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Diffstat (limited to 'album/homestuck-vol-7.yaml')
| -rw-r--r-- | album/homestuck-vol-7.yaml | 20 |
1 files changed, 10 insertions, 10 deletions
diff --git a/album/homestuck-vol-7.yaml b/album/homestuck-vol-7.yaml index ef51a943..50ee49c5 100644 --- a/album/homestuck-vol-7.yaml +++ b/album/homestuck-vol-7.yaml @@ -19,7 +19,7 @@ Art Tags: - Green Sun Banner Artists: - Homestuck -Banner Dimensions: 1100x158 +Banner Dimensions: 1100x140 Banner File Extension: png Wallpaper Artists: - Homestuck @@ -225,13 +225,13 @@ MIDI Project Files: - 'Spider8reath - Tensei.mid' Commentary: |- <i>Tensei:</i> - Alright, as requested, I’ll do some indepth commentary on already released Homestuck songs, starting off with Spider8reath. - Now, you may have heard this from me before, but Vriska is HANDS DOWN the most fun character to write music for. It’s hard to exactly pinpoint the reason for this, but something about her character just invites badass pentatonic blues riffs, squealing guitars and shrill horns all over the place. - Really, when you pick it apart, this song is actually very simple at its basis, containing a pretty typical blues progression, and the constantly repeated guitar/bass riff which is introduced right at the start and then just keeps on going ( dadada DA dada DA dada dada dadadada, it’s really fun to sing along actually!) - The horn section actually adds the bulk of the songs ‘gravy’, providing lots of switch-ups, sometimes playing in unison with the main riff, sometimes splitting up and providing countermelodies or underlining the harmonized guitars. It was also by far the hardest part to write because I had literally no previous experience with brass writing, but I got some great feedback from other music team members. - Actually part of the reason that it was so hard to implement is probably because the song was already more or less ‘done’ before I thought of putting in a few brass stabs here and there. Then as I was writing the brass became more and more of a foreground element, and that’s how Spider8reath became the screamy shrill funfest that it is now. - People who said that the exposed guitar solo at the start reminded them of Van Halen were totally right, because the song ‘Eruption’ was more or less a direct inspiration for it. I think it turned out really well, and it serves as a great intro to the song! - Really though, the main inspiration for this song simply comes from building on the previous Vriska songs that Radiation did. While the brass was a new, spur-of-the-moment addition, the guitar riffs and melodies were always supposed to be reminiscent of stuff like Spider’s Claw, Killed by Br8k Spider and MeGaLoVaNia. People definitely seem to associate this song with Vriska too now, so mission accomplished I guess? + Alright, as requested, I'll do some indepth commentary on already released Homestuck songs, starting off with Spider8reath. + Now, you may have heard this from me before, but Vriska is HANDS DOWN the most fun character to write music for. It's hard to exactly pinpoint the reason for this, but something about her character just invites badass pentatonic blues riffs, squealing guitars and shrill horns all over the place. + Really, when you pick it apart, this song is actually very simple at its basis, containing a pretty typical blues progression, and the constantly repeated guitar/bass riff which is introduced right at the start and then just keeps on going ( dadada DA dada DA dada dada dadadada, it's really fun to sing along actually!) + The horn section actually adds the bulk of the songs 'gravy', providing lots of switch-ups, sometimes playing in unison with the main riff, sometimes splitting up and providing countermelodies or underlining the harmonized guitars. It was also by far the hardest part to write because I had literally no previous experience with brass writing, but I got some great feedback from other music team members. + Actually part of the reason that it was so hard to implement is probably because the song was already more or less 'done' before I thought of putting in a few brass stabs here and there. Then as I was writing the brass became more and more of a foreground element, and that's how Spider8reath became the screamy shrill funfest that it is now. + People who said that the exposed guitar solo at the start reminded them of Van Halen were totally right, because the song 'Eruption' was more or less a direct inspiration for it. I think it turned out really well, and it serves as a great intro to the song! + Really though, the main inspiration for this song simply comes from building on the previous Vriska songs that Radiation did. While the brass was a new, spur-of-the-moment addition, the guitar riffs and melodies were always supposed to be reminiscent of stuff like Spider's Claw, Killed by Br8k Spider and MeGaLoVaNia. People definitely seem to associate this song with Vriska too now, so mission accomplished I guess? --- Track: Lifdoff Artists: @@ -282,9 +282,9 @@ Art Tags: - Equius Commentary: |- <i>Thomas Ferkol:</i> - Havoc to be Wrought was spawned from an idea for a short story I had in my mind about a man climbing the old bell tower of an abandoned church investigating strange sounds that had plagued a small town, only to be forced into a confrontation with the “King of Owls” once he reaches the top, and ending with the KoO cutting the bell rope that the man clung to and screeching in the night. + Havoc to be Wrought was spawned from an idea for a short story I had in my mind about a man climbing the old bell tower of an abandoned church investigating strange sounds that had plagued a small town, only to be forced into a confrontation with the "King of Owls" once he reaches the top, and ending with the KoO cutting the bell rope that the man clung to and screeching in the night. Things changed though. - Once I had actually started writing and refining it, I decided to change its message, from a mad owl thing to the mysterious demon in the troll’s session which had been recently mentioned in the comic (I wrote this sometime in Fall 2010). Also, yes, that is why there is distorted owl screeches at the end, although they were more meant to evoke the horrorterrors crying out in pain than owls by the time it was finished. + Once I had actually started writing and refining it, I decided to change its message, from a mad owl thing to the mysterious demon in the troll's session which had been recently mentioned in the comic (I wrote this sometime in Fall 2010). Also, yes, that is why there is distorted owl screeches at the end, although they were more meant to evoke the horrorterrors crying out in pain than owls by the time it was finished. Contains some very powerful organ and some great chord progressions, but also some structural choices I am not completely proud of, which remained in the piece until its release months and months later because the original Finale file crashed on me before I had a chance to save it. So, rather than attempt reconstructing it, I went with what I had, and it stuck. --- Track: Play The Wind |