« get me outta code hell

clean up remaining ambiguous names - hsmusic-data - Data files for https://hsmusic.wiki - track, album, artist & flash info, etc
summary refs log tree commit diff
path: root/album/jpeg.yaml
diff options
context:
space:
mode:
author(quasar) nebula <qznebula@protonmail.com>2023-09-18 17:39:45 -0300
committer(quasar) nebula <qznebula@protonmail.com>2023-09-18 17:39:45 -0300
commit57a3211be1b4a374304bcf0f64e9bc602e8b0af7 (patch)
tree325234707d0cf745541a479bc3f8994c8cb01754 /album/jpeg.yaml
parente486fc1385b0fa9eaeaefe1ec3e07ede6fa207fe (diff)
clean up remaining ambiguous names
Diffstat (limited to 'album/jpeg.yaml')
-rw-r--r--album/jpeg.yaml4
1 files changed, 2 insertions, 2 deletions
diff --git a/album/jpeg.yaml b/album/jpeg.yaml
index bbdaac6..a7fdf30 100644
--- a/album/jpeg.yaml
+++ b/album/jpeg.yaml
@@ -179,7 +179,7 @@ URLs:
 - https://coolandnewwebcomic.bandcamp.com/track/no-fursuit-no-shoes-no-service
 - https://youtu.be/MYug3tkSGD8
 Referenced Tracks:
-- track:umbral-ultimatum
+- Umbral Ultimatum
 - Where making this hapen
 - Dogsong
 Commentary: |-
@@ -189,7 +189,7 @@ Commentary: |-
     <i>Pipko Fanfare:</i> (Composer)
     Before I picked this track art to do a song for, I knew I wanted to try to pull off something similar to what CANWC itself does - the seamless mixing of remarkably low quality with suprisingly high quality, based on familiar homestucky goodness but with some unexpected twists - more like Vol 1 than our more recent (at the time) work. I also wanted to play with some more of Jade's tracks, and with the prositan guards under her control this was one of the track arts that would let me do so. (The other option at the time was Yiff Confirmed, which I may have chosen instead except it was the same artist as [[track:thank-you-for-playing|Thank You For Playing]] and I wanted to spread the love around more. Besides, this art is \*awesome*.)
     Unlike nearly everything I've done here, this track had a surprising amount of planning before I set down the first note. For the sake of history, here's my original plan for the structure of the piece, cut and paste from discord
-    [[track:umbral-ultimatum|uu]] but the piano intro is [[track:where-making-this-hapen|h*cka (probs sbhj theme)]] then 0:25 low-quality uu with barks and meows then 0:45 kick into higher quality to build up to 0:55 hq except with a mario paint bark lead then at 1:20 at the melody switch go to a skaia theme or something instead for the prospitans but keep the style of uu, 1:56 refrain of hj intro, 2:15 8-bit dogsong holy shit this song is longer than i remembered
+    [[Umbral Ultimatum|uu]] but the piano intro is [[track:where-making-this-hapen|h*cka (probs sbhj theme)]] then 0:25 low-quality uu with barks and meows then 0:45 kick into higher quality to build up to 0:55 hq except with a mario paint bark lead then at 1:20 at the melody switch go to a skaia theme or something instead for the prospitans but keep the style of uu, 1:56 refrain of hj intro, 2:15 8-bit dogsong holy shit this song is longer than i remembered
     (Okay, so that's only a lot of planning compared to my usual zero. And you can see I changed my mind on a few things later.)
     Cookiefonster made the frytumes while I was still working on the beginning sections, and let's be real it's way better than I could have done!
     I tried a few different techniques to represent The Corruption, some revisited from [[album:cool-and-new-voulem1|Vol 1]] tracks, some new. For example, in the section from 0:30 to 0:50 alone I utilized pitch bending the master channel, intentionally knocking different instrument tracks slightly out of alignment or tempo, and of course good old fashioned craptastic soundfonts. A little after the two minute mark, you'll hear some mouth sounds from me, even some coughing if you listen close enough! Overall, I feel like I was much more successful at the "low quality" portions than the "high quality" ones here, but that's part of the learning process.