« get me outta code hell

homestuck-vol-8.yaml « album - hsmusic-data - Data files for https://hsmusic.wiki - track, album, artist & flash info, etc
summary refs log tree commit diff
path: root/album/homestuck-vol-8.yaml
blob: 80c74596102867ecbff2f0f3975ceecb55ba1b7a (plain)
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
243
244
245
246
247
248
249
250
251
252
253
254
255
256
257
258
259
260
261
262
263
264
265
266
267
268
269
270
271
272
273
274
275
276
277
278
279
280
281
282
283
284
285
286
287
288
289
290
291
292
293
294
295
296
297
298
299
300
301
302
303
304
305
306
307
308
309
310
311
312
313
314
315
316
317
318
319
320
321
322
323
324
325
326
327
328
329
330
331
332
333
334
335
336
337
338
339
340
341
342
343
344
345
346
347
348
349
350
351
352
353
354
355
356
357
358
359
360
361
362
363
364
365
366
367
368
369
370
371
372
373
374
375
376
377
378
379
380
381
382
383
384
385
386
387
388
389
390
391
392
393
394
395
396
397
398
399
400
401
402
403
404
405
406
407
408
409
410
411
412
413
414
415
416
417
418
419
420
421
422
423
424
425
426
427
428
429
430
431
432
433
434
435
436
437
438
439
440
441
442
443
444
445
446
447
448
449
450
451
452
453
454
455
456
457
458
459
460
461
462
463
464
465
466
467
468
469
470
471
472
473
474
475
476
477
478
479
480
481
482
483
484
485
486
487
488
489
490
491
492
493
494
495
496
497
498
499
500
501
502
503
504
505
506
507
508
509
510
511
512
513
514
515
516
517
518
519
520
521
522
523
524
525
526
527
528
529
530
531
532
533
534
535
536
537
538
539
540
541
542
543
544
545
546
547
548
549
550
551
552
553
554
555
556
557
558
559
560
561
562
563
564
565
566
567
568
569
570
571
572
573
574
575
576
577
578
579
580
581
582
583
584
585
586
587
588
589
590
591
592
593
594
595
596
597
598
599
600
601
602
603
604
605
606
607
608
609
610
611
612
613
614
615
616
617
618
619
620
621
622
623
624
625
626
627
628
629
630
631
632
633
634
635
636
637
638
639
640
641
642
643
644
645
646
647
648
649
650
651
652
653
654
655
656
657
658
659
660
661
662
663
664
665
666
667
668
669
670
671
672
673
674
675
676
677
678
679
680
681
682
683
684
685
686
687
688
689
690
691
692
693
694
695
696
697
698
699
700
701
702
703
704
705
706
707
708
709
710
711
712
713
714
715
716
717
718
719
720
721
722
723
724
725
726
727
728
729
730
731
732
733
734
735
736
737
738
739
740
741
742
743
744
745
746
747
748
749
750
751
752
753
754
755
756
757
758
759
760
761
762
763
764
765
766
767
768
769
770
771
772
773
774
775
776
777
778
779
780
781
782
783
784
785
786
787
788
789
790
791
792
793
794
795
796
797
798
799
800
801
802
803
804
805
806
807
808
809
810
811
812
813
814
815
816
817
818
819
820
821
822
823
824
825
826
827
828
Album: Homestuck Vol. 8
Date: October 25, 2011
Date Added: November 15, 2019
URLs:
- https://homestuck.bandcamp.com/album/homestuck-vol-7-8-with-cherubim
- https://www.youtube.com/watch?v=-cIpWboujY4
- https://www.youtube.com/playlist?list=PLnVpmehyaOFa9Ssz0RANELG8eSoUeOQiC
Cover Artists:
- Homestuck
Color: '#4ac925'
Groups:
- Official
Art Tags:
- LoWaS
- LoLaR
- LoHaC
- LoFaF
- Battlefield
Banner Artists:
- Homestuck
Banner Dimensions: 1100x203
Wallpaper Artists:
- Homestuck
Wallpaper Style: |-
    opacity: 0.6;
    background-repeat: repeat;
    background-size: auto;
---
Group: Main album
---
Track: Calamity
Artists:
- Michael Guy Bowman
Duration: '3:38'
URLs:
- https://homestuck.bandcamp.com/track/calamity-2
- https://youtu.be/oNeKbfEVi0g
Cover Artists:
- Tavia Morra
Art Tags:
- Karkat
- Gamzee
Referenced Tracks:
- Walk-Stab-Walk (R&E)
- Warhammer of Zillyhoo
Sampled Tracks:
- Apollo 11 Launch Countdown
Lyrics: |-
    (War, hammer, of, Zillyhoo)<br>T minus 15 seconds, guidance is internal. 12, 11, 10, 9<br>(War, hammer, of, Zillyhoo)<br>Ignition sequence starts, 6, 5, 4, 3, 2<br>(War, hammer, of, Zillyhoo)<br>1, 0, all engine running... LIFT-OFF! We have a lift-off!
    (War, hammer, of, Zillyhoo)<br>(War, hammer, of, Zillyhoo)<br>(War, hammer, of, Zillyhoo)<br>(War, hammer, of, Zillyhoo)
Commentary: |-
    <i>Micheal Guy Bowman:</i>
    “Calamity” was inspired by the very same update that inspired the Pantskat craze - the image of Gamzee returning, Warhammer of Zillyhoo in hand is translated into two sonic elements, ie honks and chanting. What I’ve enjoyed really intensely about Andrew’s sense of humor in Homestuck and his other adventures is his gradual elevation of silly details onto the pedestals of utter drama, and with this track I tried to recreate that. You laughed at the honks and the chanting before - now your heart races (at least I hope).
    There was a certain difficulty in making “Calamity” really work for me. I had a couple of different sounds I was attempting all at once, each working on their own but sort of fighting for control when mashed together. The introduction and conclusion of the song using a theme from “Walk-Stab-Walk” needed to be really punchy, while I really needed the middle of the song to glide, and the connecting bits with the chanting needed to build and build in tension. There are a lot of different sounds in the song’s palette, the most difficult of which to utilize was the enormous saw synth that dominates the middle. Getting that thing to be grand without utterly overpowering the rest of the song was incredibly difficult.
