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Diffstat (limited to 'album/cherubim.yaml')
| -rw-r--r-- | album/cherubim.yaml | 84 |
1 files changed, 43 insertions, 41 deletions
diff --git a/album/cherubim.yaml b/album/cherubim.yaml index 1d6156af..cf67db05 100644 --- a/album/cherubim.yaml +++ b/album/cherubim.yaml @@ -2,7 +2,7 @@ Album: Cherubim Date: March 14, 2013 Date Added: November 15, 2019 URLs: -- https://homestuck.bandcamp.com/album/homestuck-vol-7-8-with-cherubim +- https://homestuck.bandcamp.com/album/cherubim - https://www.youtube.com/watch?v=Ka9R4mX8LZo - https://www.youtube.com/playlist?list=PL5wuj4bznbEntObWXb7BFZBl3Jq1Ep1Kb Cover Artists: @@ -32,7 +32,7 @@ Additional Files: Files: - banner.jpg Commentary: |- - <i>Homestuck:</i> ([Bandcamp about blurb](https://web.archive.org/web/20130316024224/https://homestuck.bandcamp.com/album/cherubim)) + <i>Homestuck:</i> ([Bandcamp about blurb](https://homestuck.bandcamp.com/album/cherubim)) *u_u ~ tumut* @@ -42,7 +42,7 @@ Commentary: |- It is called Cherubim. Worth noting: this album contains the song used in [[flash:5261|Caliborn: Enter]]. It's the last track, called [[Eternity Served Cold]], by [[artist:malcolm-brown|Malcolm Brown]]. - <i>Homestuck:</i> ([Bandcamp credits blurb](https://web.archive.org/web/20130316024224/https://homestuck.bandcamp.com/album/cherubim)) + <i>Homestuck:</i> ([Bandcamp credits blurb](https://homestuck.bandcamp.com/album/cherubim)) Contains material by: @@ -72,7 +72,7 @@ Artists: Duration: 4:17 Color: '#00e500' URLs: -- https://homestuck.bandcamp.com/track/reverie-2 +- https://homestuck.bandcamp.com/track/reverie - https://youtu.be/WkpYnDz-Y1w Cover Artists: - Sylladexter @@ -98,7 +98,7 @@ Artists: - Clark Powell Duration: 4:22 URLs: -- https://homestuck.bandcamp.com/track/power-fantasy-2 +- https://homestuck.bandcamp.com/track/power-fantasy - https://youtu.be/5adGTghTECM Color: '#e50000' Cover Artists: @@ -121,7 +121,7 @@ Artists: Duration: 3:23 Color: '#00e500' URLs: -- https://homestuck.bandcamp.com/track/stellarum-salve-2 +- https://homestuck.bandcamp.com/track/stellarum-salve - https://youtu.be/J2Vc2JIWPaY Cover Artists: - Mobble @@ -141,7 +141,7 @@ Artists: - Malcolm Brown Duration: 4:23 URLs: -- https://homestuck.bandcamp.com/track/carne-vale-2 +- https://homestuck.bandcamp.com/track/carne-vale - https://youtu.be/AdPU0emEeUg Color: '#e50000' Cover Artists: @@ -221,7 +221,7 @@ Artists: Duration: 4:11 Color: '#00e500' URLs: -- https://homestuck.bandcamp.com/track/green-lolly-2 +- https://homestuck.bandcamp.com/track/green-lolly - https://youtu.be/oWC2oXU_hP4 Cover Artists: - Brianne @@ -238,7 +238,7 @@ Artists: - Kalibration Duration: 3:44 URLs: -- https://homestuck.bandcamp.com/track/red-sucker-2 +- https://homestuck.bandcamp.com/track/red-sucker - https://youtu.be/lp7kDAHaWIc Color: '#e50000' Cover Artists: @@ -258,7 +258,7 @@ Artists: Duration: 3:54 Color: '#00e500' URLs: -- https://homestuck.bandcamp.com/track/constant-confinement-2 +- https://homestuck.bandcamp.com/track/constant-confinement - https://youtu.be/1pp7UpsuTa4 Cover Artists: - Michelle Czajkowski @@ -281,7 +281,7 @@ Artists: - Michael Guy Bowman Duration: 4:46 URLs: -- https://homestuck.bandcamp.com/track/constant-conquest-2 +- https://homestuck.bandcamp.com/track/constant-conquest - https://www.youtube.com/watch?v=BKPUXLOEcqY Color: '#e50000' Cover Artists: @@ -301,9 +301,9 @@ Commentary: |- I floated the idea for a UU + uu album last year in about June as a concept record divided in half with equal and analogous parts Calliope and Caliborn. While we really wanted to jump in and get to making more Homestuck music following [[album:homestuck-vol-9|Volume 9]], we decided to wait and discover more of the two characters until December when [[artist:toby-fox|Radiation]] re-organized the effort. He proposed the Jekyll / Hyde alternating pace of the album culminating in "Eternity Served Cold" and had the group split into pairs, each musician working with a partner on a track with the same themes and motifs. - I worked with Erik, who sent me the at-the-time unfinished Calliope composition [[track:constant-confinement|"Constant Confinement"]] for me to base my Caliborn track around. Erik's track was so meditative, it was actually difficult to recognize the slow-paced woodwind melody over the course of the piece, which pulses onward without any strict meter. This melody had to be expanded upon a lot to match the pace of "Constant Conquest" - it actually flies by at breakneck pace in the first measure of the piece before settling into its groove. + I worked with Erik, who sent me the at-the-time unfinished Calliope composition [["Constant Confinement"]] for me to base my Caliborn track around. Erik's track was so meditative, it was actually difficult to recognize the slow-paced woodwind melody over the course of the piece, which pulses onward without any strict meter. This melody had to be expanded upon a lot to match the pace of "Constant Conquest" - it actually flies by at breakneck pace in the first measure of the piece before settling into its groove. - Conquest in many ways resembles [[track:ruins-rising|"Ruins Rising"]], another electronic track based around one of Erik's piano compositions. Like in my