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| author | (quasar) nebula <qznebula@protonmail.com> | 2023-11-24 15:38:41 -0400 |
|---|---|---|
| committer | (quasar) nebula <qznebula@protonmail.com> | 2023-11-24 15:38:41 -0400 |
| commit | 724d1e25e126006bc059e9b527f65e1194bf6fd4 (patch) | |
| tree | 6e95a7af38c043da464312a83d1b7929d8c33d1d /album/sburb.yaml | |
| parent | 285f5dfdaf23189a595974f2edd8ce2b4d897b45 (diff) | |
miscellaneous minor content fixes
Diffstat (limited to 'album/sburb.yaml')
| -rw-r--r-- | album/sburb.yaml | 2 |
1 files changed, 1 insertions, 1 deletions
diff --git a/album/sburb.yaml b/album/sburb.yaml index b105aa8..4bdaf47 100644 --- a/album/sburb.yaml +++ b/album/sburb.yaml @@ -212,7 +212,7 @@ Commentary: |- A really terrible engraving job on the sheet music by yours truly created a repeated note in the beginning motive that I ended up actually digging more than the original version. - The Meek continues the idea of bouncing between time signatures while trying to keep a sense of structure. Where [[Requiem]] was more about a constant pulse, I decided to play with elongated pauses to stretch the phrases. + The Meek continues the idea of bouncing between time signatures while trying to keep a sense of structure. Where [[track:requiem]] was more about a constant pulse, I decided to play with elongated pauses to stretch the phrases. The second section was during a time where I was really starting to love the idea of modes and modal mixture and just had fun with it. Still one of my favorite passages from the entire album! |