diff options
author | (quasar) nebula <towerofnix@gmail.com> | 2021-05-07 14:48:27 -0300 |
---|---|---|
committer | (quasar) nebula <towerofnix@gmail.com> | 2021-05-07 14:48:27 -0300 |
commit | b1912b1976bde69086201e1bedcfb815e215c3ab (patch) | |
tree | 1ef4b00aa6373a6c9b413edb25dfbcf7318aafbc /album | |
parent | 7d2a113aa4acf91f245e6114e682ea6f5c171d0f (diff) |
typo fixes, commentary fixes, and banner updates!
ty Low and Niklink!
Diffstat (limited to 'album')
-rw-r--r-- | album/alterniabound.txt | 2 | ||||
-rw-r--r-- | album/ancestral.txt | 6 | ||||
-rw-r--r-- | album/coloUrs-and-mayhem-universe-a.txt | 2 | ||||
-rw-r--r-- | album/coloUrs-and-mayhem-universe-b.txt | 2 | ||||
-rw-r--r-- | album/genesis-frog.txt | 4 | ||||
-rw-r--r-- | album/homestuck-vol-5.txt | 2 | ||||
-rw-r--r-- | album/homestuck-vol-6.txt | 2 | ||||
-rw-r--r-- | album/jailbreak.txt | 2 | ||||
-rw-r--r-- | album/lofam.txt | 22 | ||||
-rw-r--r-- | album/lofam4.txt | 25 | ||||
-rw-r--r-- | album/one-year-older.txt | 4 | ||||
-rw-r--r-- | album/symphony-impossible-to-play.txt | 4 | ||||
-rw-r--r-- | album/unreleased-tracks.txt | 13 |
13 files changed, 53 insertions, 37 deletions
diff --git a/album/alterniabound.txt b/album/alterniabound.txt index aab45c5f..d5d14623 100644 --- a/album/alterniabound.txt +++ b/album/alterniabound.txt @@ -1,7 +1,7 @@ Album: AlterniaBound Cover Art: Hanni Brosh Wallpaper Art: Hanni Brosh, Niklink (edits for wiki) -Banner Art: Hanni Brosh +Banner Art: Hanni Brosh, Niklink (edits for wiki) Date: March 14, 2011 Date Added: November 15, 2019 Track Art Date: October 25, 2017 diff --git a/album/ancestral.txt b/album/ancestral.txt index 32299dc0..569ea56e 100644 --- a/album/ancestral.txt +++ b/album/ancestral.txt @@ -1,7 +1,11 @@ Album: Ancestral Directory: ancestral Cover Art: Rangzhe -Banner Art: Rangzhe, Rebecca Peason, Circlejourney (asset organizing) +Banner Art: +- Rangzhe +- Rebecca Peason +- Circlejourney (asset organizing) +- Niklink (edits for wiki) Date: August 27, 2017 Date Added: June 12, 2020 Color: #ff0300 diff --git a/album/coloUrs-and-mayhem-universe-a.txt b/album/coloUrs-and-mayhem-universe-a.txt index 5d9f658a..f2621edf 100644 --- a/album/coloUrs-and-mayhem-universe-a.txt +++ b/album/coloUrs-and-mayhem-universe-a.txt @@ -2,7 +2,7 @@ Album: coloUrs and mayhem: Universe A Directory: coloUrs-and-mayhem-universe-a Cover Art: Shelby Cragg Wallpaper Art: Shelby Cragg, Niklink (edits for wiki) -Banner Art: Shelby Cragg, Quasar Nebula (edits for wiki) +Banner Art: Shelby Cragg, Niklink (edits for wiki) Date: April 2, 2012 Date Added: November 15, 2019 Color: #9292e2 diff --git a/album/coloUrs-and-mayhem-universe-b.txt b/album/coloUrs-and-mayhem-universe-b.txt index 2253fb11..1fb5f2b4 100644 --- a/album/coloUrs-and-mayhem-universe-b.txt +++ b/album/coloUrs-and-mayhem-universe-b.txt @@ -1,7 +1,7 @@ Album: coloUrs and mayhem: Universe B Cover Art: Shelby Cragg Wallpaper Art: Shelby Cragg, Niklink (edits for wiki) -Banner Art: Shelby Cragg, Quasar Nebula (edits for wiki) +Banner Art: Shelby Cragg, Niklink (edits for wiki) Directory: coloUrs-and-mayhem-universe-b Date: April 13, 2012 Date Added: November 15, 2019 diff --git a/album/genesis-frog.txt b/album/genesis-frog.txt index 3840763f..edbeb570 100644 --- a/album/genesis-frog.txt +++ b/album/genesis-frog.txt @@ -2,14 +2,12 @@ Album: Genesis Frog Artist: Alex Rosetti Cover Art: Sylladexter Wallpaper Art: Homestuck, Quasar Nebula (edits for wiki) +Banner Art: Homestuck, Niklink (edits for wiki) Wallpaper Style: opacity: 0.85; background-repeat: repeat; background-size: auto; filter: hue-rotate(160deg); -Banner Art: Homestuck -Banner Style: - filter: hue-rotate(160deg); Date: October 23, 2012 Date Added: November 15, 2019 Color: #00aa77 diff --git a/album/homestuck-vol-5.txt b/album/homestuck-vol-5.txt index 19969ddf..27c2deb3 100644 --- a/album/homestuck-vol-5.txt +++ b/album/homestuck-vol-5.txt @@ -4,9 +4,9 @@ Date Added: November 15, 2019 Track Art Date: April 13, 2017 Cover Art: Lexxy Wallpaper Art: Lexxy, Niklink (edits for wiki) +Banner Art: Lexxy, Niklink (edits for wiki) Wallpaper Style: opacity: 0.6; -Banner Art: Lexxy Color: #00aaff Groups: Official Art Tags: diff --git a/album/homestuck-vol-6.txt b/album/homestuck-vol-6.txt index 7872d865..fb383de3 100644 --- a/album/homestuck-vol-6.txt +++ b/album/homestuck-vol-6.txt @@ -1,9 +1,9 @@ Album: Homestuck Vol. 6: Heir Transparent Cover Art: Andrew Hussie