approach to "Ruins" I arranged the melody sparsely and created a very dense environment of drums and percussion sounds to convert Erik's pulse into a groove. Same input, same solution, although this time I went much, much heavier than ever before. I had a handful of different drum kits going all at once, each with unique effects chains, to create more of an ensemble sound than a clean dance beat. + Conquest in many ways resembles [["Ruins Rising"]], another electronic track based around one of Erik's piano compositions. Like in my approach to "Ruins" I arranged the melody sparsely and created a very dense environment of drums and percussion sounds to convert Erik's pulse into a groove. Same input, same solution, although this time I went much, much heavier than ever before. I had a handful of different drum kits going all at once, each with unique effects chains, to create more of an ensemble sound than a clean dance beat. What really sealed in the atmosphere of this track was the huge slather of pads that adorned the track, most of which were created using analog equipment. I fed the signal from an old Radio Shack keyboard with basic midi patches through a pawn shop guitar pedal to create the many layers of sound that fill the background. Some of the most excellent sounds on the track (especially that snarling synth at 2:57) were created by hammering the mod knobs and wah-wah pedal while playing atonal pitches. The result is distorted synth excellence. @@ -331,7 +331,7 @@ Artists: - Thomas Ferkol Duration: 3:35 URLs: -- https://homestuck.bandcamp.com/track/the-lyrist-2 +- https://homestuck.bandcamp.com/track/the-lyrist - https://youtu.be/Tybj0RZoGks Color: '#00e500' Cover Artists: @@ -372,7 +372,7 @@ Artists: - Toby Fox Duration: 2:51 URLs: -- https://homestuck.bandcamp.com/track/the-lordling-2 +- https://homestuck.bandcamp.com/track/the-lordling - https://youtu.be/nLrChSME0T8 Color: '#e50000' Cover Artists: @@ -404,7 +404,7 @@ Artists: - Malcolm Brown Duration: 8:20 URLs: -- https://homestuck.bandcamp.com/track/eternity-served-cold-2 +- https://homestuck.bandcamp.com/track/eternity-served-cold - https://youtu.be/wg9jows9Yfo Color: '#e50000' Cover Artists: @@ -442,33 +442,9 @@ Commentary: |- Another piece by [[artist:malcolm-brown|M. Brown]]. I told you we had entered [[track:unite-synchronization|the Brown Zone]], but you didn't listen. It's not in an album yet, and won't be for a little while. Not until some time after Solo Album Month, which according to my calendar is happening [[album:symphony-impossible-to-play|REALLY SOON]]. - <i>Malcolm Brown:</i> (composer, via [[media:misc/commentary-collection.txt|early commentary collection]]) - - First off, a thanks to the folk who enjoyed EsC. - - Secondly, the above question's been asked by enough folk now that's worth commenting on. Specifically, a) Will I release the original and b) Why is it different. - - So let's get a) out of the way: Most likely - I won't release it right now though, as that'd diminish the album release. Somewhere down the line I'll release the original version with the original mixing, and possibly the cut ending part (Which was cut because it sounded silly :p). - - Now for b): - - Getting the first bit out of the way, I've a long way to go with learning mastering properly. What sounds ok on Headphones A might sound too bass heavy on Headphones B, absolutely lightweight on Speakers C and generally terrible on earphones Q. With a bit of effort, understand and the right equipment or software the process can be considerably better (I'm using various Dynamic Range monitors to check loudness, for example). I'm still fairly naff at it. - - Now, Eternity's one of the more complicated tracks I've done - It's got quite a few opposing voices: a synth orchestra, synth and heavy percussion, rhythm and lead guitar voices, pianos, wooden and metal toned percussion, timpanies, creepy sound effects, various choirs with various articulations and so on. Getting all these noises to sound halfway decent on top of each other might've been a bit beyond my current skill. - - When I passed the first version to Rad, he noted it was a bit quiet compared to other tracks. A few variations later (Some bass reduction because a lot of my tracks are a bit bass heavy, I blame my default headphones which have very little bass), then it was a bit anemic. Brought the bass back, tried to bring in some of the voices that were being drowned out (This is the biggest problem people have with the newer version - Some of the strings have been reduced in favour of other voices, notably in the Revelawesome section). Long story short, I didn't have a decent setup that lets me make any mastering decisions with much confidence. - - There's also a few notable mistakes in EsC in general - Firstly, there's simply too much strings. In some sections, there's a high string melody, with staccato strings, more strings below that, and a cello/double bass strings bit. And a solo violin on top of that. It's simply too much string section fighting over control of what's going on - This was the main reason for trying to bring the french horns and oboe back into the fold. Additionally, I'm not convinced I'm using panning to its best, resulting in a