drop "track artist" commentary annotations

1 files changed, 20 insertions, 20 deletions

diff --git a/album/redditstuck-vol-3.yaml b/album/redditstuck-vol-3.yaml
index f1ad245d..58572a51 100644
--- a/album/redditstuck-vol-3.yaml
+++ b/album/redditstuck-vol-3.yaml
@@ -64,7 +64,7 @@ Commentary: |-
 
     I made this song because of Evan’s conversation with Josh, which particularly struck me. It leaves a lot of room for potential character development; in fact, it gives me the impression that Evan will reach a breaking point, hence the more powerful end to this track. Evan tries so hard to please that he may just end up isolating himself.
 
-    <i>HeyItsKane:</i> (track artist, booklet commentary)
+    <i>HeyItsKane:</i> (booklet commentary)
 
     I decided i was going to do something without lineart for once, and i’m honestly surprised that it wasn’t completely terrible.
 ---
@@ -89,7 +89,7 @@ Commentary: |-
 
     Jazz... jazz is good. I decided I wanted to make a jazz-funk style track for the Land of Casinos and Hedonism, and indeed, for a while the project file for this track was just called Jazz-Funk.als. I worked out the chords at the piano, and had a lot of fun working out the bass part, which is intended to drive the track.
 
-    <i>David Burt:</i> (track artist, booklet commentary)
+    <i>David Burt:</i> (booklet commentary)
 
     Do not let the title of this track deceive you, this is a land of Blackjack and hookers. The blackjack is rigged, and the hookers like to dance. They’re also green and feel like pool table felt.
 
@@ -111,7 +111,7 @@ Commentary: |-
 
     so glad this fucking song is done
 
-    <i>BlueChaos:</i> (track artist, booklet commentary)
+    <i>BlueChaos:</i> (booklet commentary)
 
     First time drawing a background, and it probably turned out to be shit but let’s enjoy this amazing track
 
@@ -135,7 +135,7 @@ Commentary: |-
 
     I just really wanted to make a song for Tomesprite, so I did. I think I finished it a couple of days after Tomesprite was revealed. It was also fun playing with synths, which I hope to do more of in the future.
 
-    <i>HeyItsKane:</i> (track artist, booklet commentary)
+    <i>HeyItsKane:</i> (booklet commentary)
 
     My main focus was going into more detail with tomesprite’s face. Admittedly the sev i drew could probably have used a bit more work, but the thing’s already done.
 ---
@@ -166,7 +166,7 @@ Art Tags:
 - Prospit
 - Derse
 Commentary: |-
-    <i>Memory//REWRITE:</i> (track artist, booklet commentary)
+    <i>Memory//REWRITE:</i> (booklet commentary)
 
     This was 99% procrastination. I was too busy playing with my Korg synth up to the point that I spent about 30 minutes actually making this piece
 ---
@@ -195,7 +195,7 @@ Commentary: |-
 
     not even joking, this song is actually about religion and how evan’s qualities embody it as a whole. see if you can figure that one out fuckers
 
-    <i>Quinn Harlock:</i> (track artist, booklet commentary)
+    <i>Quinn Harlock:</i> (booklet commentary)
 
     I just did what I thought looked cool, with help from Gordian.
 
@@ -220,7 +220,7 @@ Commentary: |-
 
     This was originally supposed to be in the Windwaker soundfont, but I gave up on that after five minutes. Instead, I used my trademark saxophone that I stole from [[artist:kal-la-kal-la|Kal]], as well as my trademark accordion/melodica/bandoneon. And also my trademark Kapp’n guitar, which also happens to sound really good as a bass. Additional shoutout to SGM drums for being good in literally everything. Man, I love soundfonts. Anyway, this song was a lot of fun to make, and hopefully fun to listen to as well.
 
-    <i>Set0Kaiba:</i> (track artist, booklet commentary)
+    <i>Set0Kaiba:</i> (booklet commentary)
 
     Ass kicked by a statue, who doesn’t have feet. or hands
 ---
@@ -247,7 +247,7 @@ Commentary: |-
 
     As seconds pass into minutes and minutes into hours, the dreary tedium of amusing oneself can begin to wear one down. <i>Attendre</i> attempts to capture that boredom- inflicted deterioration.
 
-    <i>Bin:</i> (track artist, booklet commentary)
+    <i>Bin:</i> (booklet commentary)
 
     Husr gave me free rein over track art, more or less, which was probably a bad idea on his part, considering the end result. It's a bit of a loose interpretation of "waiting for time to pass," but I think it still embodies the central themes of frustration and tedium. Anyway, sprites look bad when you rotate them, so I put a radial blur over the whole thing so people would thing it was intentional. You tend to pick up on these kinds of tricks when you're a master artist like I am.
 ---
@@ -270,7 +270,7 @@ Commentary: |-
 
     Big thanks to the other people on the Redditstuck album team, I couldn’t have made it sound good without them.
 
-    <i>Radical Dude 42:</i> (track artist, booklet commentary)
+    <i>Radical Dude 42:</i> (booklet commentary)
 
     <span style="font-family: Comic Sans MS, cursive">It’s sev as a shitty samurai. He made the armour himself.</span>
 ---
@@ -292,7 +292,7 @@ Commentary: |-
 
     the original gordian rs song. finally here performing for you
 
-    <i>Gordian:</i> (track artist, booklet commentary)
+    <i>Gordian:</i> (booklet commentary)
 
     wow another art with words in the background. hilarious and original
 
@@ -317,7 +317,7 @@ Commentary: |-
 
     I started this one way back in April, so I’m glad that it finally gets to see the light of day. The process was very similar to [[Saoshyant]], mostly consisting of messing around with drum patterns and going ham with the strings. The Touhou Japanese influence started to leak in after a while, and I was powerless to stop it. For the majority of the song, the melody is driven by a koto, with support from a shamisen, though they switch places in the latter half. The shakuhachi makes a brief cameo in the middle, because the weebs have their hands in everything. Finally, I’m officially suing [[artist:gordian|Gordian]] for stealing this song. You’ll hear from my lawyers.
 
-    <i>XenoZane:</i> (track artist, booklet commentary)
+    <i>XenoZane:</i> (booklet commentary)
 
     This art brought to you courtesy of GIMP's "Smooth stroke" feature
 ---
@@ -337,7 +337,7 @@ Commentary: |-
 
     I endeavoured to express a feeling of ‘stasis’ with this track. The title comes from the name of a song by Sufjan Stevens, [‘For the Widows In Paradise, For The Fatherless In Ypsilanti’](https://www.youtube.com/watch?v=vWb_sK18pgw). When first I heard the song I had no idea that Paradise and Ypsilanti are the names of towns in the US State of Michigan. As such I assumed Ypsilanti was some sort of term that referred to purgatory, corresponding to paradise. And that’s what this track is meant to represent, my idea of what ‘purgatory’ sounds like. Distant echoes in caverns of ice. What does that have to do with Redditstuck, you might ask? You’ll see.
 
-    <i>Lazicful:</i> (track artist, booklet commentary)
+    <i>Lazicful:</i> (booklet commentary)
 
     After a lot of artistic consideration I ultimately decided to go with the 2 things that come to mind when I hear stasis and icy cave; stalagmites and bricks, for what is more static than a brick? I also thought to myself, ”what would be a fitting choice of color for such a cool, cold cavern?” Blue! Blue is a very cold color, it all added up! And so I decided to make the image purely consist of blues, to truly convey the isolated feeling of a desolate area with truckloads of “stasis”. The track utilises a lot of, bear with me here it’s going to get a little music theory-y, “echo and reverb”, noises that are supposed to simulate sound hitting distant walls. And since the echoing is so intense, it made sense for the area to be positively huge!
 
@@ -373,7 +373,7 @@ Commentary: |-
 
     the trap drums were originally a joke inspired by TYBP but i think they work unironically
 
-    <i>Austinado:</i> (track artist, booklet commentary)
+    <i>Austinado:</i> (booklet commentary)
 
     I wanted to make something that wasn’t just in the MSPA style for this track. Sadly though I’ve been doing nothing but MSPA style due to working on Vast Error’s EOA1 for weeks before I was meant to do this so I feel the end product isn’t the best representation of what I can do. I really like the shading I gave DD here though.
 