Wallpaper Art: Andrew Hussie +Banner Art: Andrew Hussie, Niklink (edits for wiki) Wallpaper Style: opacity: 0.4; -Banner Art: Andrew Hussie Track Art: Homestuck Directory: homestuck-vol-6 Date: January 5 2011 diff --git a/album/jailbreak.txt b/album/jailbreak.txt index c66216ad..c8a24ab0 100644 --- a/album/jailbreak.txt +++ b/album/jailbreak.txt @@ -1,7 +1,7 @@ Album: Jailbreak Vol. 1 Directory: jailbreak Cover Art: Robert J! Lake -Banner Art: Robert J! Lake +Banner Art: Robert J! Lake, Niklink (edits for wiki) Banner Style: image-rendering: pixelated; image-rendering: crisp-edges; diff --git a/album/lofam.txt b/album/lofam.txt index b62a957c..b33d9a4f 100644 --- a/album/lofam.txt +++ b/album/lofam.txt @@ -1,7 +1,7 @@ Album: Land of Fans and Music Directory: lofam Cover Art: melodiousDiscord -Banner Art: Lunise +Banner Art: Lunise, Niklink (edits for wiki) Date: July 30, 2011 Date Added: March 16, 2020 Color: #4876ff @@ -163,7 +163,7 @@ Commentary: I'd like to shout out to the Music Squad for being rad bros, and a super relieved thanks to Silence for helping me mix the tune. Tuning: C G Bb F C D <i>melodiousDiscord:</i> - There, uh, isn't that much to tell about this piece. I had originally envisioned John sitting with his legs hanging over the edge or something and I have a clearer idea now of what I could have done! But this was back at the start of the project and my art skills were rusty so yeah. Very simple piece. Based off of what we see in the comic, and John. + There, uh, isn't that much to tell about this piece. I had originally envisioned John sitting with his legs hanging over the edge or something and I have a clearer idea now of what I could have done! But this was back at the start of the project and my art skills were rusty so yeah. Very simple piece. Just the land based off of what we see in the comic, and John. ------------------------------------------------------------------------------- Track: Thought and Flow Artist: Steve Everson @@ -252,7 +252,7 @@ Commentary: <code style="color: #008282">H34DS...</code> <code style="color: #008282">1 COULD N3V3R S33 TH4T S1D3 OF TH3 CO1N.</code> <i>melodiousDiscord:</i> - Afte a fierce battle with the Marquise Mindfang, Redglare flees the battle feeling content that she has dealt a blow to her arch-nemesis. Mindfang looks down focusing her powers and concentrating on her foe, but to no avail. The Neophyte has already guarded her mind against the invasion. And so with a cackle from one, and a curse from the other the two combatants go their separate ways until their next encounter. + After a fierce battle with the Marquise Mindfang, Redglare flees the battle feeling content that she has dealt a blow to her arch-nemesis. Mindfang looks down focusing her powers and concentrating on her foe, but to no avail. The Neophyte has already guarded her mind against the invasion. And so with a cackle from one, and a curse from the other the two combatants go their separate ways until their next encounter. ------------------------------------------------------------------------------- Track: A Fashionable Escape Artist: Yan Rodriguez @@ -408,7 +408,7 @@ Commentary: I liked the idea of Ebonpyre being used as a strife theme for Dave, so I wanted to go a little further with it. I imagined Dave using a lot of time-skipping while he fights (as represented by the record scratches). Atomik Meltdown was probably my first real foray into fanmusic. I had written two remixes previously, but I didn't really spend much time on them. Looking back on this song now, all I can see are the mistakes and the naive part arrangement. At the time I remember really being excited about this. Thank you for the nomination. <i>Pancake-Fairy:</i> - All the warning siren thigns in it made me feel that a powerplant was about to explode. So obviously Dave needs to be jumping out of a swirling mass of liquid fire at an interesting angle to show this. + All the warning siren things in it made me feel that a powerplant was about to explode. So obviously Dave needs to be jumping out of a swirling mass of liquid fire at an interesting angle to show this. ------------------------------------------------------------------------------- Track: Jackie Treats Artist: Artisticpolo @@ -486,7 +486,7 @@ URLs: - https://youtu.be/kAQAkPr6Jr8 Commentary: <i>Toby Fox:</i> - I saw the updates for Rose blowing stuff up and finding that giant Captchalogue card with