====== The Frozen Wilds =======
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 Ban-Ur
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(IMPORTANT TODO: Ban-Ur and The Cut are NOT the same places! Most of the Banuk
 in The Cut are there because they were banished from Ban-Ur. It looks like
 the people of The Cut don't take much liking to Ban-Ur, either. For example,
 an important painter described the art of Ban-Ur to be "eternal, always
 painting over the same lines with the same colors." She clearly meant this in
 a negative way, having previously said that 'the light of the skies is ever
 changing' [not quote!], and to take that as a lesson.)

(TODO: Refer to Sekuli for information on Banuk paintings.)

(TODO: Mention the incredibly high quality medicinal plants found common in
 The Cut but unheard of anywhere else.)

(TODO: "the Cut", not "The Cut".)

Ban-Ur, known as The Cut to outlanders, is a cold, desolate region found in the
north-east region of the map. It is primarily a mountainous area, with forests
covering most land and lakes and rivers spread throughout the lower areas of
the environment. Snow falls across Ban-Ur persistently throughout the entire
year, though the region does experience seasonal temperature changes.

Access to Ban-Ur from the outside world became possible when a mountain slide
caused an opening just north of the Grave Hoard. Though the task of visiting
Ban-Ur is not easy, in part because of the drastic climate, several outlanders
have done just that; a team of Carja hunters and an Oseram merchant, to name a
few.

 The Banuk
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The Banuk tribe, who have long occupied Ban-Ur, are an interesting contrast to
the other tribes. They are divided into separate "weraks": separate groups of
Banuk, practically forming tribes within the overall Banuk tribe. But weraks
are different from the tribe known as Banuk.
When one is born, they do not inherently become part of a werak. In order to
be considered part of a werak, one must prove themself as valuable, skilled,
and relevant, according to that werak.

Each werak tribe includes a chieftain, a councel of shamans, and any other
members (often hunters). A chieftain acts as the leader of a werak, guiding its
people through the environment. Shamans give their werak deeper advice, being
trained in understanding and providing the voice of machines.

(Note: "According to that werak"? Does it run as a vote? Or is the judgement of
 the chieftain and the shaman more relevant?)

 Dye Pools
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Scattered across the Cut are small pools of steaming hot water. The local Banuk
use these pools to their benefit: the water is perfect for mixing and applying
dye.

The process is fairly simple. They bring buckets of powdered dye to the pool,
pour some in, and move large cloths or felts in the water, using a pole to reach
in. Rocks and materials can also be crushed into dye nearby, for convenience.
Clothes is also weaved there. Of course, usually there are multiple people working
at a single pool; at least one for each task.

It is tiring work, though. Mixing the dye to just the perfect color is not easy,
and actually scrubbing the dye in by dragging the cloths with the pole becomes
tedious quickly, in part because of the somewhat cramped position one has to take
while reaching into the pool.

The whole dye pool ordeal is a service. Hunters and other Banuk request outfits
of a certain color; those who work at the dye pools make them. It's not known
whether those who work there are paid.

The origin of the dye pools in the Cut is uncertain. The Banuk do pour dyes into
these pools, which could contribute to the rainbow-ish colors of the water, but
there also exist identical, rainbow-colored pools, which are not used by the
Banuk. Perhaps the Banuk chose these naturally ocurring pools as places to dye
cloth because of their appearance. Or maybe they found the pools to be convenient,
using the colorful stone within the pool as a base for their dye.