally meant for CANWC and/or Homestuck, however, I decided to apply it here because of two reasons: I felt like it would fit Rose fairly well and I wanted this song to become a persistent leitmotif in CANWC(since original, serious leitmotifs is what the CANWC soundtrack is still very much lacking). Later, I made a few candidates for the ""second version"" of this song(Aura of Void(unfinished), <a href="https://soundcloud.com/olegoleg123/halloween-2016-preview">Halloween Track</a>(unrelated to CANWC), <a href="https://soundcloud.com/olegoleg123/dance-of-colour">Dance of Colour</a>(didn't really turn out all that good), HQ Remaster(didn't really go anywhere after the first two bars, will possibly be continued and released as and ""Alpha Version""))
     This song is to be used when the comic goes from ""mostly ironically shitty and messing around"" to ""100% dark and serious"", which I'm hoping would happen at some point.
 
     <i>CreatorOfJanespeak:</i> (Artist)
@@ -851,7 +851,7 @@ URLs:
 - https://youtu.be/dyz9RUQBY7g
 Commentary: |-
     <i>Griever:</i> (Composer)
-    "The new universe that the kids and trolls and even Calliope made their humble abode was, well, utopic. But it wasn't always that way, you know. In the year 4200, 800 years before the time period that Dave took everybody to, a great war broke out over the most petty of ideals and virtues. You see, there were religious scriptures being uncovered as time went on, and the new Earth was slowly globalizing. But conflict arose when some scriptures began to contradict each other in terms of the relationships between the gods. All of a sudden, sects began to gather, rallying around different pairs of their gods. This was how the shipping wars began. Was Dave really ever into Jade all that much? Or was he really getting along with Karkat on a space-trip that only one other man had seen? Davejade, Davekat, it didn't matter. True believers of every ship imaginable perished on the battlefield for their cause. The great shipping wars of 4200 raged for 4 centuries and thirteen years. On October 25th, 4613, civilization was destroyed as a result of defense portals rerouting weapons of mass destruction to nearly every inch of the planet, coincidentally missing the entire meteor, thankfully. The few survivors had to make a pilgrimage to the meteor to jump start society with ectobiology. Those were some of the bravest souls to ever live on this new universe. 
+    "The new universe that the kids and trolls and even Calliope made their humble abode was, well, utopic. But it wasn't always that way, you know. In the year 4200, 800 years before the time period that Dave took everybody to, a great war broke out over the most petty of ideals and virtues. You see, there were religious scriptures being uncovered as time went on, and the new Earth was slowly globalizing. But conflict arose when some scriptures began to contradict each other in terms of the relationships between the gods. All of a sudden, sects began to gather, rallying around different pairs of their gods. This was how the shipping wars began. Was Dave really ever into Jade all that much? Or was he really getting along with Karkat on a space-trip that only one other man had seen? Davejade, Davekat, it didn't matter. True believers of every ship imaginable perished on the battlefield for their cause. The great shipping wars of 4200 raged for 4 centuries and thirteen years. On October 25th, 4613, civilization was destroyed as a result of defense portals rerouting weapons of mass destruction to nearly every inch of the planet, coincidentally missing the entire meteor, thankfully. The few survivors had to make a pilgrimage to the meteor to jump start society with ectobiology. Those were some of the bravest souls to ever live on this new universe.
     Upon finding out this bit of juicy information, Rose brought it to the attention of John, Dave, and Jade. They shared bittersweet laughs at the absurdity of the war and all the destruction their silly minor childhood crushes and romance-teasing actions had unintentionally caused. And, since they had already gathered for the first time in months, they chose to honor the ones who made the sacrifice to reset the world's society after the great shipping wars. They decided to hold a Deity Concerto in which they played all sorts of music and had a great time, showing the citizens of this new universe the greatest ship of all - friendship. Rose lifted her violin, John placed his hands over the piano. Dave dragged his Phat Beats record mix studio to the stage. Jade got ready to doot on the flute as hard as she could before later switching to bass for half the concert. And they began their opening act, in honor of the war and in honor of the ones that held onto hope for a utopia out of destruction.
     This is that opening act. You're fucking welcome."
 