the <u>Green Sun</u> on it, and then someone said "is that a strife specibus card? What would that be? Starkind?" or something to that effect. And that inpsired me to make a pretty awesome boss song that was too much like other things I've made to put on an album. + I saw the updates for Rose blowing stuff up and finding that giant Captchalogue card with the <u style="color: green">Green Sun</u> on it, and then someone said "is that a strife specibus card? What would that be? Starkind?" or something to that effect. And that inpsired me to make a pretty awesome boss song that was too much like other things I've made to put on an album. <i>Brad Griffin:</i> Originally this picture didn't have Rose in it at all. It was just a generic silhouette standing, holding a star on a specibus card. That was kinda lame, and didn't really fit the feel of the song. I think I improved it. ------------------------------------------------------------------------------- @@ -531,12 +531,12 @@ Art Tags: Vriska URLs: - https://homestuckgaiden.bandcamp.com/track/megadancevania - https://youtu.be/UIcXeunzAaM -Comentary: +Commentary: <i>Catboss:</i> One fine day I got the idea for a MeGaLoVania dance remix, but I sat on it because frankly? I don't actually enjoy dance music. Or techno. Or whatever genre this classifies as. Several days later, I was trying to conjure up music for Nepetaquest. But I was drawing a blank because "MeGaLoVania dance remix come on guy you want it" was stuck in my head. So eventaully I was like "OKAY I'LL DO IT SHUTUP" - And then once I got started, it just grew. And grew. And grew. Like cancer. MUSICAL CANCER. efore I knew it I'd stuffed most of the kids' and trolls' motifs in there. There are 20 melodies I used (albeit some only for veeeery short segments). It started off with 16; I expanded it slightly in the process of revising it for the album. See if you can spot them all! - Fun fact: when I was composing this, I didn't even realise I'd ripped the chorsd from Sburban Jungle until much later. + And then once I got started, it just grew. And grew. And grew. Like cancer. MUSICAL CANCER. Before I knew it I'd stuffed most of the kids' and trolls' motifs in there. There are 20 melodies I used (albeit some only for veeeery short segments). It started off with 16; I expanded it slightly in the process of revising it for the album. See if you can spot them all! + Fun fact: when I was composing this, I didn't even realise I'd ripped the chords from Sburban Jungle until much later. <i>JNJ:</i> I made this image before I even knew about the album. The visual reference to Dance Dance Revolution (DDR) fits with a track named MeGaDanceVaNia. ------------------------------------------------------------------------------- @@ -862,7 +862,7 @@ URLs: - https://youtu.be/LqmPOZvgY9c Commentary: <i>Brenna Curran:</i> - After Terezi's intro section, I felt that she needed a strife theme. It had to be something that could capture bot hteh quirkyness of a kid playing make believe and hardboiled grittiness of a police chase/standoff. It's one part Phoenix Wright, another part film noir and big band jazz and some funky cop chase thrown in for good measure. The 8-bit version was the first one I made. If the 8-bit version is the sacharine topping of the cake, then Cornered is its seedy underbelly, burnt to a crisp at the bottom of the pan. + After Terezi's intro section, I felt that she needed a strife theme. It had to be something that could capture both the quirkyness of a kid playing make believe and hardboiled grittiness of a police chase/standoff. It's one part Phoenix Wright, another part film noir and big band jazz and some funky cop chase thrown in for good measure. The 8-bit version was the first one I made. If the 8-bit version is the sacharine topping of the cake, then Cornered is its seedy underbelly, burnt to a crisp at the bottom of the pan. ------------------------------------------------------------------------------- Track: Jack and Black Queen Artist: Miss Prince @@ -1125,7 +1125,7 @@ URLs: - https://youtu.be/_Ory1eb632I Commentary: <i>Willow Ascenzo:</i> - The title is, of course, a blatant reference to Sven King's Dark Towerseries. The song is a build-up to each of the four kids entering the Medium (they're being "drawn" into the game just as Eddie, Susannah, and Jake were drawn into Mid-World, but that's enough for now about something that isn't Homsetuck), so