    Overall I was really satisfied with how much excitement there is in this song. It’s got a big simple melody but it doesn’t outstay its welcome. As the album opener, it sets up the stakes and excitement of Homestuck without sort of beating the point into you by lasting too long. I think of it as a cousin to “Sburban Jungle” or at least another song approached in that dramatic, electronic way.
    The countdown sample is from a NASA recording, I believe it’s the launch of Apollo 11.
---
Track: Do You Remem8er Me
Artists:
- Malcolm Brown
Duration: '4:28'
URLs:
- https://homestuck.bandcamp.com/track/do-you-remem8er-me-2
- https://youtu.be/x8mLKTY5TWM
Cover Artists:
- Richard Gung
Art Tags:
- John
- Vriska
- Dream Bubbles
Referenced Tracks:
- Lifdoff
- track:showtime-original-mix
- Death of the Lusii
- track:ruins
Commentary: |-
    <i>Malcolm Brown:</i>
    <i>(original commentary)</i>
    Alas poor Vriska. This scene stood out quite a bit from the Scrapbook Near-end-of-act Scratch-a-thon as being yet more humility to Vriska as a character - first hinted at during John's talk with her around the whole 'lifdoff' time (which is also why most of the song is taken from lifdoff.)
    The idea was to create something vaguely romantic and a bit tragic for the whole 'd8' thing. I used lifdoff as a starting point because that's become my sort of unofficial 'John' theme - It's quite light and goofy but reasonably heroic and fantastical. Showtime shows up at around 2:17, shortly followed by a slightly modified lift from Death of the Lusii (as mentioned previously in this topic). After that it slides into an additionally modified version of Ruins/Awakening for reasons that are hopefully obvious and also because I like that tune
    The main reason I made this is because Vriska's had a but few moments when she wasn't terrorizing everybody and generally acting the huge bitch. Add to this the whole 'fat vriska' thing, and the very bombastic music she's had thus far... It was nice to give her last bit of humility a soundtrack.
    And the reason Vriska's actual theme doesn't show up anywhere is because I find it difficult to work with as it's kinda crazy  /excuse.
    It took me about half a day to get the tambourines sounding decent and they still don't sound like what I imagined they would...
    Also I was trying to channel some of the style from the music of the Little Big Adventure games. The soundtrack for thems' awesome and ya'll should go listen to it!
    <i>(tumblr version)</i>
    “DYRM” was essentially cre8ed as a sort of 8acking track to the John and Vriska ‘date’ sequence (around about here). The idea was to do a sort of schlocky romantic 8allad that combined elements of Johns goofiness but with the tragedy that hey - Vriska’s dead.  Over the course of it, we travel through John and Vriska’s memories,  and she’s trying to get him to remem8er something important, so there’s that element too.  It’s kinda sad, 8ut in a way it’s also a 8it of a cele8ration of Vriska - She’s surprisingly polarizing with a lot of the fan8ase, as the 8est characters often are... :p
    <b>THE NAME</b>
    I can’t immedi8ly recall if the phrase “Do You Remem8er Me?” is said by Vriska........ I think it was, 8ut it’s a faff trying to navigate around that 8it of the comic (I often like na88ing song titles out of the dialogue itself - That’s where At The Price Of O8livion came from and of course Sea Hitler’s Water Apocalypse. If not, well it felt like as good a title as any. :p The ‘8’ helps immediately recognise the subject matter.
    <b>THE TRACK</b>
    It’s primarily “lifdoff”, which I started using a sort of personal theme of John. Other slight inspirations for this track are “Anthem Part 2” from The Truman Show and a little 8it of the music of Little 8ig Adventure (primarily the use of woodwinds/percussion).
    It starts off with a simple lightened lifdoff, which carries it for a while.  The percussion at 1:09 was fun to sequence - It’s mostly just a collection of taiko samples from the EWQL play library that are quite fun to work with, particularly some the articulation (The ‘roll’ you hear is one of ‘em). What I think works quite well is the power of the Taikos with the lightness of the woodwinds - Gives it quite an emotional punch.
    1:33 is almost directly L8A inspired (The layering of the woodwind melody on 8rass I’m sure I got from there).  At this point we’re 8uilding up to play the ‘Death of the Lusii/Awakening’ 8it with a sort of alternate chord progression, but we sneak in a Showtime reference around 2:16.
    2:26 is meant to directly correlated to These Two panels and is a reference to this track.
    Then it 8uilds up to the main section of Awakening at around 3:30.  Given that the main theme is a sort of dreamlike afterlife, it felt appropri8 ::::p
    And we end! Uncertain cadences all round!
    Overall there’s quite a 8it I like about this one. The Percussion doesn’t vary much, which lets it down I think (It’s 8asically just the same loop for most of the song, something I’m hilariously guilty of in most everything I make :p) but it did the jo8 in giving Vriska a good sendoff.
    Oh yeah - The reason it doesn’t use any of Vriska’s theme is because I find that theme a 8it........ All over the place ::::p Don’t get me wrong, it’s a cool 8it of music, 8ut I don’t find it as easy to play a8out with than other tracks.  8lame my laziness!
    I also fully suspect I missed some ‘8’s somewhere........ This stuff’s harder than it looks.  God help me if I try to commentary another gorram Terezi track ::::p
---
Track: Flare
Artists:
- Clark Powell
Duration: '3:03'
URLs:
- https://homestuck.bandcamp.com/track/flare-2
- https://youtu.be/ktuDYYtbs2s
Cover Artists:
- Richard Gung
Art Tags:
- Green Sun
---
Track: Galactic Cancer
Artists:
- Thomas Ferkol
Duration: '3:36'
URLs:
- https://homestuck.bandcamp.com/track/galactic-cancer-2
- https://youtu.be/ByBpRkrg9SA
Cover Artists:
- Lauren Ross
Art Tags:
- Karkat
- John
- Rose
- Dave
- Jade
- Genesis Frog
- 'cw: blood (abstract)'
- 'cw: body horror (abstract)'
Commentary: |-
    <i>Thomas Ferkol:</i>
    What started off as me meandering about with slightly odd chord progressions became a rather meandering piece in general.  Originally labeled Nether, at least as the piece began to formulate, the first part quickly developed in what I hoped would be a style reminiscent of Russell Brower’s music for Outland in World of Warcraft, primarily the Outland Suite and Netherstorm (what the first name referenced).
