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author | (quasar) nebula <qznebula@protonmail.com> | 2023-02-23 15:25:39 -0400 |
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committer | (quasar) nebula <qznebula@protonmail.com> | 2023-02-23 15:25:39 -0400 |
commit | 47718c19548559cd935283d8705f9b76ba163669 (patch) | |
tree | f3d1a6edd024fb25ee4ebe4c21d5578bcb8fcbfd /album/the-felt.yaml | |
parent | 780bde1d60defae22708a877f96976a75b347cc4 (diff) | |
parent | 061bd03dad85fd302db4dead3e6204548fb17e57 (diff) |
Merge branch 'preview' into hi-res-art
Diffstat (limited to 'album/the-felt.yaml')
-rw-r--r-- | album/the-felt.yaml | 8 |
1 files changed, 4 insertions, 4 deletions
diff --git a/album/the-felt.yaml b/album/the-felt.yaml index 1ea68ad9..f3b719dd 100644 --- a/album/the-felt.yaml +++ b/album/the-felt.yaml @@ -166,7 +166,7 @@ Referenced Tracks: --- Track: Trails Artists: -- Mark Hadley +- Mark J. Hadley Art Tags: - Felt Manor - 'cw: blood' @@ -175,7 +175,7 @@ URLs: - https://homestuck.bandcamp.com/track/trails-2 - https://youtu.be/rzL0-oyDy7s Commentary: |- - <i>Mark Hadley:</i> + <i>Mark J. Hadley:</i> At its heart, Trails is basically a fugue, with a melodic line being repeated and played over the previous one. Trace and Fin follow past and future trails, so I made the first melody in the first half hollow and somewhat indistinct, since it is a "future trail" for the second melody that will come in a few bars later. In the second half I reverse this and have the indistinct melody come afterwards, a "past trail" of the melody that just played. --- Track: Baroqueback Bowtier (Scratch's Lament) @@ -205,7 +205,7 @@ Referenced Tracks: --- Track: Omelette Sandwich Artists: -- Mark Hadley +- Mark J. Hadley Art Tags: - The Felt - Felt Manor @@ -214,7 +214,7 @@ URLs: - https://homestuck.bandcamp.com/track/omelette-sandwich-2 - https://youtu.be/a1FivIzXv48 Commentary: |- - <i>Mark Hadley:</i> + <i>Mark J. Hadley:</i> I imagined this song being played by Eggs and Biscuits. Shortly after the melody plays, it stops and rewinds back to the beginning, adding more instruments and speeding up the song slightly. This repeats until it is barely the same song anymore, fast and furious instead of the simple cello and viola duet that it starts with. After all the parts are in place, the parts start dropping out one by one until it goes back to the simple start. I went with the abrupt sound of a tape recorder instead of something more subtle, because Eggs and Biscuits aren't know for their subtlety. --- Track: Temporal Piano |