we start out with a slow rendition of "Sburban Jungle" played on the piano (John's instrument) with subsequent accompaniment by a violin (Rose's instrument). Then, here come the drums (Dave's instrument), and we kick the song into high gear when the flute and bass (both Jade's instruments) come in. There's a long period of pseudo-improv from the bass, flute, and violin before returning to the meat of the song - and a nod to the Squiddles theme (another reference to Rose) before the finale. Curiously, the order of the instruments exactly matches the order of the kids' introduction. + The title is, of course, a blatant reference to Steven King's Dark Towerseries. The song is a build-up to each of the four kids entering the Medium (they're being "drawn" into the game just as Eddie, Susannah, and Jake were drawn into Mid-World, but that's enough for now about something that isn't Homsetuck), so we start out with a slow rendition of "Sburban Jungle" played on the piano (John's instrument) with subsequent accompaniment by a violin (Rose's instrument). Then, here come the drums (Dave's instrument), and we kick the song into high gear when the flute and bass (both Jade's instruments) come in. There's a long period of pseudo-improv from the bass, flute, and violin before returning to the meat of the song - and a nod to the Squiddles theme (another reference to Rose) before the finale. Curiously, the order of the instruments exactly matches the order of the kids' introduction. ------------------------------------------------------------------------------- Track: Ira quod Angelus Artist: Kalibration @@ -1220,6 +1220,6 @@ Commentary: <i>Robert J! Lake:</i> so i put together this thing in twenty seconds, except it actually took several months because i never worked on it but who cares about that let's me tell you a story - so this one kid, his name is bob, or george, or fred or who cares anyway so his dad's like shut the fuck up kid, you're stupid as hell go to school. get some fucknig education, you make me sick right so the kid says okay if and then the dad just fuckin' flips out and hesays to the kid shut up go away but it turns out the school is teaching kisd to be the beastie boys problem is the kid's a robot so he ends up blowing up because of paradoxes so they rebuild him but it's only good enough for six minutes, and his dad gives him a hug and says son i'm sorry iwas so mean and the kid blows up + so this one kid, his name is bob, or george, or fred or who cares anyway so his dad's like shut the fuck up kid, you're stupid as hell go to school. get some fucking education, you make me sick right so the kid says okay if and then the dad just fuckin' flips out and he says to the kid shut up go away but it turns out the school is teaching kids to be the beastie boys problem is the kid's a robot so he ends up blowing up because of paradoxes so they rebuild him but it's only good enough for six minutes, and his dad gives him a hug and says son i'm sorry i was so mean and the kid blows up anyway it turns out his dad was hitler and then his dad started a war and captain america punched his face basically the point is that i guess this song is a little like that if you use your imagination diff --git a/album/lofam4.txt b/album/lofam4.txt index 1597b1e5..83392575 100644 --- a/album/lofam4.txt +++ b/album/lofam4.txt @@ -246,6 +246,7 @@ Track: Daywalker ~Rise~ Artist: Catboss Track Art: Emily Jane Duration: 3:12 +References: track:daywalker-rise-contest Art Tags: - Kanaya URLs: @@ -981,7 +982,10 @@ Track: Upward Meowvement (Davepetasprite^2 Owns) Artist: LydianChord Track Art: CybeR Duration: 2:01 -Referenes: Upward Movement (Dave Owns), Nepeta's Theme +Referenes: +- Amen, Brother +- Upward Movement (Dave Owns) +- Nepeta's Theme Art Tags: - Davepeta URLs: @@ -996,7 +1000,7 @@ Track: Requited (Dirtiest Remix) Artist: David Dycus Track Art: Josefin B. Duration: 5:08 -Referenes: Requited +References: Requited Art Tags: - Nepeta - Meulin @@ -1471,7 +1475,7 @@ URLs: - https://youtu.be/oTRDtWd5JBM Commentary: <i>Shandy:</i> - A track to celebrate the Striders finally talking and hasing out their differences! Because it's a Stirders song, I couldn't help adding a little breakdwon. Sharp-eared listeners may also note that in the call-and-response main melody, the first synth is in 4/4 time and the second synth is in triplets—just as Dave and Dirk aren't quite in perfect