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clean up remaining ambiguous names - hsmusic-data - Data files for https://hsmusic.wiki - track, album, artist & flash info, etc
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author(quasar) nebula <qznebula@protonmail.com>2023-09-18 17:39:45 -0300
committer(quasar) nebula <qznebula@protonmail.com>2023-09-18 17:39:45 -0300
commit57a3211be1b4a374304bcf0f64e9bc602e8b0af7 (patch)
tree325234707d0cf745541a479bc3f8994c8cb01754 /album/lofam2.yaml
parente486fc1385b0fa9eaeaefe1ec3e07ede6fa207fe (diff)
clean up remaining ambiguous names
Diffstat (limited to 'album/lofam2.yaml')
-rw-r--r--album/lofam2.yaml12
1 files changed, 6 insertions, 6 deletions
diff --git a/album/lofam2.yaml b/album/lofam2.yaml
index 79ce3d9..1183136 100644
--- a/album/lofam2.yaml
+++ b/album/lofam2.yaml
@@ -281,7 +281,7 @@ Referenced Tracks:
 - track:ruins
 - track:growing-up
 - Gilded Sands
-- track:nightmare
+- Nightmare
 Commentary: |-
     <i>Eston Schweickart:</i>
     I wrote Unforgiving Terrain shortly after [[album:the-wanderers]] album came out. It was just an excuse to have fun with sound design and listen to Carapacian Dominion over and over. It's called Unforgiving Terrain because titles are hard. The project file is called <i>Frozen Ruins</i> but I guess I didn't use that name because I ended up not including [[track:frost-vol6]] like I had planned.
@@ -473,7 +473,7 @@ Referenced Tracks:
 - Atomyk Ebonpyre
 - English
 - Liquid Negrocity
-- track:the-ballad-of-jack-noir
+- The Ballad of Jack Noir
 - Walk-Stab-Walk (R&E)
 - Let's All Rock the Heist
 Commentary: |-
@@ -612,7 +612,7 @@ Referenced Tracks:
 - Showtime (Piano Refrain)
 - Showtime (Original Mix)
 - Sburban Jungle
-- track:i-dont-want-to-miss-a-thing
+- I Don't Want to Miss a Thing
 Commentary: |-
     <i>Plumegeist:</i>
     I composed SHowtime End Strife remix roughly five months after the time I got into Homestuck. Around this time I was still really just a budding musician, and I wanted to make something heavy out of the Showtime theme by Malcolm Brown. The idea was imagining what kind of soundtrack would be backing the kids as they face Lord English in a climactic battle. I was proud of it at the time but in retrospect it never really aged that well. Despite this it remained one of my most popular works.
@@ -970,7 +970,7 @@ Referenced Tracks:
 - Carbon Nadsat / Cuestick Genius
 - Three in the Morning
 - Liquid Negrocity
-- track:under-the-hat
+- Under The Hat
 - track:frost-vol6
 - Rex Duodecim Angelus
 - A Taste for Adventure
@@ -1647,7 +1647,7 @@ Referenced Tracks:
 - track:penumbra-phantasm
 Commentary: |-
     <i>David Dycus:</i>
-    Prophecy was made in February of 2011, a couple of months after I re-installed FL Studio. [[track:umbral-ultimatum]] remains one of my favorite HS songs, and I wanted to do something in 3/4 time using the opening melody. The song's development is kind of a blur to me now, I was busy with work and was experiencing some anxiety problems, and threw the song together over a two or three-day period, but it obviously took a very dark turn somewhere along the way. Whatever happened, I'm still pretty pleased with how it turned out.
+    Prophecy was made in February of 2011, a couple of months after I re-installed FL Studio. [[Umbral Ultimatum]] remains one of my favorite HS songs, and I wanted to do something in 3/4 time using the opening melody. The song's development is kind of a blur to me now, I was busy with work and was experiencing some anxiety problems, and threw the song together over a two or three-day period, but it obviously took a very dark turn somewhere along the way. Whatever happened, I'm still pretty pleased with how it turned out.
 ---
 Track: The Dance of Oblivion
 Artists:
@@ -1666,7 +1666,7 @@ Referenced Tracks:
 - Dance of Thorns
 - Sburban Jungle
 - An Unbreakable Union
-- track:mutiny
+- Mutiny
 Commentary: |-
     <i>Domble:</i>
     The original version of this track had huge problems. I kept the writing mostly the same, only adding little flourishes here and there and improving the overall sound of the piece dramatically. It just sounds nicer now, and that guitar solo part at the end helps add a real finish to the piece while referencing both titular trakcs in a different, significant way.