made mtahk and sburb rerelease titles the main titles

- made Bandcamp capitalizations for Alternia (Walls Covered In Blood), AlterniaBound (Requiem Of Sunshines And Rainbows), Homestuck Vol. 10 (Lilith In Starlight) standard; dropped previous capitalizations (Walls Covered in Blood, Requiem of Sunshines and Rainbows, and Lilith in Starlight)
- made 2019 rerelease Sburb (Prelude, Revelations, I, Revelations, II, and Revelations, III) song titles standard, gave Prelude (Sburb) a directory name, and the always reference by directory field
- made 2019 rerelease MTaHK song titles standard (Lies With The Sea, and Chain Of Prospit), moved original release formatted titles to additional titles

1 files changed, 16 insertions, 14 deletions

diff --git a/album/sburb.yaml b/album/sburb.yaml
index 5a1642d8..e0ab267b 100644
--- a/album/sburb.yaml
+++ b/album/sburb.yaml
@@ -100,12 +100,14 @@ Additional Files:
 ---
 Section: Sburb
 ---
-Track: The Prelude
+Track: Prelude
+Directory: the-prelude
+Always Reference By Directory: true
 Additional Names:
 - Name: >-
-    Prelude
+    The Prelude
   Annotation: >-
-    [Bandcamp rerelease](https://jamesdever.bandcamp.com/track/prelude)
+    [original release](https://web.archive.org/web/20110717134809/http://homestuck.bandcamp.com/track/the-prelude)
 Contributors:
 - Erik Scheele (performance)
 Duration: '1:43'
@@ -145,11 +147,11 @@ Sheet Music Files:
 Commentary: |-
     <i>James Dever:</i> (composer's notes)
 
-    This song begins with a c minor chord that both resolves [[The Prelude|the last piece]] and immediately sets the mood for this piece. Genesis marks the beginning of the biblical terms as well. The Book of Genesis is the first book of both the Hebrew Bible and Christian Old Testament. It is interpreted as the Chosen People being lead to the Promised Land. Sburb is the pathway that leads the kids into the game that is suppose to eventually grow a new universe. It starts off quietly and builds into a fast paced journey. Genesis also introduces my favorite music technique: hemiolas. The right hand plays a melody in triplets while the left hand harmonizes in eighth notes. This creates a strange rhythm and continues the juxtaposition theme created in [[The Prelude]]'s chords. Continuing the concept of two extremes but together, the song goes into legato, quiet phrases that are immediately followed by staccato, loud phrases.
+    This song begins with a c minor chord that both resolves [[track:the-prelude|the last piece]] and immediately sets the mood for this piece. Genesis marks the beginning of the biblical terms as well. The Book of Genesis is the first book of both the Hebrew Bible and Christian Old Testament. It is interpreted as the Chosen People being lead to the Promised Land. Sburb is the pathway that leads the kids into the game that is suppose to eventually grow a new universe. It starts off quietly and builds into a fast paced journey. Genesis also introduces my favorite music technique: hemiolas. The right hand plays a melody in triplets while the left hand harmonizes in eighth notes. This creates a strange rhythm and continues the juxtaposition theme created in [[track:the-prelude|The Prelude]]'s chords. Continuing the concept of two extremes but together, the song goes into legato, quiet phrases that are immediately followed by staccato, loud phrases.
 
     <i>James Dever:</i> (Bandcamp rerelease)
 
-    [[The Prelude|The previous track]] sets up the resolution that the opening measures provide here. This movement introduces the two against three polyrhythm idea that continues throughout the album as well as a few choice hemiolas. Coming from a percussion background, I find a lot of melodic potential in rhythmic content and this whole suite was a place for me to test that out.
+    [[track:the-prelude|The previous track]] sets up the resolution that the opening measures provide here. This movement introduces the two against three polyrhythm idea that continues throughout the album as well as a few choice hemiolas. Coming from a percussion background, I find a lot of melodic potential in rhythmic content and this whole suite was a place for me to test that out.
 ---
 Track: Eden
 Contributors:
@@ -322,12 +324,12 @@ Commentary: |-
 ---
 Section: Revelations
 ---
-Track: Revelations I
+Track: Revelations, I
 Additional Names:
 - Name: >-
-    Revelations, I
+    Revelations I
   Annotation: >-
-    [Bandcamp rerelease](https://jamesdever.bandcamp.com/track/revelations-i)
+    [original release](https://web.archive.org/web/20110717155046/http://homestuck.bandcamp.com/track/revelations-i)
 Contributors:
 - Erik Scheele (performance)
 Duration: '1:07'
@@ -351,12 +353,12 @@ Commentary: |-
 
     Revelations is a three part finale that is completely centered on the sextuplet dominant/tonic motive introduced earlier in the album. Each movement was more exploration of how I can use the same general accompaniment but completely change the melody.
 ---
-Track: Revelations II
+Track: Revelations, II
 Additional Names:
 - Name: >-
-    Revelations, II
+    Revelations II
   Annotation: >-
-    [Bandcamp rerelease](https://jamesdever.bandcamp.com/track/revelations-ii)
+    [original release](https://web.archive.org/web/20110717134802/http://homestuck.bandcamp.com/track/revelations-ii)
 Contributors:
 - Erik Scheele (performance)
 Duration: '2:41'
@@ -372,12 +374,12 @@ Commentary: |-
 
     Movement II is the process of solving it almost. It's the path to enlightenment; overcoming obstacles and finding yourself along the way is part of the challenge.
 ---
-Track: Revelations III
+Track: Revelations, III
 Additional Names:
 - Name: >-
-    Revelations, III
+    Revelations III
   Annotation: >-
-    [Bandcamp rerelease](https://jamesdever.bandcamp.com/track/revelations-iii)
+    [original release](https://web.archive.org/web/20110717155052/http://homestuck.bandcamp.com/track/revelations-iii)
 Contributors:
 - Erik Scheele (performance)
 Duration: '3:04'