lockstep. I left the ending open ended and hopeful, because I feel like the final chapter on their relationship has yet to be written. + A track to celebrate the Striders finally talking and hashing out their differences! Because it's a Stirders song, I couldn't help adding a little breakdown. Sharp-eared listeners may also note that in the call-and-response main melody, the first synth is in 4/4 time and the second synth is in triplets—just as Dave and Dirk aren't quite in perfect lockstep. I left the ending open ended and hopeful, because I feel like the final chapter on their relationship has yet to be written. <i><b>SplitSuns:</b></i> Dave and Dirk's reuinion on the spires of LOTAK was serious and poignant, but not without its sillier moments. This art is a mashup and showcase of the most ironic bullshit the Striders had to offer throughout the story. Smuppets galore, their plush rumps and jutting probosices laid alongside such gems as a Game Bro magazine, an artifacted Statue of Liberty, the lovable Squarewave and Sawtooth, and SBaHJ icons including the Big Man himself. And who could forget Guy Fieri's surprise appearance, his scream frozen in place as he prepares to assume the title of the next Antichrist? But that's a story for another time. ------------------------------------------------------------------------------- @@ -1777,7 +1781,7 @@ URLs: - https://youtu.be/XpIc_vizYRw Commentary: <i>Grace Medley:</i> - This song started out as a test to see if I could replicate that bassy blare from every major action film trailer from the past six or so years. Then, it evolved into a Rhapsody in Green cover, and the rest is history. While making this I had the image of the Midnight Crew's casino burning down as Spades struggles to escape, then I re-thought it over with Lord English's arrival into Jack's body, then Jake's battle against the leprechauns, until I eventually decided, "as long as it's Felt-themed, this song isa bout it". There are a few references to Felt-based songs in here, too. The aforementioned Rhapsody in Green, the eerie variation of English from early on in Carne Vale, the opening from Afraid of the Darko (although quite drastically rewritten for a cinematic vibe) and a hopeful piano reprise of Carne Vale as a reflection of the first defeat Jake had left the Felt with. Then it concludes with the tail-end of English, because the Felt never truly stay down. + This song started out as a test to see if I could replicate that bassy blare from every major action film trailer from the past six or so years. Then, it evolved into a Rhapsody in Green cover, and the rest is history. While making this I had the image of the Midnight Crew's casino burning down as Spades struggles to escape, then I re-thought it over with Lord English's arrival into Jack's body, then Jake's battle against the leprechauns, until I eventually decided, "as long as it's Felt-themed, this song is about it". There are a few references to Felt-based songs in here, too. The aforementioned Rhapsody in Green, the eerie variation of English from early on in Carne Vale, the opening from Afraid of the Darko (although quite drastically rewritten for a cinematic vibe) and a hopeful piano reprise of Carne Vale as a reflection of the first defeat Jake had left the Felt with. Then it concludes with the tail-end of English, because the Felt never truly stay down. <i>sonotcanon:</i> snowman a la mal from inception. credit to power for the concept! ------------------------------------------------------------------------------- @@ -1830,7 +1834,8 @@ Commentary: Prospitian Monody started life as a techno/ambient fusion with acoustic instruments in for fun too, which is a fancy way of saying I have no idea what genres actually mean. It also had a completely different melody. People told me the piano didn't fit so I made it synth, people told me the melody was aimless but couldn't explain why so I just rewrote it and blindly hoped, and they liked it but then production sucked again so I made it orchestral, and then the whole thing became synth instruments, which I kind afound bland but also it works well and I don't know what else to do. ANYWAY ENOUGH RAMBLING ABOUT USELESS FEEDBACK LETS GET TO THE SONG ITSELF A monody is essentially a dirge, except that it's not a dirge? It's dirgeish anyway. (fucking hell ost) This is like a funeral hymn for the White King, but the Dersite army is slaughtering