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ferkol citations + commentary cleanup - hsmusic-data - Data files for https://hsmusic.wiki - track, album, artist & flash info, etc
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author(quasar) nebula <qznebula@protonmail.com>2024-02-13 10:24:23 -0400
committer(quasar) nebula <qznebula@protonmail.com>2024-02-13 10:24:23 -0400
commitbee7767b505c8376c13379986a2476e1c0931b9d (patch)
treee1458e17981083e9a1f1284314edcbbcc25e9401 /album/the-felt.yaml
parent228a80289f85e0957e420c0856f4944b8c418997 (diff)
ferkol citations + commentary cleanup
Diffstat (limited to 'album/the-felt.yaml')
-rw-r--r--album/the-felt.yaml13
1 files changed, 6 insertions, 7 deletions
diff --git a/album/the-felt.yaml b/album/the-felt.yaml
index 83598e1..b2c0f73 100644
--- a/album/the-felt.yaml
+++ b/album/the-felt.yaml
@@ -155,9 +155,9 @@ URLs:
 Referenced Tracks:
 - Clockwork Apocalypse
 Commentary: |-
-    <i>Thomas Ferkol:</i>
-    Clockwork Reversal was my second contribution to the Felt.  I love the melody of Endless Climb.  I loved the music box-esque remixes on Volume 5 even more.  Before I got on the team, I had written Clockwork Apocalypse, an orchestrated version of Clockwork Melody.  After realizing Audacity could reverse music, I started experimenting.
-    Since the Endless Climb melody was so memorable and it had served as good sort of interlude tracks on Volume 5, I decided to try to make something in a similar vein.  Oddly enough, I think the reversed version of the Clockwork Reversal sounds even better than both Clockwork Reversal and Clockwork Apocalypse.
+    <i>Thomas Ferkol:</i> ([Tumblr](https://eidolonorpheus.tumblr.com/post/15715289410/eidolons-other-commentary-whatsits), excerpt)
+
+    Clockwork Reversal was my second contribution to the Felt.  I love the melody of [[Endless Climb]].  I loved the [[track:clockwork-melody|music box]]-[[track:clockwork-contrivance|esque]] [[track:clockwork-sorrow|remixes]] on [[album:homestuck-vol-5|Volume 5]] even more.  Before I got on the team, I had written [[Clockwork Apocalypse]], an orchestrated version of [[Clockwork Melody]].  After realizing Audacity could reverse music, I started experimenting.  Since the Endless Climb melody was so memorable and it had served as good sort of interlude tracks on Volume 5, I decided to try to make something in a similar vein.  Oddly enough, I think the reversed version of the Clockwork Reversal sounds even better than both Clockwork Reversal and Clockwork Apocalypse.
 ---
 Track: Chartreuse Rewind
 Artists:
@@ -320,10 +320,9 @@ Sheet Music Files:
   Files:
   - 'Time Paradox - Thomas Ferkol (piano score).pdf'
 Commentary: |-
-    <i>Thomas Ferkol:</i>
-    This was the first piece I submitted for an album once I got on the team.  Basically what happened was: I am visiting somewhere in Chicago with only my phone's connection to the internet, check the MSPA forums and find a message notification waiting for me.  Radiation congratulates me on getting on the team.  After some moments of sputtering disbelief, I read on.  He says if I want to get started on something, the Squiddles was being finished up and the Felt was on the table.  So, for the next couple hours I was invigorated, consumed wholly during the car ride and time in the hotel before I finally fell asleep with working on a track for the Felt.  Time Paradox was made.
-    Originally, I made it imagining the recruitment of the Felt, picturing Doc Scratch warping across time and space, assembling the green goons from who knows where, and then witnessing the construction of the Felt manor.
-    It's a fun track, more energetic than a lot of things I had worked on and definitely influenced by Radiation's style.  The last two sections are still some of my favorite phrases that I've written.
+    <i>Thomas Ferkol:</i> ([Tumblr](https://eidolonorpheus.tumblr.com/post/15715289410/eidolons-other-commentary-whatsits), excerpt)
+
+    Alrighty, first off is Time Paradox.  This was the first piece I submitted for an album once I got on the team.  Basically what happened was: I am visiting somewhere in Chicago with only my phone’s connection to the internet, check the MSPA forums and find a message notification waiting for me.  [[artist:toby-fox|Radiation]] congratulates me on getting on the team.  After some moments of sputtering disbelief, I read on.  He says if I want to get started on something, the Squiddles was being [[album:squiddles|finished up]] and the Felt was on the table.  So, for the next couple hours I was invigorated, consumed wholly during the car ride and time in the hotel before I finally fell asleep with working on a track for the Felt.  Time Paradox was made.  Originally, I made it imagining the recruitment of the Felt, picturing Doc Scratch warping across time and space, assembling the green goons from who knows where, and then witnessing the construction of the Felt manor.  It’s a fun track, more energetic than a lot of things I had worked on and definitely influenced by Radiation’s style.  The last two sections are still some of my favorite phrases that I’ve written.
 ---
 Track: Eldritch
 Artists: