Merge remote-tracking branch 'origin/preview' into makin/canwc

1 files changed, 6 insertions, 6 deletions

diff --git a/album/9.yaml b/album/9.yaml
index 75478ca..a590d24 100644
--- a/album/9.yaml
+++ b/album/9.yaml
@@ -385,7 +385,7 @@ URLs:
 - https://youtu.be/zihcLQi8IXc
 Referenced Tracks:
 - track:unintentional-touhou
-- track:penumbra-phantasm
+- Penumbra Phantasm
 Commentary: |-
     <i>Shadok:</i> (Artist)
     i never played touhou aaaaa
@@ -408,7 +408,7 @@ URLs:
 Referenced Tracks:
 - track:moonsetter
 - Bad Apple!!
-- track:penumbra-phantasm
+- Penumbra Phantasm
 - track:MeGaLoVania
 - Mayor Maynot
 - AAAAAAAAAAAAAAAAAAAAA
@@ -1146,7 +1146,7 @@ Referenced Tracks:
 - Gaia Queen
 - Gardener
 - Descend
-- track:penumbra-phantasm
+- Penumbra Phantasm
 Commentary: |-
     <i>TirantBacon:</i> (Composer)
     I made this song as an attempt to somehow convey the character of Jaed into song form. Each section of the song represents a significant self-observed character trait of Jaed: Wacky, unfortunate and possibly psychotic. It's composition is reminiscent of [[group:toby-fox|Radiation's]] composition style (of course), but I tried to at least keep it my own style in the later half of the song. Although I might make an extended version in the future, perhaps with certain animal noises... Keep a look out for that! :D
@@ -1357,7 +1357,7 @@ Referenced Tracks:
 - Dogsong
 - Courser
 - Ruins (With Strings)
-- track:penumbra-phantasm
+- Penumbra Phantasm
 - Mutiny
 - track:sunslammer
 - Unintentional Anime (Piano Version)
@@ -1731,7 +1731,7 @@ Referenced Tracks:
 - Sunsetter
 - Skaian Summoning
 - Ascend
-- track:penumbra-phantasm
+- Penumbra Phantasm
 - track:conflict
 - track:MeGaLoVania
 Commentary: |-
@@ -2204,7 +2204,7 @@ Commentary: |-
     <i>StarlightCalliope:</i> (Composer)
     Dear god, where do I even start talking about this song? As I’m pretty darn sure you can tell based on both the title, theme, and general feel of the song, this song is intended to be a, “Descend-like,” medley for Cool and New Webcomic. It’s taken a long time to finish working on, (300 hours and work on it since January!!), but I am honestly really proud of how this song turned out. In the song, I referenced... about 44 different songs? Primarily songs released by this very Cool and New Music Team, with a decent bit of songs coming from the Homestuck Music Team, and one reference to a song from the, “[[album:weird-puzzle-tunes|Weird Puzzle Tunes]],” album.
 
-    I think one of my favourite things about this, at least in terms of composing, was setting up specific musical ideas/motifs (and that’s the regular use of the term motif, not leitmotif/reference you fricks) and capitalizing on those ideas/motifs throughout the song. One of the most key ideas to the song as a whole, that’s rather integral to it feeling as fast as it does in certain sections, is the use of 32nd notes during portions using Synths. This is first set up during the Moshi Moshi section, and I used this repeatedly in the song both as a way to build tension and keep the listener engaged, and to add an extra bit of cohesivness to the piece as a whole. Repeating references/ideas is another method I used. Such as ending the song the same way it started, with this weird synthy thing from Final Fantasy 6 that has a bunch of delay on it playing a chord. I started the song using an E Minor chord using that thing, and ended the song on a big resolution using an E Major chord. Another example of this was through starting the song off using the same clocks that were used in [[track:cascante|Cascante]], and ending the song with those same clocks. (Albiet, it’s the end of the main part of the song, before the [[track:penumbra-phantasm|Penumbra]]-esque bit on the piano with the Horrorterror noises.)
+    I think one of my favourite things about this, at least in terms of composing, was setting up specific musical ideas/motifs (and that’s the regular use of the term motif, not leitmotif/reference you fricks) and capitalizing on those ideas/motifs throughout the song. One of the most key ideas to the song as a whole, that’s rather integral to it feeling as fast as it does in certain sections, is the use of 32nd notes during portions using Synths. This is first set up during the Moshi Moshi section, and I used this repeatedly in the song both as a way to build tension and keep the listener engaged, and to add an extra bit of cohesivness to the piece as a whole. Repeating references/ideas is another method I used. Such as ending the song the same way it started, with this weird synthy thing from Final Fantasy 6 that has a bunch of delay on it playing a chord. I started the song using an E Minor chord using that thing, and ended the song on a big resolution using an E Major chord. Another example of this was through starting the song off using the same clocks that were used in [[track:cascante|Cascante]], and ending the song with those same clocks. (Albiet, it’s the end of the main part of the song, before the [[Penumbra Phantasm|Penumbra]]-esque bit on the piano with the Horrorterror noises.)
 
     Honestly, this track is by and far the song that I’ve put the most effort into out of everything that I’ve tried to make thus far, and I really am proud of it. Although, I do feel like the mixing is a tad lacklustre and there’s literally no mastering. I suppose this shows that I probably should try to improve in terms of Production, though according to a decent portion of the team I am fairly good at Composition, as based on this piece. Really, I am happy with it, and I’m glad to have finally made a song for a main album, as this is my first time doing so. I really hope you folks enjoy the song as much as I enjoyed composing it! :)
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