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| author | (quasar) nebula <qznebula@protonmail.com> | 2023-03-02 00:02:56 -0400 |
|---|---|---|
| committer | (quasar) nebula <qznebula@protonmail.com> | 2023-03-02 00:02:56 -0400 |
| commit | 1e792db869277daa7e0e2d64d03c9f41abcc8f52 (patch) | |
| tree | fa4f476a8f4926ff14ec8c7e2432c231d012a30b /album/genesis-frog.yaml | |
| parent | 970e5e44cb61fa914eb84ffa0bccaf1adb879ee5 (diff) | |
update 'Group' track sections field to 'Section'
Diffstat (limited to 'album/genesis-frog.yaml')
| -rw-r--r-- | album/genesis-frog.yaml | 4 |
1 files changed, 2 insertions, 2 deletions
diff --git a/album/genesis-frog.yaml b/album/genesis-frog.yaml index 3bbfa3c..9ff81ea 100644 --- a/album/genesis-frog.yaml +++ b/album/genesis-frog.yaml @@ -68,7 +68,7 @@ Additional Files: - banner.jpg - bg.jpg --- -Group: Main album +Section: Main album --- Track: Prelude Duration: '2:03' @@ -433,7 +433,7 @@ Commentary: |- The sense of excitement is what prompted me to bring the drumset back. I thought the piece needed a percussive drive like Bilious had, so I employed the same method. And hell, if I’m going to bring drumset into an orchestral setting then I might as well do it a second time. The Dorian version of the Pondsquatter theme played by the horns and trombones is reminiscent of its use in Prospitian Folklore. In fact, the second phrase appears exactly as it did in that piece and after repeating it goes straight into the Folklore theme. At this point in the music I thought it was appropriate to quote some of the themes from earlier in the album as a sort of “B” section. I mixed together all the Consort themes once the Folklore theme ended and snuck in a little bit of Breeding Duties. I liked the idea of bringing all these themes back, since presumably all of them would have a role once again in the new universe being created. The A section then returns in a transposed form before the piece ends in a very big fashion. When all appears to be said and done and the very last of the reverberation is dying off, the harp comes in. It is followed by clarinet, piano, celesta, and finally the violins playing harmonics; this is the instrumentation the album opened with. This small ensemble plays a subdued arrangement of Pondsquatter, and the album ends as it began in the vastness of paradox space. If you start the album over again, you will find that it flows seamlessly from the ending to beginning. Somewhere in this revelation lies my ultimate artistic intent with Genesis Frog, which probably involves something about infinity’s endless repetition, or life always finding a way forward, or something along those lines depending on how pretentious you want to think of me as. --- -Group: Bonus tracks +Section: Bonus tracks --- Track: Pondsquatter (Live Chamber Version) Contributors: |