all the Prospitians that try to mourn, so in the end the funeral ends up being held by some Dersites who aren't sympathetic to Prospit, but do respect tradition and politeness and etiquette and so on, so to compensate for it being a funeral for the enemy they make it all imposing and evil. (The Black King is too busy ending the world to notice.) You could sort of view it as a counterpart to [[track:broken-dreams]] on the SBURB OST, but focusing more on Derse's triumph than on Prospit's downfall. <i><b>wheals:</b></i> - Jas posted a quite different original version of this art, showing a funeral procession of sorts for the king's impaled head, but replaced it with this even more impressive composition featuring a more dynamic posee and focused around a central Dersite. There was some disagreement on the discord server whether it looked better with or without the three in the top left, which ended with the tree being put in at 8% transparency. + Jas posted a quite different original version of this art, showing a funeral procession of sorts for the king's impaled head, but replaced it with this even more impressive composition featuring a more dynamic posee and focused around a central Dersite. There was some disagreement on the discord server whether it looked better with or without the tree in the top left, which ended with the tree being put in at 8% transparency. + Also johndave is a bad ship suck it viko ------------------------------------------------------------------------------- Track: Shatter Artist: M3l0m4ni4c @@ -1887,7 +1892,7 @@ URLs: Commentary: <i>Interrobang:</i> The song that eventually came to be known as Ultimate Alchemy started at a time I found myself listening to Volume 7's Earthsea Borealis, which remains one of my favorite Homestuck songs ever. One day, a melody popped into my head, and I started writing. At some point in the composition process I decided I might as well try to submit the song to LOFAM4, and with quite a bit of much-appreciated feedback from the judges, got it into a completed state. The biggest surprise as I was finishing up work occurred when Viko Riféo pointed out that what I had thought was the original melody throughout the song was in fact Bilions, which is a great song from the Genesis Frog album that I had embarrassingly forgotten about. - A lot of people helped me to get this song into the state that it's in now, and I'd like to take this opportunity to thank them. Thanks to Viko Riféo and Kusoro, who both had some really great ideas on mastering and percussion that ultimately didn't make it into the final song; to Wheals for giving it a final name, and ESPECIALLY to Seijen, whose mastering amde the final product much better than I could have ever thought. And of course many, many, many thanks to Circlejourney, whose art is indescribably fitting and amazing. Finally I'd like to thank the LOFAM4 team for all their help and support, y'all are a bunch of great people and it's been an honor to have this opportunity. + A lot of people helped me to get this song into the state that it's in now, and I'd like to take this opportunity to thank them. Thanks to Viko Riféo and Kusoro, who both had some really great ideas on mastering and percussion that ultimately didn't make it into the final song; to Wheals for giving it a final name, and ESPECIALLY to Seijen, whose mastering made the final product much better than I could have ever thought. And of course many, many, many thanks to Circlejourney, whose art is indescribably fitting and amazing. Finally I'd like to thank the LOFAM4 team for all their help and support, y'all are a bunch of great people and it's been an honor to have this opportunity. <i>Circlejourney:</i> The track is clearly about the Ultimate Alchemy, which I also find it very evocative of. I took that prompt on as faithfully as I could. This is one part of a larger iamge formed of the covers of this, [[Crystalendofgames]], and [[Black Hole / White Door]]. @@ -2125,9 +2130,9 @@ URLs: - https://youtu.be/_X8T8PjS8N4 Commentary: <i>Seijen:</i> - Time and time again I make a drum and bass song and im never satisfied with the drum mix. Like the time befoe and that time before. The snare is powerful but the kicks are never too prominent without being overtly compressed. Its always the same as the last time. But this track was a little different, instead I said "ooh that was horrible" because like the time