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data changes courtesy of Bambosh from the UHSC - hsmusic-data - Data files for https://hsmusic.wiki - track, album, artist & flash info, etc
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author(quasar) nebula <towerofnix@gmail.com>2020-11-03 08:47:02 -0400
committer(quasar) nebula <towerofnix@gmail.com>2020-11-03 08:47:22 -0400
commite1d7d920c0596a2ebfb3eab2a1c174c3112f9758 (patch)
tree645900aba9a726c0aae8f51106dad47eb9ddf8d0 /album/homestuck-vol-10.txt
parentcf358e3b46a5639388c99334a19bd281134f925e (diff)
data changes courtesy of Bambosh from the UHSC
Diffstat (limited to 'album/homestuck-vol-10.txt')
-rw-r--r--album/homestuck-vol-10.txt4
1 files changed, 2 insertions, 2 deletions
diff --git a/album/homestuck-vol-10.txt b/album/homestuck-vol-10.txt
index db9239b..5770b2a 100644
--- a/album/homestuck-vol-10.txt
+++ b/album/homestuck-vol-10.txt
@@ -87,7 +87,7 @@ URLs:
 Commentary:
     <i>Tensei:</i>
     For the longest time I considered this a song for Jade, specifically her dog tier transformation. Then I realized, far too late, that Aranea doesn't have a lot of music given her relative importance in the comic!
-    More importantly, this song has some piratey/celcitc jig vibes (partially basedo n the fight club theme from Assassin's Creed 3), which actually made it a decent fit for Aranea (given her Mindfang alter ego).
+    More importantly, this song has some piratey/celcitc jig vibes (partially based on the fight club theme from Assassin's Creed 3), which actually made it a decent fit for Aranea (given her Mindfang alter ego).
     So by the limited powers of canonization invested in me, I hereby pronounce this song's alternative title as "Of Sylphs and Sekrets" and that it may be interpreted as a theme for either Jade or Aranea.
 -------------------------------------------------------------------------------
 Track: Beatup
@@ -370,7 +370,7 @@ Contributors:
 - Robert J! Lake (production, arrangement)
 Commentary:
     <i>Luke Benjamins:</i>
-    I actually wrote the melody for this track almost five years ago, for a project that never got off the ground. As far as I can remember, I didn't have any particular inspiration when I wrote it, musical or otherwise. It's the catchiest tune I've ever made, yet I couldn't tell you how it came to me exactly. This version is a completely unique take on this melod ycompared to the original context, giving it a very different Feel. I wasn't able to do any of the audio production for this track, but I did guide RJ as to how I Feel it should be put together. We ended up pushing the deadline too much with this one, and there are still a couple things I wish had been changed, but like with any creative work, you need to draw the line somewhere, lest you polish it endlessly.
+    I actually wrote the melody for this track almost five years ago, for a project that never got off the ground. As far as I can remember, I didn't have any particular inspiration when I wrote it, musical or otherwise. It's the catchiest tune I've ever made, yet I couldn't tell you how it came to me exactly. This version is a completely unique take on this melody compared to the original context, giving it a very different Feel. I wasn't able to do any of the audio production for this track, but I did guide RJ as to how I Feel it should be put together. We ended up pushing the deadline too much with this one, and there are still a couple things I wish had been changed, but like with any creative work, you need to draw the line somewhere, lest you polish it endlessly.
     In the end, I'm gald to finally share itw ith the world in some form, and I hope the world enjoys it.
     <i>Robert J! Lake:</i>
     This is really Luke's song. I started the project file but he made it his own. The crow noises are mine.