In general: keep track of the different characters' views on different groups of people. So, different classes (closer to the "top"- kings, etc) and genders (keep an eye on how women are seen especially, since this will probably vary per storyteller). -- Knight -- "To riden out, he loved chivalry,/ Truth and honour, freedom and courtesy." "And though that he was worthy he was wise,/ And of his port as meek as is a maid." "He was a very perfect gentle knight." Traveled the world - he went to Alisandre, Prusse, Lettowe, Russe, (the siege of Grenade), Algesir, Belmarie, Leyes, and Satalie. He also took part in many battles - his first at the young age of 15! (Why was he part of the pilgrimage?) Views and topics in the story: - Two soldiers from an enemy army are taken in as prisoners by the king. The king grants a sort of mercy in doing so rather than killing them (though it could be argued that it would have been more merciful to kill the soldiers on the spot). (Why did the king do this? Re-read the section, keeping an eye out for any thoughts the king might have had in deciding to take them as prisoners instead of kill them.) The two soldiers are held prisoners spot out of their cell window a lady. They both immediately fall deeply in love, and argue over who should get her (perhaps disregarding the fact that they are both inevitably stuck in jail). (This is probably a sign of how women are seen; I don't think either soldier considers that Emily should, or even could, pick for herself who she wants to marry.) One of the enemy soldiers, now captives, is released at a request by a mutual friend of the prisoner and the king to the king. (Was it hard to convince the king? We're looking for how top-of-the-ranks royalty behave. What are their morals, their influences, etc.) The other soldier is left imprisoned, and eventually breaks out. (How did he break out? I don't remember that part of the story well. There was someone who helped him escape, and who that was might be relevant.) The soldier who was released chooses to totally change his identity. Previously a soldier of an army, he now calls himself a new name, Philostrate, and returns to the kingdom he was just held captive by, to be come a servant of the lady he and the other soldier fell in love with. (Does he figure that he can build up in rank to a point where he could marry the lady? I don't recall if this was touched on, but I have a feeling it was. Relevant in the theme of social ranks, of course.) (His dedication to the lady is also evident of how in-love he is. It is perhaps an example of how the Knight personally thinks men in love should behave. This should be compared and contrasted with the other soldier's behaviour, but I don't actually remember much about what Palamon did.) Eventually, Philostrate goes out to a remote field where he figures nobody can hear him, and spurts out the story of him previously being a soldier and now a servant. (Re-read this, for sure. I think it covered that soldier's thoughts on having previously been a soldier and now choosing to be an anonymous, separate-from-his-past servant. Good stuff on the theme of rankings, and maybe a little on his thoughts of how the king behaved?) However, the other soldier, who recently escaped prison and is now hiding in a nearby bush, hears him! After Philostrate finishes his speech, the other soldier jumps out of the bush and starts a long argument. (I remember this having to do with who will marry Emily.. again.) It eventually leads to the two fighting each other. Meanwhile, the king goes out on a hunting trip, accompanied by the lady the two soldiers had fallen in love with as well as several other women. (Why were the women and Emily with the king on this trip?) He stumbles across the two soldiers who are exchanging jabs and such at each other, and calls out to them to stop. (Or does he? Does Palamon notice, instead? I don't remember, and this is relevant to how the king behaves.) (In general, re-read this section. It will cover how the king behaves, how he feels about and acts towards the escaped/intruding soldiers, and so on. It also shows how the women (including Emily) who came with the king act, and how the king responds.) It is decided that a tournament between the two soldiers (as well as the armies they build up) will be held in 50 weeks. The tournament will be clean; while the soldiers and their armies will fight each other, they must not kill. (Is this relevant to how the king acts and feels about killing? Maybe, maybe not. It's certainly comparable to how he didn't kill the two enemy soldiers when he first saw them.) The winner of the tournament will be the one to marry the lady. (Yet another case where someone else is deciding who shall mary a lady, and not the lady herself. And this time, the lady is even being considered a prize! Furthermore, I vaguely recall Emily not even being a blood child of the king, so the king is giving away a lady who he is not related to.) Before the tournament, the lady the two soldiers fell in love with goes to a newly-built temple. She prays to the statue there that she would not have to marry either, or anyone; that she would be able to remain a maiden. The statue responds negatively, however, and indicates that she would inevitably have to marry either.