    I completed most of the piece without drums or effects at first, but felt something was missing.  After messing around with some different bits of drum samples, I found beats that were suitable for what I was going for, and those helped give more definition to the meter of the piece as much of it was long chords that made it hard to distinguish at times, then added some occasional filter effects to increase the overall spacey feel.
    After everything was in place, I listened through it multiple times and just began to imagine Karkat’s monologue about how everything was his fault and the phrase “Galactic Cancer” stuck.
---
Track: Serenade
Directory: serenade-vol8
Artists:
- Clark Powell
Duration: '5:05'
URLs:
- https://homestuck.bandcamp.com/track/serenade-2
- https://youtu.be/iQyr0eYN7hI
Cover Artists:
- clorinspats
Art Tags:
- Nepeta
- Karkat
- Meteor
- 'cw: blood'
---
Track: Frog Forager
Artists:
- Erik Scheele
Duration: '3:18'
URLs:
- https://homestuck.bandcamp.com/track/frog-forager-2
- https://youtu.be/5KihK9orAi0
Cover Artists:
- Kaymurph
Art Tags:
- Dave
- Jade
- Frogs
- Jack Noir
- LoFaF
---
Track: Love You (Feferi's Theme)
Artists:
- Toby Fox
Duration: '1:58'
URLs:
- https://homestuck.bandcamp.com/track/love-you-feferis-theme-2
- https://youtu.be/cmXzwEixV4s
Cover Artists:
- Left
Art Tags:
- Feferi
---
Track: Ocean Stars Falling
Artists:
- Michael Guy Bowman
Contributors:
- Tavia Morra
Duration: '3:12'
URLs:
- https://homestuck.bandcamp.com/track/ocean-stars-falling-2
- https://youtu.be/QmEZzp7o8i8
Cover Artists:
- Richard Gung
Art Tags:
- Squiddles
Referenced Tracks:
- Ocean Stars
Commentary: |-
    <i>Michael Guy Bowman:</i>
    The [[album:squiddles|Squiddles!]] album gets no love. There, I said it. I’ve mentioned before how awesome it is and how dramatically it has undersold compared to the rest of our material, but apparently everyone is too terrified of its My Little Pony meets Cthulu approach to give it a shot. Trust me, you’ll like it more than you think you will.
    Anyway, one of the most surprising tracks on that particular album is “Ocean Stars”, a peaceful, mysterious little ditty imagined by Mark with a nautical theme in mind. I thought it had a beautiful little structure, and I guess the song must have stuck with me because at some point I found myself playing its chords over and over on my keyboard faster and faster until I was sure it would make for a great little indie rock inspired track. So I did just that.
    This song takes its cues most heavily from “Regatta de Blanc” by the Police and “Life in Technicolor” by Coldplay - the meditatively simple rock backup is accompanied by a huge chorus of wordless vocals provided by countless overdubs of Tavia and myself. These middle voices are bookended by the twinkling bell sounds in the high range and the rumbling drums and guitar in the low range to make for a very full mix that really surprised me with its depth. I threw in some slowed-down bubble sounds (the same samples from “Mister Bowman Tells You About the Squiddles”) to create the ocean ambiance, something I’d really gotten the chance to hear on a scuba dive I’d done over the summer.
    This is another example of a song that has the “just right” feeling about its length. I could probably have easily repeated the vocals endlessly as though I was attempting to induce transcendental meditation - it would probably have had the same effect as “Hey Jude” or any number of other great songs. Owing though to my sense that this album was going to be a long one (my contributions alone come out to more than 20 minutes of music) I decided to capitalize on having achieved the harmony and just let it end when its thought was fully expressed, not unlike the original composition by Mark.
---
Track: Escape Pod
Artists:
- Michael Guy Bowman
Duration: '2:58'
URLs:
- https://homestuck.bandcamp.com/track/escape-pod-2
- https://youtu.be/GJo7ZH6p6wA
Cover Artists:
- Paige Turner
Art Tags:
- WV
- CD
- Rabbit
Commentary: |-
    <i>Michael Guy Bowman:</i>
    Before going into a description of this track, I must make a long-overdue rebuttal to the factors that overshadowed its reception. Yes, I know this song and its track art pertain to the Wayward Vagabond. Yes, I know it’s sad that Andrew “killed off” the Wayward Vagabond on the same day that this album was released. No, I had no idea that would happen nor do I care how incongruous the song’s mood seems in relation to that particular plot point.
    Anyway, now that I finally said my keep on that, “Escape Pod” was a really really fun track to do. It’s a rock track with a feelgood video game attitude - I’ve heard it described as Sonic music a lot, though to be fair my main reference were Nintendo games, particularly Earthbound from which I borrowed the deliberately fake brass. It also shares some similarities with the Mario sound, kind of really owing to the competitive games such as Mario Kart and Mario Party.
    The track also pulls a lot from actual rock music - the Roxy Music track “Street Life” was a big cue here, and the start-stop structure on the second chorus was really inspired by Tally Hall’s track “<a href="https://youtu.be/8sV1EOJQTEI">Greener</a>” of which the effect can only be described in exotic dance. I really wanted to pull out the stops on this one and make it catchy as hell, but apparently the two tracks book-ending it on Volume 8 steal its thunder.
    What more can be said about it? This is about as totally poppy (or perhaps J-poppy) as I get. Compared to stuff like “Greenhouse” and “Squiddle Samba” this track is right up my alley. It in contrast with some of the other stuff that I’ve made appearing on the very same album (the minimalist piece “Gust of Heir” which I collaborated on with James Dever comes to mind) you’ll see that I can go just as far in the saccharine direction as I can into the abstract. For me range has always been an asset I’ve felt was important to nurture, so with Volume 8 I set the pace for my work ethic on Ithaca in terms of never settling to have “found my sound” no matter how well any one idea works.