before the kicks never seem to be enough. Its just the same as the last time. Bot those basses though. so ill. I feel sick now. Just like that time I ate at that Chinese place. I got sick there the time before but that was a year before. "Oh that was so gross" I uttered after taking my first bite of that gen. tso chicken. It was just the same as the last time. + Time and time again I make a drum and bass song and im never satisfied with the drum mix. Like the time befoe and that time before. The snare is powerful but the kicks are never too prominent without being overtly compressed. Its always the same as the last time. But this track was a little different, instead I said "ooh that was horrible" because like the time before the kicks never seem to be enough. Its just the same as the last time. But those basses though. so ill. I feel sick now. Just like that time I ate at that Chinese place. I got sick there the time before but that was a year before. "Oh that was so gross" I uttered after taking my first bite of that gen. tso chicken. It was just the same as the last time. <i><b>Kal-la-kal-la:</b></i> - The concept of vampires has existed for millennia. There seems to be a split amongst moder ndepictions between vampires as grotesque being and vampires as alluring and beautiful. Exsanguinated, with its vocal samples describing disgust, expresses this, and the track art displays the dichotomy well, depicting a very beautiful Kanaya Maryam with blood in all the colours of the rainbow dripping from her mouth. Were it that Homestuck neurofunk should have a particular aesthetic sensibility, it would be bloodied rainbow-drinkers. + The concept of vampires has existed for millennia. There seems to be a split amongst modern depictions between vampires as grotesque being and vampires as alluring and beautiful. Exsanguinated, with its vocal samples describing disgust, expresses this, and the track art displays the dichotomy well, depicting a very beautiful Kanaya Maryam with blood in all the colours of the rainbow dripping from her mouth. Were it that Homestuck neurofunk should have a particular aesthetic sensibility, it would be bloodied rainbow-drinkers. ------------------------------------------------------------------------------- Track: Premortem Artist: Noisemaker @@ -2142,7 +2147,7 @@ URLs: - https://youtu.be/5cJNegoYjuU Commentary: <i>Noisemaker:</i> - If some of you thought this was le canrival from Cool and New Webcomic's V8LUME, then you'd be right! I nitially made le canrival as a Cool and New Webcomic track, but the folks over on the Land of Fans and Music team took some interest in it. So, we arranged to have it put on the next LOFAM, under a new, more classy name. + If some of you thought this was le canrival from Cool and New Webcomic's V8LUME, then you'd be right! I initially made le canrival as a Cool and New Webcomic track, but the folks over on the Land of Fans and Music team took some interest in it. So, we arranged to have it put on the next LOFAM, under a new, more classy name. <i>0syTezy:</I> this track art you see right here took over two months of work as we needed to space out time for other projects as well. the setting takes place in the land of tents and mirth as shown. the experience of creating this project was sorta stressful but fun. it was mostly stressful for me since I had many other things I needed to work on. EllenZarael worked with me over the course of the drawing. ------------------------------------------------------------------------------- @@ -2304,7 +2309,7 @@ URLs: - https://youtu.be/2Tm2S88RlCg Commentary: <i>Aris Martiniain:</i> - God, this was so much work. Oh yeah, and I lost the first half of the project file towards the end so I couldn't go back and edit it. Ugh. But all in all, I'm pretty happy with how it turned out. The original plan was to go through the CANMT discography and pick the most iconic songs over time. If you're unfamiliar with its discography, I highly recommend you at least <a href="https://coolandnewwebcomic.bandcamp.com/">go give it a glance</a>. I roughly settled on useing Cascante, Tick/Tock, Fruity Pebbles Redux, Gunshow, Rex Mille Geromius, Doctor and Penumbra Phantasm (cool and new vol V), Contra (from Cool and New Homestuck), Moshi Moshi, Final Confrontation, Unintentional Touhou, In the Beginning/Contact, Formation, Jungle #3, Muse of Nanchos, Flintstones, Gunshow 2, and of course, the