From e1d7d920c0596a2ebfb3eab2a1c174c3112f9758 Mon Sep 17 00:00:00 2001
From: "(quasar) nebula" <towerofnix@gmail.com>
Date: Tue, 3 Nov 2020 08:47:02 -0400
Subject: data changes courtesy of Bambosh from the UHSC

---
 album/homestuck-vol-9.txt | 2 +-
 1 file changed, 1 insertion(+), 1 deletion(-)

(limited to 'album/homestuck-vol-9.txt')

diff --git a/album/homestuck-vol-9.txt b/album/homestuck-vol-9.txt
index af8e152..29f2c4e 100644
--- a/album/homestuck-vol-9.txt
+++ b/album/homestuck-vol-9.txt
@@ -265,7 +265,7 @@ URLs:
 - https://youtu.be/RZGdkT96JDs?list=PLy5UGIMKOXpOfcXVfECYjb09aHc2uSEUv
 Commentary:
     <i>Toby Fox:</i>
-    art by P-RO at <a href="nomorepros.tumblr.com">nomorepros.tumblr.com</a>. P-RO always does a maximally amazing job so why I asked her to draw the art is a non-question.
+    art by P-RO at <a href="https://nomorepros.tumblr.com">nomorepros.tumblr.com</a>. P-RO always does a maximally amazing job so why I asked her to draw the art is a non-question.
     Stress is actually a pretty faithful arrangement of an original track by Buzinkai. Buzinkai has been responsible for several HS-important melodies like Doctor, Endless Climb, and Explore and [her] work, for me, has always established a certain “essence” of what Homestuck is. My goal for this piece was actually to create a classic strife theme for Dirk with the core feeling of earlier pieces like Showtime or Doctor, so basing the piece off of something with that “essence” was important.*
     I can’t say why Buzinkai wrote this piece the way she did, so I’ll instead highlight the differences between the original and my arrangement.
     <ul><li><p>Updated the instrumentation. Buzinkai’s usage of PXTONE is indeed charming and nostalgic-sounding, but I wanted to push things bit further. One major difference is the arrangement of the strings - Buzinkai’s PXTONE strings have an sharp attack to them, while mine come on a bit softer but are thicker. My strings then sound more “lush” but less “urgent.”</p></li> <li><p>I added a section between the original A section and B section with lower intensity. This was because the song got a bit too repetitive and static simply repeating like Buzinkai’s. Oddly, the repeats didn’t bother me in his track. I think this is partially because MY loop point, unlike Buzinkai’s, lowers the intensity a LOT more by removing a bunch of instruments where his simply flows into a repeat. I need to think about that more.</p></li> <li><p>Added an introduction and a true ending to make it more of a proper start-to-finish song.</p></li></ul>
-- 
cgit 1.3.0-6-gf8a5