---
Track: Davesprite
Artists:
- Toby Fox
Duration: '1:41'
URLs:
- https://homestuck.bandcamp.com/track/davesprite-2
- https://youtu.be/Iy5fKp-aV4o
Cover Artists:
- P-RO
Art Tags:
- Davesprite
Referenced Tracks:
- Hawkeye
- track:atomyk-ebonpyre
---
Track: Airtime
Artists:
- Robert J! Lake
Duration: '4:50'
URLs:
- https://homestuck.bandcamp.com/track/airtime-2
- https://youtu.be/HXPviQw2n7Q
Cover Artists:
- Tavia Morra
---
Track: Frog Hunt
Artists:
- Michael Guy Bowman
Duration: '4:15'
URLs:
- https://homestuck.bandcamp.com/track/frog-hunt-2
- https://youtu.be/VkYB3Fw4bLw
Cover Artists:
- Tavia Morra
Art Tags:
- Dave
- Jade
- Frogs
- LoFaF
Commentary: |-
    <i>Michael Guy Bowman:</i>
    Uh oh, Jit and I showed up to the album with the same song idea. That’s like two girls showing up the party in the same dress. Awkward! Good thing for Jit and I that, like the two girls in that famous scenario, we each have our own swagga and wear those dresses like the hot young messes we are. Wow, don’t quote me on that. (Too late - DPF)
    Anyway, while “Frog Forager” is almost immediate in its “aw man, yeah, it’s THIS kind of tune” factor for avid listeners of Homestuck music, my ditty “Frog Hunt” seems to hit a lot of people out of left field. Maybe it’s because I was busy surprising myself with this one as well.
    I’ve mentioned Weather Report a few times as an influence, and while I can’t bring even a fraction of that band’s musicianship to my work, I really attempted to bring their sense of atmosphere to the piece. There’s a lot of elements thrown in there - the wacky time signature (17/8 if I recall correctly), the meandering syncopated piano, the funk breaks, all that latin percussion, plus a pile of odd sound effects. I threw in some frog ambiance using some really odd synthesizers and a toy accordion as well.
    The point of this song was to kind of put the action, the drama, and all that teenage chemistry on hold so I could focus on a moment in the story that might be just a little bit more peaceful. Going on a safari for frogs on a newly-awakened alien forest world seems to beckon a very different angle than the heated stakes typically associated with Homestuck. Plus, I’ve always felt that the environment of Homestuck deserves a little more attention given that nearly 99% of all art generated by the fans are homages to their favorite characters and not the fantastic places imagined by Andrew.
---
Track: Terraform
Artists:
- Solatrus
Contributors:
- Thomas Ferkol (electric guitar)
Duration: '4:35'
URLs:
- https://homestuck.bandcamp.com/track/terraform-2
- https://youtu.be/bWp5uUxarAQ
Cover Artists:
- Richard Gung
Art Tags:
- Jade
- Dave
- Jack Noir
- Frogs
- LoFaF
Referenced Tracks:
- Terra
- track:frost-vol6
Commentary: |-
    <i>Solatrus:</i>
    That’s a remix of Terra and (obviously) Frost.
    Why? Well, I wanted Terra to be in Homestuck and sound more like a video game rock or metal song.
    And because the fight of Dave and Jade vs. Jack was an interesting event, so that’s how the song came to be.
---
Track: Unite Synchronization
Artists:
- Malcolm Brown
Duration: '2:54'
URLs:
- https://homestuck.bandcamp.com/track/unite-synchronization-2
- https://youtu.be/uHmXe2eY6Kg
Cover Artists:
- melodiousDiscord
Art Tags:
- Dave
- John
- Rose
- Jade
- 'cw: blood'
Referenced Tracks:
- track:showtime-original-mix
Commentary: |-
    <i>Malcolm Brown:</i>
    <i>(original commentary)</i>
    This was an idea borne of two things. Firstly the Dave & Jade vs Noir battle in the banner (Original title was 'Redshift'), and secondly a post-scratch Dave trying to regroup with all the kids (hence - 'Unite' - keeping to the kind of single-world direction thing HS has going for it i.e. Descend, Ascend, Cascade, etc).
    The main premise was to have quite a hefty beat (Dave), bass - including a slap bass solo (Jade), piano (John) and violin (Rose). The premise being as the song continues each part contributes until the end, where all 4 play in sync (hence... er... 'Synchronization').
    There's the tiniest influence from Showtime (again). It was also my first attempt at some vague chiptuniness in a while, which may or may not have worked... You decide!
    The breakbeat drum thing was also fun to do.
    <i>(commentary redux)</i>
    The idea behind this guy was something similar to the traditional idea of some HS songs being about movement (“Descend”, “Ascend”, “Upward Movement”), so in this case it’s 4 things moving, together as one.  It was becoming reasonably clear that post-scratch, we’d be separating The beta kids up a bit, and ideally, once the dust settled, they would all meet up again - This track’s effectively the kids overcoming whatever barriers in their way to unite.
    That was the original idea, anyway.
    It was primarily Dave centered, because in my personal interpretation of Dave I’ve always seen him as a bit of Roadie - always working behind the scenes to help people out in a lateral manner - as opposed to facing shit head on.  He’s also (and again this is personal interpretation) occasionally presented as the least capable of the 4.  Part of it presumably stems from the contrast between Bro, who is so frighteningly capable it hurts, and living in that shadow while trying to emulate him but not quite reaching it is quite a defining trait of Dave.
    That’s not to say he’s useless, I mean he’s died less than John, and he’s also not afraid to think laterally about problems and cheat (“Shenanigans”), but there’s been a few bits where you get the feeling he wishes he was a bit more of the hero his kin are.
    Unite Synchronization is essentially a chance for a Strider to shine, to get the band back together and to prepare an ass kicking.
    Details time!
    <b>The Track:</b>
    We start with a moment of contemplation, or at least an establishing shot of somewhere.  Then bam - We’re moving.  The main hook of this piece is the C - G# - D# - G# pattern, which is probably primarily influenced from Sonata Arctica’s “The Cage” (Though The Cage is a different key and pattern, but the progression is similar and just has a really nice epic feel).
    At 0:29 we get the main theme of US played on piano - We’re representing John here.  Throughout the song I pull in the associated kids instruments but make sure to constantly have the drums going - As if Dave’s grabbing each one individually and playing alongside them.  The bass is supposed to be in a constant “running” kind of theme throughout the track. An unbelievably cliched dance-y snare drum fill leads us out into the beginning of the middle section.
