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more commentary annotations - hsmusic-data - Data files for https://hsmusic.wiki - track, album, artist & flash info, etc
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author(quasar) nebula <qznebula@protonmail.com>2023-09-27 13:59:22 -0300
committer(quasar) nebula <qznebula@protonmail.com>2023-09-27 13:59:22 -0300
commit7ecbb62832b3fc6910a4b2bde2d6474d021e373e (patch)
tree29531fbb1594dfefd3585dc4bbb10893a8d5842b /album/xenoplanetarium.yaml
parentae48d92b5b3f21fc5944ec965058e26e2c0d958b (diff)
more commentary annotations
Diffstat (limited to 'album/xenoplanetarium.yaml')
-rw-r--r--album/xenoplanetarium.yaml10
1 files changed, 5 insertions, 5 deletions
diff --git a/album/xenoplanetarium.yaml b/album/xenoplanetarium.yaml
index e5520c0..2c68c79 100644
--- a/album/xenoplanetarium.yaml
+++ b/album/xenoplanetarium.yaml
@@ -89,7 +89,7 @@ Commentary: |-
     The atmosphere of sounds echoing off of the quartz all over Aradia's land informed how I wrote the entire song.
     I want to thank [[artist:keyboard-cait|ndividedbyzero]], Grace Medley, and everyone else for all of their help and advice on the song, as well as thanks to Nuclear for naming the song.
     (p.s. special thanks to psithurist for being so cool.)
-    <b><i>SplitSuns:</i></b>
+    <i>SplitSuns:</i> (album organizer)
     LOQAM has a very eerie atmosphere to it that is captured to amazing effect in this artwork. The jagged textures of quartz crystals provide a nice backdrop when paired with the howling, almost glowing sky. There's a ton of detail put into every area of this piece, and that's especially noticable in the Aradiabot occupying the left of the composition. Her damaged and decaying appearance helps to add to the unsettling nature of the piece. Aradia herself is also visible in the art as well. Isn't it a little weird that these two different versions of Aradia are in the same piece...? Then again, if there was ever to be a troll that showed up in two places at the same time, it's her.
 ---
 Track: Sandy Skyline
@@ -106,10 +106,10 @@ Art Tags:
 - LoSaZ
 - Gate
 Commentary: |-
-    <b><i>WHATISLOSTINTHEMINES:</i></b>
+    <i>WHATISLOSTINTHEMINES:</i> (UMSPAF manager)
     Decisions must be made. Onward the world must turn. No one can truly understand how the wind blows its way into your heart. King you are not, young page. Even though she might try to be your queen, her manipulations will bring you only misery. Yes, you must attempt to carve your own path instead of having one make a path for you.
     Of course, you cannot do this. Love, though you possess it not, will be your undoing. Likely it is that you shall be utterly destroyed by your "queen". Inopportune this fate is, but do not let yourself become dejected. Embrace the breeze, and you will become greater than even she could have expected, far in both the past and the future.
-    <b><i>WHATISLOSTINTHEMINES:</i></b>
+    <i>WHATISLOSTINTHEMINES:</i> (UMSPAF manager)
     This piece by Roxy Scarf paints the scenery of Tavros's planet in very, very warm hues, capturing the desert-y atmosphere of the place quite well in this ghostwriter's opinion. You can also see one of the seven gates above Tavros's hive.
 ---
 Track: Deep Fried
@@ -156,7 +156,7 @@ Referenced Tracks:
 Commentary: |-
     <i>ehlsea:</i>
     As I was writing this song, I wanted it to sound like a video game styled theme for the land. A pulsing beat drives the song with hazy pads and synths.
-    <b><i>SplitSuns:</i></b>
+    <i>SplitSuns:</i> (album organizer)
     LOPAH is home to an oppressive and bloody landscape, quite literally so. I mean, the oceans are legitimately made of blood. If that isn't metal I don't know what is. Anyway, this artwork conveys the hostility of stepping foot in such an environment masterfully, with the moody skies, foreboding architecture, and blood-rivers that cut into the terrain and seem to take up the entire canvas. There's great care taken into even the most minor aspects of the lighting so that the piece as a whole feels truly complete. The end result: a pretty cool-looking place, all things considered. Just try not to lose your footing; no one should have to experience being submerged in blood.
 ---
 Track: Oolongcat
@@ -181,7 +181,7 @@ Commentary: |-
     This song was created in less than a week after another artist left the project and took their LOLCAT song with them. (I never heard that one!) I started composing it with the little kalimba riff and added from there. I was excited to create a song using instruments that I actually play, and most of the song is acoustic - but time constraints proved to stop me from getting good ocarina takes for the lead, so I scrambled at the last minute to find a replacement and ended up using touch control erhu on my iPad! I wasn't and still am not completely satisfied with the melody, but I felt better about it after I incorporated a version mostly in the pentatonic scale along with the original version, which was then used as a development. I think my main inspirations for this song were the tea and Asian-looking mountains of Nepeta's land, as well as the "snowy" landscape.
     <i>TheChaoMaster:</i>
     This is painted in acrylic, as I was inspired to paint more after finishing my high school major work which also focused on backgrounds and landscapes. I thought it would be good to try my hand at a fantasy setting. Lolcat is a very cute land and is very bright so I incorporated both of those aspects into my piece. The acrylic paints also match the acoustic song.
-    <b><i>WHATISLOSTINTHEMINES:</i></b>
+    <i>WHATISLOSTINTHEMINES:</i> (UMSPAF manager)
     huzzah the nine kettle pots we<br>on sugar we rest on you see<br>friends of the cat<br>nothing wrong with that<br>now shut up and have some damn tea
 ---
 Track: Light Like Raindrops