RCT theme and Bowman's credit score. Shoutouts to difarem for making the "it's between my buttocks" vocalid for me. Revisit/Rewind, which is based heavily on Ascend, was released as the Cool and New Homestuck song for [S] Credits. + God, this was so much work. Oh yeah, and I lost the first half of the project file towards the end so I couldn't go back and edit it. Ugh. But all in all, I'm pretty happy with how it turned out. The original plan was to go through the CANMT discography and pick the most iconic songs over time. If you're unfamiliar with its discography, I highly recommend you at least <a href="https://coolandnewwebcomic.bandcamp.com/">go give it a glance</a>. I roughly settled on using Cascante, Tick/Tock, Fruity Pebbles Redux, Gunshow, Rex Mille Geromius, Doctor and Penumbra Phantasm (cool and new vol V), Contra (from Cool and New Homestuck), Moshi Moshi, Final Confrontation, Unintentional Touhou, In the Beginning/Contact, Formation, Jungle #3, Muse of Nanchos, Flintstones, Gunshow 2, and of course, the RCT theme and Bowman's credit score. Shoutouts to difarem for making the "it's between my buttocks" vocaloid for me. Revisit/Rewind, which is based heavily on Ascend, was released as the Cool and New Homestuck song for [S] Credits. <i><b>wheals:</b></i> This art was made in like five hours on Christmas 2016 when i yelled at nights to make some John/Aradia art for Revisit/Rewind (it being based off Ascend, with its iconic John/Aradia art). That's basically the plot of The Christmas Carol and by writing this seven months later I'm now the Ghost of Christmas Future. I'll let Past Nights (the Ghost of Christmas Past) fill you in on the rest: <i>nights:</i> diff --git a/album/one-year-older.txt b/album/one-year-older.txt index fb160cf8..8f9bd7c0 100644 --- a/album/one-year-older.txt +++ b/album/one-year-older.txt @@ -2,14 +2,12 @@ Album: One Year Older Artist: Erik Scheele Cover Art: Vivian Ng Wallpaper Art: Homestuck, Quasar Nebula (edits for wiki) +Banner Art: Homestuck, Niklink (edits for wiki) Wallpaper Style: opacity: 0.7; background-repeat: repeat; background-size: auto; filter: hue-rotate(210deg); -Banner Art: Homestuck -Banner Style: - filter: hue-rotate(200deg); Date: August 15, 2012 Date Added: November 15, 2019 Color: #00aaff diff --git a/album/symphony-impossible-to-play.txt b/album/symphony-impossible-to-play.txt index 3227bd04..077a8e75 100644 --- a/album/symphony-impossible-to-play.txt +++ b/album/symphony-impossible-to-play.txt @@ -2,14 +2,12 @@ Album: Symphony Impossible to Play Artist: Clark Powell Cover Art: Tavia Morra Wallpaper Art: Homestuck, Quasar Nebula (edits for wiki) +Banner Art: Homestuck, Niklink (edits for wiki) Wallpaper Style: opacity: 0.6; background-repeat: repeat; background-size: auto; filter: hue-rotate(45deg); -Banner Art: Homestuck -Banner Style: - filter: hue-rotate(15deg); Has Track Art: no Date: August 1, 2012 Date Added: November 15, 2019 diff --git a/album/unreleased-tracks.txt b/album/unreleased-tracks.txt index a12569d8..5e1412a0 100644 --- a/album/unreleased-tracks.txt +++ b/album/unreleased-tracks.txt @@ -850,6 +850,19 @@ Artist: SerialSymphony Duration: 4:23 URLs: https://soundcloud.com/serialsymphony/dave-striders-cool-mixtape ------------------------------------------------------------------------------- +Track: Daywalker ~Rise~ +Directory: daywalker-rise-contest +Artist: Catboss +Duration: 5:17 +URLs: https://soundcloud.com/catbossstudio/daywalker-rise +Commentary: + <i>Catboss:</i> + DEBUNK + <hr> + The last of my three entries to the Homestuck Music Contest, the other two being [[Guns Blazing]] and [[Vodka Mutiny]]. + A song for Kanaya, this song is - in my opinion - the weakest contender of the lot. Daywalker nonetheless marks my first attempt at using real audio in a song - I recorded the flute performance myself. Unfortunately, my playing, recording, and production are definitely not up to snuff, honestly. Given that it was recorded with a terrible laptop mic, with a player who hadn't played in a long while (me), I suppose that was honestly no surprise. + However, I love both the harp and flute melodies in this song. It was a blast to play, and I'd definitely think about using them again at some point in the future. +------------------------------------------------------------------------------- Track: [S] Dirk: Unite Synchronization (WITH LYRICS) Artist: toucanSandwiches Duration: 2:55 |