    The guitar’s actually the same guitar sample I used in just about everything these days, but gated - I haven’t done any gating for yonks and figured for the sort of dance-y nature of the track it’s probably not a bad choice.
    At 1:09, we get the alternate-Showtime (The first few notes are the main melody of Showtime), then at 1:24 we’re back into US main melody.  This is all done of Violin, which is of course Rose’s signature instrument. I also like the harmony on this one...
    1:40’s where I try my hand at some breakbeats.  These are actually quite difficult, and since the original slicing sounded a bit odd I also overlap a standard drum loop on top of it - The result is a ridiculous amount of percussion for a solo and a bit of funky panning for good measure.
    The break is essential. Even Striders’ needs to pause for breath.
    With the bass coming in we’re in Jade territory at 1:56.  The bass solo here is kinda pulled out of anywhere, but has a kind of Sonic-the-Hedgehog feel to it.
    2:20 we bring the percussion back in (A bar late, I love the delay there) and the violin’s brought more harmony with it.  Now here the sensible thing to do to keep up the original metaphor is to have the Piano, Slap Bass AND violin playing (Geddit? At this point all the Kids are together and rocking out) but for some reason I went with a bunch of other voices.  I guess there’s still bass.... And the choir could maybe be John singing along? I’m not sure... Potentially missed a good opportunity there... But I’m still happy with it.
    And that’s US in a nutshell!
    <b>The Flash:</b>
    So despite it not being the exact context original thought of, the 2-part Flash actually manages to fit the original theme albeit with different kids.  Plus it’s Strider centric, so that’s another plus, and once again I get to dramatically cut to silence while someone dies :D
    But then everyone’s alive by the end of it, so that’s got to be a record turnaround!
    It is remarkably disturbing how seriously on the ball Dirk is.  Not only does he paradox up his own reincarnation with a bucket and his own head, he manages to resurrect two ladies and get them and himself time-warped to Jake.
    This after his little presentation on Derse with Hearts’ head.
    I’d like to see Dave match that. :p
---
Track: Homefree
Artists:
- Hilary Troiano
Duration: '4:28'
URLs:
- https://homestuck.bandcamp.com/track/homefree-2
- https://youtu.be/7aYso7j8wsw
Cover Artists:
- Vivian Ng
Art Tags:
- John
- Skaia
Referenced Tracks:
- Shooting Star
- Homestuck Anthem
- track:sburban-jungle
- track:upward-movement-dave-owns
Commentary: |-
    <i>Hilary Troiano:</i>
    Someone sent me a PM asking for some commentary about my two MSPA songs, so [[media:misc/hilary-troiano-commentary.mp3|here it is]]. (<a href="https://jaydeis.tumblr.com/post/19609363685/someone-sent-me-a-pm-asking-for-some-commentary">source</a>)
---
Track: Galaxy Hearts
Artists:
- Mark Hadley
Duration: '2:54'
URLs:
- https://homestuck.bandcamp.com/track/galaxy-hearts-2
- https://youtu.be/YQX0TWA_x6Q
Cover Artists:
- Rachel Weiss
Art Tags:
- Terezi
Commentary: |-
    <i>Mark Hadley:</i>
    I made the theme for this a long time ago for an RPG a friend was making, but then cancelled. I still really liked the theme, so I modified it slightly and repurposed it for Homestuck. Out of everything I've done for Homestuck, it's still one of my favorites.
---
Track: Scourge Sisters
Artists:
- Erik Scheele
Duration: '2:50'
URLs:
- https://homestuck.bandcamp.com/track/scourge-sisters-2
- https://youtu.be/srAkO5O1QaM
Cover Artists:
- melodiousDiscord
Art Tags:
- Terezi
- Vriska
---
Track: Arcade Thunder
Artists:
- Robert J! Lake
Duration: '2:56'
URLs:
- https://homestuck.bandcamp.com/track/arcade-thunder-2
- https://youtu.be/2JJJTSs_JeA
Cover Artists:
- Maf
Art Tags:
- John
- Rose
- Dave
- Jade
- Karkat
- Tavros
- Sollux
- Nepeta
- Terezi
- Vriska
- Jack Noir
- Consorts
---
Track: Pyrocumulus (Sicknasty)
Artists:
- Robert J! Lake
Duration: '2:50'
URLs:
- https://homestuck.bandcamp.com/track/pyrocumulus-sicknasty-2
- https://youtu.be/4BqRC-ZPovM
Cover Artists:
- Rutares
Art Tags:
- John
- Battlefield
Referenced Tracks:
- Skaian Skuffle
- track:skies-of-skaia
---
Track: Kingside Castle
Artists:
- Clark Powell
Duration: '2:44'
URLs:
- https://homestuck.bandcamp.com/track/kingside-castle-2
- https://youtu.be/qYKxzWbrZ0c
Cover Artists:
- Nic Carey
Art Tags:
- Battlefield
---
Track: Temporary
Artists:
- Robert J! Lake
Duration: '3:37'
URLs:
- https://homestuck.bandcamp.com/track/temporary-2
- https://youtu.be/CYh1OlRWzp4
Cover Artists:
- Chaz Canterbury
Art Tags:
- Dave
- The Felt
- Earth
Referenced Tracks:
- Temporal Piano
---
Track: Gust of Heir
Artists:
- James Dever
- Michael Guy Bowman
Contributors:
- Clark Powell (additional sequencing)
Duration: '4:17'
URLs:
- https://homestuck.bandcamp.com/track/gust-of-heir-2
- https://youtu.be/pGlTekY3qZI
Cover Artists:
- Fibug
Art Tags:
- John
Commentary: |-
    <i>Michael Guy Bowman:</i>
    Two of the tracks I put on Volume 8 were collaborations with other Homestuck musicians, something I’ve been meaning to do more of because two heads are usually better than one. The first of the two was “Gust of Heir”, a track that James Dever wrote and for which I did the production.
    James and I are both fans of minimalism, specifically the work of Philip Glass. An eerie-looking autographed program from the Philip on Film tour graces the wall of my room, and the primary piece of music that got me interested in composition is Einstein on the Beach, a five-hour opera consisting largely of slowly-evolving repeated figures using chanted numbers and solfege. Those otherwise unfamiliar might know his music better from the many movies he’s scored including Secret Window, The Truman Show, and The Hours.
