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many data fixes thanks to an emailer! - hsmusic-data - Data files for https://hsmusic.wiki - track, album, artist & flash info, etc
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author(quasar) nebula <towerofnix@gmail.com>2020-10-30 13:50:45 -0300
committer(quasar) nebula <towerofnix@gmail.com>2020-10-30 13:50:45 -0300
commit6b5652b6dc39ef78e432629098c5080649e2e9e6 (patch)
tree27b8e5ae5ba17b08fdaf97a2bc8bde2680074938 /album/homestuck-vol-9.txt
parent41c1594f7eb47596f302c5a097b7ea6786779974 (diff)
many data fixes thanks to an emailer!
Diffstat (limited to 'album/homestuck-vol-9.txt')
-rw-r--r--album/homestuck-vol-9.txt9
1 files changed, 5 insertions, 4 deletions
diff --git a/album/homestuck-vol-9.txt b/album/homestuck-vol-9.txt
index 8f1240d..af8e152 100644
--- a/album/homestuck-vol-9.txt
+++ b/album/homestuck-vol-9.txt
@@ -285,9 +285,9 @@ URLs:
 - https://youtu.be/KMyh7F9cyrE?list=PLy5UGIMKOXpOfcXVfECYjb09aHc2uSEUv
 Commentary:
     <i>Michael Guy Bowman:</i>
-    I get the feeling that down the line there will be an explanation for why exactly there’s a tiny Maplehoof on Dirk Strider’s desk and it will be one of the biggest plot revelations in all of Homestuck. For me it was a cue that there needed to be a Sburb Alpha universe paralell for the song “Maplehoof’s Adventure”, which in itself was a spiritual sequel to “Pony Chorale”. It’s sort of a reality check to realize that I have written not one, not two, but three songs for cartoon ponies now - I guess that’s part of this disease we call the Internet.
+    I get the feeling that down the line there will be an explanation for why exactly there’s a tiny Maplehoof on Dirk Strider’s desk and it will be one of the biggest plot revelations in all of Homestuck. For me it was a cue that there needed to be a Sburb Alpha universe parallel for the song [[track:maplehoofs-adventure]], which in itself was a spiritual sequel to [[track:pony-chorale]]. It’s sort of a reality check to realize that I have written not one, not two, but three songs for cartoon ponies now - I guess that’s part of this disease we call the Internet.
     As with the previous installments, I used a sample of Tavia Morra saying “neigh” to punctuate phrases, this time sped up to about double speed to have that chipmunk-esque effect. Everything about this song is a bit faster-paced and squeakier to reflect the stature of the tiny horse. The orchestration was largely inspired by my last trip to Disneyland - the whistles are arranged to sound a bit like the teapots from Alice in Wonderland, and the horn synths were selected because of their resemblance to a merry-go-round organ.
-    Along with recent tracks like “Another Jungle” and “Elephant Gun”, this song represents one of my attempts to stick less closely to a predictable song form. The key signature moves up a whole step around 32 seconds in and never comes back down, and the main repeated refrain that ties the song together is the little cadence that shows up at the end of each section. I stuck to my guns as a high school music theory student on this one, mostly drawing from Mozart and Sousa - it’s an overstimulating mess of counterpoint, and my main goal was to see if it would annoy composition major Erik Scheele (it worked).
+    Along with recent tracks like [[track:another-jungle]] and [[track:elephant-gun]], this song represents one of my attempts to stick less closely to a predictable song form. The key signature moves up a whole step around 32 seconds in and never comes back down, and the main repeated refrain that ties the song together is the little cadence that shows up at the end of each section. I stuck to my guns as a high school music theory student on this one, mostly drawing from Mozart and Sousa - it’s an overstimulating mess of counterpoint, and my main goal was to see if it would annoy composition major Erik Scheele (it worked).
     Out of all the tracks for Volume 9 I worked on, this one was a real breeze. I was on such a roll that I considered making it ten minutes long just to piss off everyone, but I knew that I’d most likely be asked to cut it down if I’d gone to that kind of excess, and I had other tracks to work on.
     The track art was done by Tavia Morra.
     <i>Tavia Morra:</i>
@@ -360,7 +360,7 @@ Track: Jane Dargason
 Artist: Clark Powell, Robert J! Lake
 Track Art: Dawn Davis
 Duration: 3:43
-References: Life in Technicolor
+References: Jane's Dragon, Life in Technicolor
 URLs:
 - https://homestuck.bandcamp.com/track/jane-dargason-2
 - https://youtu.be/jSczYjYAaUY?list=PLy5UGIMKOXpOfcXVfECYjb09aHc2uSEUv
@@ -383,6 +383,7 @@ Track: Before the Beginning and After the End
 Artist: Robert J! Lake
 Track Art: Tavia Morra
 Duration: 4:27
+References: Before Before the Beginning
 URLs:
 - https://homestuck.bandcamp.com/track/before-the-beginning-and-after-the-end-2
 - https://youtu.be/Nab_SoEy8rk?list=PLy5UGIMKOXpOfcXVfECYjb09aHc2uSEUv
@@ -453,7 +454,7 @@ Artist: Michael Guy Bowman
 Contributors: Erik Scheele (piano), Marcy Nabors (thermin & accordian)
 Track Art: Cari Garafalo
 Duration: 3:50
-Referenecs: I'm a Member of the Midnight Crew
+References: I'm a Member of the Midnight Crew
 URLs:
 - https://homestuck.bandcamp.com/track/im-a-member-of-the-midnight-crew-post-punk-version-2
 - https://youtu.be/nU9YXh_0L4Y?list=PLy5UGIMKOXpOfcXVfECYjb09aHc2uSEUv