dequote durations

1 files changed, 18 insertions, 18 deletions

diff --git a/album/one-year-older.yaml b/album/one-year-older.yaml
index 3141ffc2..6d962709 100644
--- a/album/one-year-older.yaml
+++ b/album/one-year-older.yaml
@@ -105,7 +105,7 @@ Additional Files:
 Section: Main album
 ---
 Track: Sunrise
-Duration: '3:20'
+Duration: 3:20
 URLs:
 - https://erikscheele.bandcamp.com/track/sunrise
 - https://youtu.be/AmW_GOMIimo
@@ -122,7 +122,7 @@ Commentary: |-
     I imagine, if this piece were performed live, it would do best with all the instrumentalists scattered to some degree. And I usually hate that gimmick, but it could work well in this context.
 ---
 Track: October
-Duration: '5:12'
+Duration: 5:12
 URLs:
 - https://erikscheele.bandcamp.com/track/october
 - https://youtu.be/wh0vuVouIG4
@@ -152,7 +152,7 @@ Commentary: |-
     Instrumentally it fit too, it had piano and bass and bitcrushed drums that sounded somewhat like beatboxing, which were three out of the four instruments the original kids used. There's definitely a discrepancy with using synth vs. violin, though. Before anyone asks, I definitely spent time trying to fandangle string patches into it, but it just didn't work. So you can imagine Rose playing an electric violin, that's what I do. (I don't know if electric violins can function like that string players please don't strangle me thank you)
 ---
 Track: Firefly Cloud
-Duration: '4:04'
+Duration: 4:04
 URLs:
 - https://erikscheele.bandcamp.com/track/firefly-cloud
 - https://youtu.be/Y3u8E918EwM
@@ -174,7 +174,7 @@ Commentary: |-
     And of course, there's one or two [[Doctor]] quotes in there just because.
 ---
 Track: FantasyP
-Duration: '3:52'
+Duration: 3:52
 URLs:
 - https://erikscheele.bandcamp.com/track/fantasyp
 - https://youtu.be/4Px7Yn9oIoM
@@ -195,7 +195,7 @@ Commentary: |-
     On a completely random note this piece always makes me want to go out running, and I have done so to this piece a few times. If I could do flips and parkour and stuff I'd totally be doing that too cause it works really well. Maybe gunfights too. Alright let's move on to the next piece.
 ---
 Track: Underfoot
-Duration: '3:05'
+Duration: 3:05
 URLs:
 - https://erikscheele.bandcamp.com/track/underfoot
 - https://youtu.be/FO_x-VgcYAc
@@ -222,7 +222,7 @@ Commentary: |-
     The piece itself is meant to go along with John discovering Jade's dead dreamself, after waking up on Skaia for the first time. I know a lot of people associate [[Sarabande]], from Volume 5, with that event, or at least with John reading Jade's letter, but I couldn't help but want to at least touch on it while going through his timeline. Originally I'd stuck this before John even entered the Medium, but that didn't really have any moment tacked on with it, and it made much more sense here.
 ---
 Track: Flying Car
-Duration: '3:09'
+Duration: 3:09
 URLs:
 - https://erikscheele.bandcamp.com/track/flying-car
 - https://youtu.be/lKH9ByKgnfs
@@ -240,7 +240,7 @@ Commentary: |-
     For the piece, I went with this old idea I had a few years back in college, a 13/8 double-piano piece. Seeing as I'm not two piano players, though, I wanted to orchestrate it out a bit, so I put some brighter instruments to double the melody, over top of the original riff, and beefed it up with some light strings and drums. A few other instruments come in later as the piece developed, but like [[October]], I tried to keep it all to a small group and not let the orchestration explode.
 ---
 Track: Cancerous Core
-Duration: '3:30'
+Duration: 3:30
 URLs:
 - https://erikscheele.bandcamp.com/track/cancerous-core
 - https://youtu.be/hQcYa03LOkQ
@@ -257,7 +257,7 @@ Commentary: |-
     So, to try and accompany the general air of mystery and exploration that would have gone with a long journey into the center of Skaia, I took an old idea in Locrian mode. If you're a music person, Locrian is when you take a major scale, but start it on the last note. It's a rather off-kilter scale, and it can't ever really resolve to the tonic chord like most other scales can, which made it rather suited to a piece about the sort of strange secrets and landscapes that could be hidden in the center of Skaia.