@@ -901,7 +901,7 @@ URLs:
 Commentary: |-
     <i>ft-rj:</i> (Composer)
     Well, I decided to put together a Sburban Jungle reskin but with some cool and new motifs. I couldn't get instrument VSTs to not kill my pc so i stuck to simple shit
-    
+
     <i>ft-rj:</i> (Artist)
     <span style="font-size: 30px">i cba</span>
 
@@ -1122,7 +1122,7 @@ Lyrics: |-
     The games will never stop, the games will never stop (Adrien Brody Adrien Brody Adrien Brody Adrien Brody)
     The games will never stop, the games will never stop (Adrien Brody Adrien Brody Adrien Brody Adrien Brody)
     The games will never stop, the games will never stop (Adrien Brody Adrien Brody Adrien Brody Adrien Brody)
-  
+
     The games will never stop, the games will never stop
     The games will never stop, the games will never stop
     The games will never stop, the games will never stop
@@ -1170,8 +1170,8 @@ URLs:
 - https://youtu.be/FJ6_Ru6UOhs
 Commentary: |-
     <i>TirantBacon:</i> (Composer)
-    Also ~~not~~ known as Dabe's theme (no or yes????????????????????? u decide) 
-    Dabestep's melody was something I initially came up with on the piano as a concept melody, which eventually got transcribed as a proper song. It originally didn't sound this solid and full on, with it instead being more of a typical light chiptune that I didn't plan to go anywhere further with. Eventually, due to choice, I made the triangle wave louder and the drums louder still, which you can hear in the original version. 
+    Also ~~not~~ known as Dabe's theme (no or yes????????????????????? u decide)
+    Dabestep's melody was something I initially came up with on the piano as a concept melody, which eventually got transcribed as a proper song. It originally didn't sound this solid and full on, with it instead being more of a typical light chiptune that I didn't plan to go anywhere further with. Eventually, due to choice, I made the triangle wave louder and the drums louder still, which you can hear in the original version.
     [[artist:kusoro|Xoro]] heard the song, added drums plus bitcrushing at transition points, and this is the result. I got to say, he improved the song completely, as the drums go very well with the arrangement of the overall tune. He did a great job knowing what rhythm the drums would have! The original version is on the soundtest, if that interests you.
 
     <i>Kusoro:</i> (Composer)
@@ -1309,7 +1309,7 @@ URLs:
 Commentary: |-
     <i>NyashAlex:</i> (Composer)
     The sound of whatever instrument plays in Spanish Waltz has always been associated in my head with Tavros, so the idea of remixing it with another Tavros leitmotif was floating around me for quite a while.
-    
+
     <i>Shadok:</i> (Artist)
     i like castle crasher
 
@@ -1387,7 +1387,7 @@ Commentary: |-
     One day I thought, hey I wonder how well Death by Glamour sounds combined with Conflict. This idea started as a simple high quality rip concept but it turned into this monstrosity of a song instead. Instead of transcribing the original song precisely except for melodies to replace with Conflict, I added a lot of my own doodling and interpretations of parts. Thanks to [[artist:pipko-fanfare|dragonChaser]] for helping with harmonizing that high piano part. In the later parts of the song I decided to use Tick to replace [[track:metal-crusher|Metal Crusher]] which it was supposedly based on, and Snow Halation in the sax part because I don't need to explain why. I'm firmly convinced that last part is better than the original, and not even just because of DVS Sax.
     I think this is one of the best songs I've ever made, but let's be real here, it's only because the original Death by Glamour is so good. Still, people liked [[track:fighting-spirit-redux|Fighting Spirit Redux]] well enough so whose tastes am I to judge.
     Also this song will never live up to [[track:sbowban-glamour|Sbowban Glamour]], sorry folks.
-    
+
     <i>yazshu:</i> (Artist)
     i like drawing mettaton i just put knives in his eyes also this was originally going to be a collab with me and tti but i liked the shitty wade i drew as what i wanted so much that i kept it
 ---
@@ -1503,7 +1503,7 @@ Lyrics: |-
     Belie belie belie belie belie belie
     Belie belie belie belie belie belie
     Belie belie belie belie belie belie belie belie belie belie
-    Dooonnnnee thiiiiss 
+    Dooonnnnee thiiiiss
 URLs:
 - https://coolandnewwebcomic.bandcamp.com/track/youve-done-this-i-cant-believe
 - https://youtu.be/oEc2IIElypI
@@ -1821,7 +1821,7 @@ URLs:
 - https://youtu.be/QNBUnL0D8vU
 ---
 Track: Quartet (Full Ver.)
-Artists: 
+Artists:
 - Griever
 Duration: '3:05'
 Has Cover Art: false
@@ -1839,7 +1839,7 @@ Sampled Tracks:
 - Flute Refrain
 ---
 Track: Sburban Tycoon (Full Ver.)
-Artists: 
+Artists:
 - ft-rj
 Duration: '3:34'
 Has Cover Art: false