very squashed mix that's very central and doesn't sound "spacial", which a bit orchestral track really should. - - Mastering EsC highlights that there's large gaps in my skill for music production that I need to brush up on. This is good - It's always good to have targets for self improvement. I'll say right now that both versions are still considerably better than Rex Duodecim Angelus :p And essentially it's the same deal - A synth-orchestral romp through a Homestuck medley meant to sound mean and imposing and threatening, so I won't say I'm not improving :D. - - TL:DR: Yes the old version will be released at a later date. It sounds different because I'm wishy-washy at mastering. (I'm not actually sure if I'm using that term right, I'm basing it off Peanuts) - - Hope that answers ya'lls questions :) - <i>Malcolm Brown:</i> ([Tumblr](https://dragonxvi.tumblr.com/post/28573051810/eternitys-shylock-a-short-commentary), 08/02/2012) - <img src="media/misc/04681.gif" width="300" warning="motion warning"> + <img src="media/misc/04681.gif" width="325" warning="motion warning"> I've been getting a lot of questions about this guy, so here goes: @@ -537,3 +513,29 @@ Commentary: |- See, it sounds absurd. Fan-speculation is a large part of the Homestuck community, but sometimes it can get a bit icky when it dives into issues of race and creed. You're thinking about it too much, it's a webcomic about some crazy stuff. Just chill. honk HONK. + + <i>Malcolm Brown:</i> ([Tumblr](https://dragonxvi.tumblr.com/post/45415206903/is-there-any-chance-you-could-release-the-original), 3/15/2013) + + > Is there any chance you could release the original version of Eternity Served Cold for those who like it more than the remastered one? + + First of, a thanks to the folk who enjoyed EsC. + + Secondly, the above question's been asked by enough folk now that's worth commenting on. Specifically, a) Will I release the original and b) Why is it different. + + So let's get a) out of the way: Most likely - I won't release it right now though, as that'd diminish the album release. Somewhere down the line I'll release the original version with the original mixing, and possibly the cut ending part (Which was cut because it sounded silly :p). + + Now for b): + + Getting the first bit out of the way, I've a long way to go with learning [mastering](https://en.wikipedia.org/wiki/Mastering_(audio)) properly. What sounds ok on Headphones A might sound too bass heavy on Headphones B, absolutely lightweight on Speakers C and generally terrible on earphones Q. With a bit of effort, understand and the right equipment or software the process can be considerably better (I'm using various Dynamic Range monitors to [check loudness](https://en.wikipedia.org/wiki/Loudness_war), for example). I'm still fairly naff at it. + + Now, Eternity's one of the more complicated tracks I've done - It's got quite a few opposing voices: a synth orchestra, synth and heavy percussion, rhythm and lead guitar voices, pianos, wooden and metal toned percussion, timpanies, creepy sound effects, various choirs with various articulations and so on. Getting all these noises to sound halfway decent on top of each other might've been a bit beyond my current skill. + + When I passed the first version to [[artist:toby-fox|Rad]], he noted it was a bit quiet compared to other tracks. A few variations later (Some bass reduction because a lot of my tracks are a bit bass heavy, I blame my default headphones which have very little bass), then it was a bit anemic. Brought the bass back, tried to bring in some of the voices that were being drowned out (This is the biggest problem people have with the newer version - Some of the strings have been reduced in favour of other voices, notably in the [[track:revelawesome]] section). Long story short, I didn't have a decent setup that lets me make any mastering decisions with much confidence. + + There's also a few notable mistakes in EsC in general - Firstly, there's simply too much strings. In some sections, there's a high string melody, with staccato strings, more strings below that, and a cello/double bass strings bit. And a solo violin on top of that. It's simply too much string section fighting over control of what's going on - This was the main reason for trying to bring the french horns and oboe back into the fold. Additionally, I'm not convinced I'm using panning to its best, resulting in a very squashed mix that's very central and doesn't sound "spacial", which a bit orchestral track really should. + + Mastering EsC highlights that there's large gaps in my skill for music production that I need to brush up on. This is good - It's always good to have targets for self improvement. I'll say right now that both versions are still considerably better than [[track:rex-duodecim-angelus]] :p And essentially it's the same deal - A synth-orchestral romp through a Homestuck medley meant to sound mean and imposing and threatening, so I won't say I'm not improving :D. + + TL:DR: Yes the old version will be released at a later date. It sounds different because I'm wishy-washy at mastering. (I'm not actually sure if I'm using that term right, I'm basing it off Peanuts) + + Hope that answers ya'lls questions :) |