 ---
 Track: Game Over
-Duration: '3:42'
+Duration: 3:42
 URLs:
 - https://erikscheele.bandcamp.com/track/game-over
 - https://youtu.be/II2Fgetf2So
@@ -283,7 +283,7 @@ Commentary: |-
 Track: Unlabeled
 Additional Names:
 - Unlabeled Record (earlier MSPA credit)
-Duration: '2:36'
+Duration: 2:36
 URLs:
 - https://erikscheele.bandcamp.com/track/unlabeled
 - https://youtu.be/xVuZ5DGLsNk
@@ -329,7 +329,7 @@ Commentary: |-
     Also, I hope you all caught my nod to March Eridan in the back there.
 ---
 Track: Skaian Shrapnel
-Duration: '4:13'
+Duration: 4:13
 URLs:
 - https://erikscheele.bandcamp.com/track/skiain-shrapnel
 - https://youtu.be/NbWTEFgpxRg
@@ -355,7 +355,7 @@ Commentary: |-
     Overall, in my opinion at least, the piece turned out a little strange, a little awkward, and not really nice, but really that works just fine for me. Everything was really going for the characters at the time, after all. People were getting hunted down, friends were turning on each other, nobody in the fandom really knew who was going to be next. Was this person? Or this person? Were you next? It all led to a heavy air of unease that sort of manifested itself in the odd piano riff and distorted drums that were used, and all the heavy glitching that led us up to...
 ---
 Track: The Scratch
-Duration: '7:34'
+Duration: 7:34
 URLs:
 - https://erikscheele.bandcamp.com/track/the-scratch
 - https://youtu.be/5UrMv4IQclk
@@ -380,7 +380,7 @@ Commentary: |-
     The piece started out as extreme laziness on my part, just idle playing around with various distortion on synths and samples, until the school project came up and wanted results fast. So I threw some things together until they formed the opening, and took a very lax approach to the piano part, a sort of "here's a riff, now play around with it, there's your part" with a drum loop over top. Thankfully my laziness didn't extend to the whole thing, and it all got more polished up and developed over time. It still keeps the "improvised piano part based off one riff" idea, though.
 ---
 Track: Respit
-Duration: '2:33'
+Duration: 2:33
 URLs:
 - https://erikscheele.bandcamp.com/track/respit
 - https://youtu.be/9eSnvqGpzj8
@@ -402,7 +402,7 @@ Commentary: |-
     This is another one of those tracks, too, that tried to predict a future event but was overtaken as time went on. The concept of the dream bubbles and the long voyage John took fit my original idea well enough, though, so that's what the piece molded itself into being.
 ---
 Track: Negastrife
-Duration: '6:29'
+Duration: 6:29
 URLs:
 - https://erikscheele.bandcamp.com/track/negastrife
 - https://youtu.be/e5LP87QF9p0
@@ -433,7 +433,7 @@ Commentary: |-
 Track: Mother
 Contributors:
 - Robert J! Lake (additional beats)
-Duration: '5:03'
+Duration: 5:03
 URLs:
 - https://erikscheele.bandcamp.com/track/mother
 - https://youtu.be/jw2hUg_32PQ
@@ -485,7 +485,7 @@ Additional Names:
     [Bandcamp rerelease](https://erikscheele.bandcamp.com/track/another-chance-bonus)
 Artists:
 - Eston Schweickart
-Duration: '5:01'
+Duration: 5:01
 URLs:
 - https://erikscheele.bandcamp.com/track/another-chance-bonus
 - https://youtu.be/gfw3ALlYnmY
@@ -531,7 +531,7 @@ Additional Names:
     Under The Hat (Bonus)
   Annotation: >-
     [Bandcamp rerelease](https://erikscheele.bandcamp.com/track/under-the-hat-bonus)
-Duration: '3:27'
+Duration: 3:27
 URLs:
 - https://erikscheele.bandcamp.com/track/under-the-hat-bonus
 - https://youtu.be/tBfUV056rjo
@@ -566,7 +566,7 @@ Additional Names:
     Mother (Piano) (Bonus)
   Annotation: >-
     [Bandcamp rerelease](https://erikscheele.bandcamp.com/track/mother-piano-bonus)
-Duration: '3:07'
+Duration: 3:07
 URLs:
 - https://erikscheele.bandcamp.com/track/mother-piano-bonus
 - https://youtu.be/utXsOEmFVds
@@ -596,7 +596,7 @@ Description: >-
 ---
 Track: it's good to see you again
 Date First Released: October 29, 2019
-Duration: '1:45'
+Duration: 1:45
 URLs:
 - https://www.youtube.com/watch?v=F2HzFtXWAHo
 Sheet Music Files: