« get me outta code hell

misc fixes before release - hsmusic-data - Data files for https://hsmusic.wiki - track, album, artist & flash info, etc
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authorNiklink <25875275+Niklink@users.noreply.github.com>2023-02-26 21:15:50 -0400
committerNiklink <25875275+Niklink@users.noreply.github.com>2023-02-26 21:15:50 -0400
commit42324f30c77c5e492412925860bc112401debd64 (patch)
tree63c410eb568dbb19eebd8bbf36452ab3eea8719b /album/cool-and-new-volume-v.yaml
parentf4d26e1cb547163fc8e40a0e3a4524289388626c (diff)
misc fixes before release
fixes #115, #118, #123
Diffstat (limited to 'album/cool-and-new-volume-v.yaml')
-rw-r--r--album/cool-and-new-volume-v.yaml4
1 files changed, 2 insertions, 2 deletions
diff --git a/album/cool-and-new-volume-v.yaml b/album/cool-and-new-volume-v.yaml
index fa38bb9..d7022ee 100644
--- a/album/cool-and-new-volume-v.yaml
+++ b/album/cool-and-new-volume-v.yaml
@@ -1510,7 +1510,7 @@ Commentary: |-
 ---
 Track: i need an abumbalnce!!.mp3
 Artists:
-- Cryptanark
+- Discfortune
 Cover Artists:
 - bobthetacocat
 Duration: '02:16'
@@ -1534,7 +1534,7 @@ Sampled Tracks:
 Lyrics: |-
     (Oh my God, I hate Garageband so much.) (i came as fast as i could)
 Commentary: |-
-    <i>Cryptanark:</i>
+    <i>Discfortune:</i>
     I've been meaning to get at something deeper with my music. After much deliberation, I decided to funnel all of my efforts into i need an ambulance!!.mp3 in order to express a statement that I think resonates with all of us—Mortality. I think it's important to recognize that our time here on Earth is very limited and that it can be ripped from us in an instant. As you can see from the eight measure of the song, which clearly references René Magritte's "The Human Condition", I've chosen to greatly emphasize the notion of joy as well. Another thing to keep in mind is the odor of the piece: An earthy aroma paired with a metallic ring. This is very much intentional, as it links the two themes I have mentioned in a sort of harmonic matrimony rarely seen in daily life.
 
     Let's discuss the process of creating this work. Crucial to the progression of the song was deciding how to link the sections before and after the bridge portion (which served as a cheeky allusion to the 50 Shades series). I had tried out several options including a reverse phonograph output drive and a theremin turned upside-down before settling on a much more humble choice. You can hear the results for yourself. However, perhaps the greatest hurdle to overcome was deciding on what colors to use for the instrument tracks. To this day I am uncertain if I have chosen correctly.