@@ -405,7 +405,7 @@ Commentary: |-
 
     who knows how this will ever be used ;0 ;0 ;0
 
-    <i>HeyItsKane:</i> (track artist, booklet commentary)
+    <i>HeyItsKane:</i> (booklet commentary)
 
     This is a heart-rending image showing fan-favorite satellite mere moments before tragedy struck.
 
@@ -435,7 +435,7 @@ Commentary: |-
 
     this song isnt that old. insert joke about [[group:canmt|CANMT]] leitmotifs here. lmk if it sucks
 
-    <i>Quinn Harlock:</i> (track artist, booklet commentary)
+    <i>Quinn Harlock:</i> (booklet commentary)
 
     Idk i just like sev, so i chose this one. Since it was just Sev as the cover, I thought of doing the most important thing about him so i did him with his Time Instrument. Not much else to say i guess.
 
@@ -470,7 +470,7 @@ Commentary: |-
 
     Though the mellow piano technically comes from Earthbound and the clarinet comes from the Megadrive soundfont, the aesthetic is pretty blatantly on display here. If you’re not currently experiencing an immense bout of NOSTALGIA, you obviously have no business listening to music at all.
 
-    <i>Radical Dude 42:</i> (track artist, booklet commentary)
+    <i>Radical Dude 42:</i> (booklet commentary)
 
     <span style="font-family: Comic Sans MS, cursive">Past Luke is stylin’, yo.</span>
 Review Points:
@@ -497,7 +497,7 @@ Commentary: |-
 
     the original german-title-gordian-song. hope you like it
 
-    <i>Radical Dude 42:</i> (track artist, booklet commentary)
+    <i>Radical Dude 42:</i> (booklet commentary)
 
     <span style="font-family: Comic Sans MS, cursive">Altair is the calm <em>in</em> the storm.</span>
 
@@ -534,7 +534,7 @@ Commentary: |-
 
     I was playing about at the piano when I found this chord progression, and I thought it was pretty pleasing. Ran to the computer, clicked in the chords and improvised over them on the accordion, then added the rest of the instrumentation and mixed it. I was aiming to give the whole piece a cosy, nostalgic feeling, like a fond memory of something past that one might calming. The e-piano with delay reminded me of the Volume 1 track [[Colt Blooded]] by jjpollution, which was written as a theme for Luke, and I figured Gallopsby to be something that would be associated with happy memories for Luke.
 
-    <i>Radical Dude 42:</i> (track artist, booklet commentary)
+    <i>Radical Dude 42:</i> (booklet commentary)
 
     <span style="font-family: Comic Sans MS, cursive">Old horsograph</span>
 ---
@@ -610,7 +610,7 @@ Commentary: |-
 
     this was actually a song about Chelsea to begin with - or at least, my interpretation of her character, and not a canon representation. In a way, it’s about how relatable chelsea is, to me. this is me basically saying “it’s not lore you dunkass”.
 
-    <i>ConstaChymic:</i> (track artist, booklet commentary)
+    <i>ConstaChymic:</i> (booklet commentary)
 
     I was gonna make the image just like I do other drawings, but then I remembered that most of the artstyle for HS related stuff is no AA lines, so I made it pixel lines. This kinda made it not turn out the way I wanted, because I’m terribad with pixelated lines, but I dont really think I wanna change it.
 
@@ -700,6 +700,6 @@ Commentary: |-
 
     With this track I attempted to embody the eerie feeling I associate with Derse. The track is in 7/4 because that’s the best time sig, with various industrial drum loops that were originally in 4/4 cut together to create the beat. There are various elements that aren’t in sync with the rhythm of the track and are more textural than anything else, intended to represent the sound of things heard far away. The piano track is particularly inspired by the piano from the song [‘Condition Oakland’](https://www.youtube.com/watch?v=ZWRdSSZNGCE) by Jawbreaker.
 
-    <i>HeyItsKane:</i> (track artist, booklet commentary)
+    <i>HeyItsKane:</i> (booklet commentary)
 
     I decided I wanted to try and do a detailed image of derse, because the song is about derse and i’m apparently a masochist.