    Anyway, I knew right away where James was coming from when he sent me a midi demo of “Gust of Heir” though originally it was arranged as a piano solo. Without access to a pro recording situation as on the Sburb piano suite, we knew there would have to be an alternate solution, hence the electronic approach. I played pretty heavily with a set of new sounds, specifically the soundfonts of Ethan Winer, an audio professional whose work was recommended by Radiation a good while back.
    As I have on many occasions I took cues from <a href="http://www.rtqe.net/ObliqueStrategies/">Oblique Strategies</a> to get some ideas for the arrangement. Part of the intrigue in producing this piece was that it was fully written, meaning that in some ways I was boxed-in to a complete journey for the song to take musically yet in others free to really explore and discover a unique sound for the song. I really played toggling a slew of effects until this tune became rendering hell for my computer. I stepped a bit outside my own range of comfort and got some drum loops from Clark Powell to really polish off the piece, adding a touch that otherwise would probably have eluded me.
---
Track: Afraid of the Darko
Artists:
- Robert J! Lake
Duration: '3:00'
URLs:
- https://homestuck.bandcamp.com/track/afraid-of-the-darko-2
- https://youtu.be/PSbPXcKGYto
Cover Artists:
- Robert J! Lake
Art Tags:
- Doc Scratch
---
Track: Even in Death (T'Morra's Belly Mix)
Artists:
- Clark Powell
- Tavia Morra
Duration: '4:08'
URLs:
- https://homestuck.bandcamp.com/track/even-in-death-tmorras-belly-mix-2
- https://youtu.be/9MdltybiL00
Cover Artists:
- Tavia Morra
Referenced Tracks:
- Even in Death
---
Track: Bargaining with the Beast
Artists:
- Thomas Ferkol
Duration: '4:13'
URLs:
- https://homestuck.bandcamp.com/track/bargaining-with-the-beast-2
- https://youtu.be/2HT5FcjHt1s
Cover Artists:
- Vivian Ng
Art Tags:
- Jade
- Denizens
- LoFaF
Commentary: |-
    <i>Thomas Ferkol:</i>
    Bargaining With the Beast was a doozy.  With little conscious attempts at maintaining structure (other than the section after the intro, which appears a few times to hold things together), it can come off as a wild ride through a bunch of interesting ideas just sort of strung together like a glass mobile made with craft glue and shiny twine.  And that is a pretty accurate description.
    The piece was sort of an experiment for me, filled with a lot of concepts that might even have needed a separate piece to flesh them out properly, but I made this piece with the Volume 8 submissions deadline looming over head (I think it was a little under a week until final decisions on tracks were supposed to be).
    This is also an example of a piece where I set out with a clear mindset for what I wanted.  Seeing there was no piece based on Echidna and Jade’s encounters (Radiation didn’t show us his tracks until around when the order was being decided hehe), I wanted something majestic and regal, something befitting of a monstrous queen in ancient stone halls of a frozen world.  Eventually it developed into a sort of audio tour of Echidna’s palace and highlighted the conversation, never fully revealed, that took place between Jade and Echidna as they struck a deal.
---
Track: Frostbite
Artists:
- Toby Fox
Contributors:
- Marcy Nabors (flute)
Duration: '3:51'
URLs:
- https://homestuck.bandcamp.com/track/frostbite-2
- https://youtu.be/Gdb_nZs6plw
Cover Artists:
- Nic Carey
Art Tags:
- LoFaF
Referenced Tracks:
- Gaia Queen
---
Track: The Lost Child
Artists:
- Toby Fox
Duration: '2:54'
URLs:
- https://homestuck.bandcamp.com/track/the-lost-child-2
- https://youtu.be/-OFQHEy5TDw
Cover Artists:
- Sarah Fu
Art Tags:
- The Handmaid
Referenced Tracks:
- psych0ruins
---
Track: Questant's Lament
Artists:
- Thomas Ferkol
Duration: '3:13'
URLs:
- https://homestuck.bandcamp.com/track/questants-lament-2
- https://youtu.be/ILt6Qyxc1bw
Cover Artists:
- Fibug
Art Tags:
- WQ
- Ruined Earth
Commentary: |-
    <i>Thomas Ferkol:</i>
    Questant’s Lament is one of my favorite tracks that I’ve made.  Originally for The Wanderers, because there weren’t any WQ tracks and I liked her portrayal in the comic, I wanted something regal, almost stoic, but also forlorn.
    With the beginning, I imagined her away from the others in their camp, sitting alone on some stone at night and listening to an old music box, one of few possessions that she could have salvaged from Prospit.  From there she reminisces, from her perspective, on the progression of the session and her foresight of and departure from the impending devastation of Prospit.
    In the end, she closes the trinket, accepts her new fate, and returns to her fellow exiles.
---
Track: Hussie Hunt
Artists:
- Malcolm Brown
Duration: '2:46'
URLs:
- https://homestuck.bandcamp.com/track/hussie-hunt-2
- https://youtu.be/oz4UOqdFQEA
Cover Artists:
- Hanni Brosh
Art Tags:
- AH
- Doc Scratch
Referenced Tracks:
- track:explore
Commentary: |-
    <i>Malcolm Brown:</i>
    Hah!  If 'Sneaking music' was a genre, here's another one to the mix.
    Basically, heavily influenced by the Pink Panther theme (You know the one). While making this all I could imagine was a bizarre Andrew Hussie Elmer Fudd hunting 'Scwatches'...
    More or less my first attempt to do something in this style. Also, surprisingly, most of it was played live on keyboard into the sequencer (not something I normally do) and then heavily quantized to fix my wonky playing. It gives it a <i>slightly</i> more organic feel, most noticeable on the chords during the 'Explore' section at the end (Which may also owe a little bit to the Monkey Island soundtrack).
    Basically a bit of music for Andrew's huntin' of Scratch shortly before the end of act. Included is the "AAAAAHHH FUCKING WOLF!!" moment for good measure (That was added after the first draft to Rad's suggestion). There was even talk of getting some grumbly vocals from the man 'imself, but alas...
    Had quite a bit of fun doin' this one. Also quite proud of the name  Even if I do have to occasionally explain it to people who don't read the comic...
