diff options
Diffstat (limited to 'album')
| -rw-r--r-- | album/alterniabound.yaml | 4 | ||||
| -rw-r--r-- | album/gunshow-singalong.yaml | 2 | ||||
| -rw-r--r-- | album/sburb.yaml | 2 |
3 files changed, 4 insertions, 4 deletions
diff --git a/album/alterniabound.yaml b/album/alterniabound.yaml index 28099e90..2cd24900 100644 --- a/album/alterniabound.yaml +++ b/album/alterniabound.yaml @@ -60,7 +60,7 @@ Commentary: |- [[artist:seth-peelle|Seth "Beatfox" Peelle]]<br> [[artist:nick-smalley|Nick "OMGTSN" Smalley]] - With soundfonts by [[artist:the-eighth-bit|The_Eighth_Bit]] + With soundfonts by [[artist:theeighthbit|The_Eighth_Bit]] Special vague thanks to [[artist:lexxy|Alexandra "Lexxy" Douglass]] @@ -297,7 +297,7 @@ Commentary: |- <i>Toby Fox:</i> (album organizer) - People kept asking me for a Phoenix Wright remix of [[Lemonsnout Turnabout]], so Malcolm creating this was essentially a miracle, especially considering he hadn't been around [[Squiddidle!|since Squiddles]]. + People kept asking me for a Phoenix Wright remix of [[The Lemonsnout Turnabout|Lemonsnout Turnabout]], so Malcolm creating this was essentially a miracle, especially considering he hadn't been around [[Squiddidle!|since Squiddles]]. Thank you Malcolm. That kiss at the end? That's me kissing you. diff --git a/album/gunshow-singalong.yaml b/album/gunshow-singalong.yaml index 9f322fda..85730975 100644 --- a/album/gunshow-singalong.yaml +++ b/album/gunshow-singalong.yaml @@ -23,7 +23,7 @@ Groups: - Cool and New Music Team - Fandom Commentary: |- - <i>Cool and New Music Team|[[artist:unofficial-mspa-team|Tronald Trumpet]]:</i> + <i>Cool and New Music Team|[[artist:cool-and-new-music-team|Tronald Trumpet]]:</i> <big>[NSFW] Penumbra Orgasm: A Small Loan of A Million Dollars Remix (Gunshow Singalong)</big> --- diff --git a/album/sburb.yaml b/album/sburb.yaml index b105aa83..4bdaf47d 100644 --- a/album/sburb.yaml +++ b/album/sburb.yaml @@ -212,7 +212,7 @@ Commentary: |- A really terrible engraving job on the sheet music by yours truly created a repeated note in the beginning motive that I ended up actually digging more than the original version. - The Meek continues the idea of bouncing between time signatures while trying to keep a sense of structure. Where [[Requiem]] was more about a constant pulse, I decided to play with elongated pauses to stretch the phrases. + The Meek continues the idea of bouncing between time signatures while trying to keep a sense of structure. Where [[track:requiem]] was more about a constant pulse, I decided to play with elongated pauses to stretch the phrases. The second section was during a time where I was really starting to love the idea of modes and modal mixture and just had fun with it. Still one of my favorite passages from the entire album! |