From f1ce4e7ada9473cee4345e6660e74b54ce68724b Mon Sep 17 00:00:00 2001 From: Lilithtreasure <62890895+Lilithtreasure@users.noreply.github.com> Date: Tue, 30 Apr 2024 11:53:48 -0400 Subject: beau - he/him (thanks Pascal --- album/the-nobles.yaml | 4 ++-- 1 file changed, 2 insertions(+), 2 deletions(-) (limited to 'album') diff --git a/album/the-nobles.yaml b/album/the-nobles.yaml index 263e1e91..5a44bde8 100644 --- a/album/the-nobles.yaml +++ b/album/the-nobles.yaml @@ -275,7 +275,7 @@ Art Tags: Commentary: Rowyn Berlan: (composer, booklet commentary) - So I've always wanted to collab with young [[artist:beau-brian|beau]] and I saw this song as the perfect opportunity. I started out by editing a few sytrus synths to better suit my tastes and added some noise buildup for atmosphere. I then passed the song beau after writing a shitty piano sketch. Sooner than later Beau sent me back their WIP in which they added a lead piano and a bass break before their computer died. I had to finish the rest of the song myself but luckily the work Beau did gave me a clear direction to take the song. For the rest of the song I drew inspiration from songs like [Land of Morytha](https://www.youtube.com/watch?v=Sb-LLbh4NW0) and [Yggdrasil](https://www.youtube.com/watch?v=V0gfc6m3qJg) from the Xenoblade 2 OST (good game btw) because I think the atmospheric tone of said songs was perfect for what I wanted. I decided to end the entire song with a combination of all previous motifs present throughout the earlier sections of the song and I think me and beau did well. In retrospect I believe that atmosphere was key when trying to represent Dirk's journey through the Furthest Ring in musical form and well I hope we achieved my goal. + So I've always wanted to collab with young [[artist:beau-brian|beau]] and I saw this song as the perfect opportunity. I started out by editing a few sytrus synths to better suit my tastes and added some noise buildup for atmosphere. I then passed the song to beau after writing a shitty piano sketch. Sooner than later Beau sent me back his WIP in which he added a lead piano and a bass break before his computer died. I had to finish the rest of the song myself but luckily the work Beau did gave me a clear direction to take the song. For the rest of the song I drew inspiration from songs like [Land of Morytha](https://www.youtube.com/watch?v=Sb-LLbh4NW0) and [Yggdrasil](https://www.youtube.com/watch?v=V0gfc6m3qJg) from the Xenoblade 2 OST (good game btw) because I think the atmospheric tone of said songs was perfect for what I wanted. I decided to end the entire song with a combination of all previous motifs present throughout the earlier sections of the song and I think me and beau did well. In retrospect I believe that atmosphere was key when trying to represent Dirk's journey through the Furthest Ring in musical form and well I hope we achieved my goal. Beau Brian: (composer, booklet commentary) @@ -295,7 +295,7 @@ Art Tags: Commentary: |- Rowyn Berlan: (booklet commentary) - We're not done with young [[artist:beau-brian|Beau]] just yet because forever ago they made a song called Death on a Dying Planet. While I did not directly reference that song, I did however base my composition off of it. Without Death on a Dying Planet I don't think Terminus would exist so thanks Beau. Now when writing the song I logically started with a rhodes and then wrote a bassline? with the cello. At the last minute I decided to add the ChronoTrigger soundfont to back up the main rhodes melody in the latter half of the song. I think I did an ok job at writing a Game Over theme and would consider this among my strongest compositions. I hope you're ready for some sad times and enjoy! + We're not done with young [[artist:beau-brian|Beau]] just yet because forever ago he made a song called Death on a Dying Planet. While I did not directly reference that song, I did however base my composition off of it. Without Death on a Dying Planet I don't think Terminus would exist so thanks Beau. Now when writing the song I logically started with a rhodes and then wrote a bassline? with the cello. At the last minute I decided to add the ChronoTrigger soundfont to back up the main rhodes melody in the latter half of the song. I think I did an ok job at writing a Game Over theme and would consider this among my strongest compositions. I hope you're ready for some sad times and enjoy! --- Track: Stardust Glitches -- cgit 1.3.0-6-gf8a5