---
Track: Havoc
Artists:
- Svix
Duration: '2:35'
URLs:
- https://homestuck.bandcamp.com/track/havoc-2
- https://youtu.be/Wq0SjupReyA
Cover Artists:
- Emi
Art Tags:
- The Handmaid
- Doc Scratch
Commentary: |-
    <i>Svix:</i>
    Havoc began as an intro section for another song I made a while back but I quite liked the melody and decided to make a separate track out of it. I submitted it to Homestuck as I felt the chiptune nature of the piece fit in with the comic's style and I'd been wanting to write a 'Strife' type tune for some time.
    The track itself has a lot of C64 elements in the percussion and synths that blend into more powerful sounds for a more Drum and Bass style which is something I quite like to do with my music.
---
Track: Drift into the Sun
Artists:
- Thomas Ferkol
Contributors:
- Clark Powell (some production)
- Toby Fox (climax drum programming)
Duration: '3:22'
URLs:
- https://homestuck.bandcamp.com/track/drift-into-the-sun-2
- https://youtu.be/f5BP2W9a93U
Cover Artists:
- Zilon
Art Tags:
- Rose
- Dave
- Derse
- Horrorterrors
Referenced Tracks:
- track:atomyk-ebonpyre
Commentary: |-
    <i>Thomas Ferkol:</i>
    Drift Into the Sun started off as me trying to emulate <a href="https://www.youtube.com/watch?v=3pv2LgRzvKg">the opening choir track</a> of a black metal EP.  Soon some big drums and some spacey guitars found their way into the mix (in my attempts to make something on the line of ambient black or doom metal).  Finally, I added Dave’s “blast off” to help Rose with a metal-ified version of Atomyk Ebonpyre (which people keep requesting a full version of... maybe).
    This was another track that I had a clear design for, following as best as I could the events surrounding Rose and Dave’s chat on Derse before creating the Green Sun, focusing more on the atmosphere surrounding the debacle than what they talked about.
    After putting the original version up for the team to see, Plazmataz offered to spruce things up.  And they did.  And it was awesome.  And then Radiation said he could make some crazy drums for the last section.  And he did.  And it was awesome too.
    And that was how Virginia was founded!
---
Track: Infinity Mechanism
Artists:
- Thomas Ferkol
Duration: '3:20'
URLs:
- https://homestuck.bandcamp.com/track/infinity-mechanism-2
- https://youtu.be/I3S8LNG4aNo
Cover Artists:
- VickyBit
Art Tags:
- LoHaC
Commentary: |-
    <i>Thomas Ferkol:</i>
    Then we’ve got Infinity Mechanism.  I am not sure what to say about it.  I played live guitar and cello on it.  It was one of the first full guitar based things I wrote for MSPA and the first that I used my computer to record rather than a Tascam mixing board + studio that I had used on my very old works.
    Its mechanical sound and return to the beginning at its end reminded me of Beat Mesa, and it kind of became my own sort of theme music for The Scratch.  Also it is now the first track written by me to be used in an animation and it is amazing.
---
Track: Revered Return
Artists:
- Nick Smalley
- Michael Guy Bowman
Duration: '2:33'
URLs:
- https://homestuck.bandcamp.com/track/revered-return-2
- https://youtu.be/x3ruWSdc1Vo
Cover Artists:
- Noot
Art Tags:
- Terezi
- Vriska
Referenced Tracks:
- Dirgeish
- track:sburban-jungle
Commentary: |-
    <i>Michael Guy Bowman:</i>
    “Revered Return” began as a track called “Dirgeish”, a .pxtone composition that Nick had completed some time ago but never managed to squeeze into an album. Because as a chip tune it had been long overlooked, I decided to take a whack at producing it in a different style for inclusion on Volume 8. I had been looking for a piece that would work as a rock tune, and “Dirgeish” really struck me because of the heavy involvement of drums, its steady pace, and dynamic structure.
    The unique challenge of arranging “Revered Return” was pinning down exactly what was what - “Dirgeish” had maximized use of its resources as an electronic composition, shifting instrumentation several times in ways that wouldn’t translate to a rock context. I found myself in a very subjective position, kind of picking and choosing what things would stay in and what things would be changed, while overall trying to maintain the original structure of the song.
    The structure I think might be the most unique part of “Revered Return” - it doesn’t waste time by really repeating itself a lot. Nine out of ten times I work on a song I find myself writing or arranging something that moves in a very basic structure like ABAB or AABA or other variants, etc. “Dirgeish” gave me the challenge of establishing coherency in a piece that seemed to move almost completely linearly, and I made sure to preserve its sort of ABCDEFGBA-type structure in arranging “Revered Return” for Volume 8.
    <i>Nick Smalley:</i>
    Remember that thing about ORGMaker? Yeah, this song, too. Except add me asking Andrew Huo to help finish it and Bowman to ramp it up, and you’ve got Revered Return. :3
---
Track: Judgment Day
Artists:
- Toby Fox
Contributors:
- Noel Sadwin (violin)
Duration: '2:00'
URLs:
- https://homestuck.bandcamp.com/track/judgment-day-2
- https://youtu.be/MD2TLTtyfDE
Cover Artists:
- Lazylaz
Art Tags:
- John
Referenced Tracks:
- track:ruins
---
Track: Lotus (Bloom)
Artists:
- Seth Peelle
Duration: '4:05'
URLs:
- https://homestuck.bandcamp.com/track/lotus-bloom-2
- https://youtu.be/RrIofwv86HM
Cover Artists:
- myluckyseven
Art Tags:
- Lotus
Referenced Tracks:
- Lotus
---
Track: Cascade
Artists:
- Toby Fox
- Tensei
- Clark Powell
- Malcolm Brown
Contributors:
- Toby Fox (editing)
Duration: '13:14'
URLs:
- https://homestuck.bandcamp.com/track/cascade-2
- https://youtu.be/Ckr6KyZoS58
Has Cover Art: false
Referenced Tracks:
- Cascade (Beta)
- Flare (Cascade)
- Savior of the Dreaming Dead (Cascade Cut)
- Black Hole / Green Sun
---
Track: I'm a Member of the Midnight Crew (Acapella)
Artists:
- David Ko
Duration: '2:50'
URLs:
- https://homestuck.bandcamp.com/track/im-a-member-of-the-midnight-crew-acapella-2
- https://youtu.be/Br294PLbHBA
Cover Artists:
- Vivian Ng
Art Tags:
- Midnight Crew
Referenced Tracks:
- I'm a Member of the Midnight Crew
Lyrics: |-
    I hate a moral coward, one who lacks a manly spark<br>I just detest a man afraid to go home in the dark<br>I always spend my evenings where there's women wine and song<br>But like a man, I always bring my little wife along!
    I'm a member of the Midnight Crew<br>I'm a night owl, and a wise bird too<br>Home with the milk in the morning<br>Singing the same old song!<br>Rise with the moon, go to bed with the sun<br>Early to bed, and you'll miss all the fun<br>Bring your wife and trouble, it will never trouble you<br>Make her a member of the Midnight Crew!
    The fun it doesn't stop 'til 12 on happy old Broadway<br>So what's the use of going home, until the break of day?<br>Now, something confidential, whisper not above a breath<br>I once went home at 2 AM, and scared my wife to death!
    I'm a member of the Midnight Crew<br>I'm a night owl, and a wise bird too<br>Home with the milk in the morning<br>Singing the same old song!<br>Rise with the moon, go to bed with the sun<br>Early to bed, and you'll miss all the fun<br>Bring your wife and trouble, it will never trouble you<br>Make her a member of the Midnight Crew!
    I never shall forget the night I made six robbers run<br>Although I didn't have a knife, a blackjack, or a gun<br>I proved myself a hero of a very high degree<br>I ran for home, and six of them, were running after me!
    I'm a member of the Midnight Crew<br>I'm a night owl, and a wise bird too<br>Home with the milk in the morning<br>Singing the same old song!<br>Rise with the moon, go to bed with the sun<br>Early to bed, and you'll miss all the fun<br>Bring your wife and trouble, it will never trouble you<br>Make her a member of the Midnight Crew!
    Make her a member of the Midnight Crew!
---
Group: Bonus tracks
---
Track: How Do I Live (D8 Night Version)
Artists:
- Michael Guy Bowman
Contributors:
- Thomas Ferkol (electric guitar)
- David Ko (backup vocals)
Duration: '3:23'
URLs:
- https://homestuck.bandcamp.com/track/how-do-i-live-d8-night-version-2
- https://youtu.be/Svy9DBBZKpk
Cover Artists:
- Victoria Grace Elliott
Art Tags:
- John
- LoWaS
Referenced Tracks:
- How Do I Live
Lyrics: |-
    How do I<br>Get through one night without you?<br>If I had to live without you<br>What kind of life would that be?<br>Oh, and I<br>I need you in my arms, need you to hold<br>You're my world, my heart, my soul<br>If you ever leave<br>Baby that would take away everything good in my life
    Without you<br>There'd be no sun in my sky<br>There'd be no love in my life<br>There'd be no world left for me<br>Oh, and I<br>Baby I don't know what I would do<br>I'd be lost if I lost you<br>If you ever leave<br>Baby that would take away everything that's real in my life
    And tell me now<br>How do I live without you?<br>I want to know<br>How do I breathe without you?<br>If you ever go<br>How do I ever, ever survive?
    And tell me now<br>How do I live without you?<br>I want to know<br>How do I breathe without you?<br>If you ever go<br>How will I ever, ever survive?
Commentary: |-
    <i>Michael Guy Bowman:</i>
    So, like it or not, my signature song seems to be the country ballad made famous by a movie about how Nicolas Cage and John Cusack screw up absolutely everything and destroy the Las Vegas strip. Hence, for Volume 8, I decided to do a more serious version of “How Do I Live” that doesn’t mortify me entirely.
    I always had thought of “How Do I Live” as a breakup song, so as an anthem of dependency between generic 90’s lovers I was underwhelmed. However, in Con Air it’s meant to be the love theme of a woman whose husband serves in the military, giving the song a very different meaning. The stakes are not whether the singer’s lover will stay or leave but whether they will live or die, a thought that is instantly more resonant for anyone who has been in love I think.
    The trick to this one for me was cutting out all the bullshit really - the ridiculous key change is removed and the drums are minimal to the extent of sounding like a funeral march. Rather than starting off with chipper little electric organs and keyboards, this version takes a cue from “Purple Rain” and uses only electric guitar and vocals for the first minute. The vocals start off sounding a million miles away and are subtly brought closer and closer until the other instruments join in on the second verse.
    I added a new bridge section in so that Thomas Ferkol could have a chance to play some real guitar in this one, and of course he showed his colors as a metal guitarist, sending me a duet between harmonized voices. David Ko also appears on this track as the gently-spoken backup vocalist.
---
Track: Cascade (Beta)
Artists:
- Tensei
Duration: '4:06'
URLs:
- https://homestuck.bandcamp.com/track/cascade-beta-2
- https://youtu.be/Svy9DBBZKpk
Cover Artists:
- Mia Schwartz
Art Tags:
- John
- Dave
- Vriska
- Battlefield
---
Track: Black Hole / Green Sun
Artists:
- Malcolm Brown
- Toby Fox
Contributors:
- Tensei (electric guitar)
- Noel Sadwin (violin)
Duration: '2:30'
URLs:
- https://homestuck.bandcamp.com/track/black-hole-green-sun-2
- https://youtu.be/B6e2XacZSIs
Has Cover Art: false
Referenced Tracks:
- Black Rose / Green Sun
- track:sburban-jungle
Commentary: |-
    <i>Malcolm Brown:</i>
    Not much to say on this really except the title is kind of an ode to Soundgarden.
---
Track: Carefree Action
Artists:
- Mark Hadley
Duration: '2:08'
URLs:
- https://homestuck.bandcamp.com/track/carefree-action-2
- https://youtu.be/saFRtTDSVKQ
Cover Artists:
- 8bitkitten
Art Tags:
- Dave
- Jade
- Frogs
- LoFaF
Commentary: |-
    <i>Mark Hadley:</i>
    Back when we knew Jade as just GG, I wrote the first part of Carefree Action as a possible upbeat strife theme for her. It never ended up getting used, but other people liked it, and eventually a remix of it (Carefree Victory) made it into the comic. The original was pretty short, so I lengthened it so that I could eventually get it onto an album. Like Sburban Reversal, I recommended it as a bonus track.