- [[track:nicer-links|Nicer links]] + [[Nicer links]]

1 files changed, 28 insertions, 28 deletions

diff --git a/album/kindred-souls.yaml b/album/kindred-souls.yaml
index 41afbc64..0e016723 100644
--- a/album/kindred-souls.yaml
+++ b/album/kindred-souls.yaml
@@ -193,7 +193,7 @@ Referenced Tracks:
 - Dogsong
 Commentary: |-
     <i>yuuDii:</i>
-    There's an '[[track:enemy-approaching|Enemy Approaching]]' but they kind of aren't feeling it, and they've heard the human's pretty chill, so they're just going to slowly make their way over because they're not in a real rush to start the battle or anything.
+    There's an '[[Enemy Approaching]]' but they kind of aren't feeling it, and they've heard the human's pretty chill, so they're just going to slowly make their way over because they're not in a real rush to start the battle or anything.
 
     <i>Skyplayer:</i>
     Watch out... here he comes... oh no... he's on his way... you'll never be able to defeat him... he's almost here... any second now... prepare yourself... anytime now... uh oh... get those mitts ready... for a brawl like the world has never seen before... any moment now... do you see him on the horizon... be careful... he's about to attack... it's time... for a good boy... his appetite for pets can never be satiated...  look out...
@@ -254,7 +254,7 @@ Referenced Tracks:
 - Waterfall
 Commentary: |-
     <i>Awkward:</i>
-    The colour palette is actually reused from the art for [[track:twilight-reverie-penumbra-phantasm|Twilight Reverie ~ Penumbra Phantasm]]. There's no reasoning behind it beyond "I'm lazy," but it's nice that they visually complement each other.
+    The colour palette is actually reused from the art for [[Twilight Reverie ~ Penumbra Phantasm]]. There's no reasoning behind it beyond "I'm lazy," but it's nice that they visually complement each other.
 ---
 Track: THUNDERTALE
 Artists:
@@ -295,7 +295,7 @@ Referenced Tracks:
 - Penumbra Phantasm
 Commentary: |-
     <i>Gryotharian:</i>
-    This was an attempt at any dnb/breakcore type song to demonstrate my music to a friend but it quickly became [[track:battle-against-a-true-hero|battle against a true hero]] and I thought 'well shit guess its undertale now' and comitted.
+    This was an attempt at any dnb/breakcore type song to demonstrate my music to a friend but it quickly became [[battle against a true hero]] and I thought 'well shit guess its undertale now' and comitted.
 
     <i>Gryotharian:</i>
     undyn.
@@ -355,10 +355,10 @@ Referenced Tracks:
 - Green Ghost
 Commentary: |-
     <i>ruby:</i>
-    [[track:another-medium|Another Medium]] is such a special track to me. it's a very unique track in the [[album:undertale-soundtrack|undertale soundtrack]]. I just wish it was longer, which is why I made this remix longer than the original. this is actually an older remix that I overhauled for this album, fixing errors and improving the mix.
+    [[Another Medium]] is such a special track to me. it's a very unique track in the [[album:undertale-soundtrack|undertale soundtrack]]. I just wish it was longer, which is why I made this remix longer than the original. this is actually an older remix that I overhauled for this album, fixing errors and improving the mix.
 
     <i>Ender:</i>
-    [[track:another-medium|Another Medium]] has always been my favorite Undertale track, since before I even knew the context of the name. I don't know what about it has always given me this grand, adventurous sense of wonder. It must be magic. Or that you hear it for so long while doing the arrow puzzle that it melds with your brain.
+    [[Another Medium]] has always been my favorite Undertale track, since before I even knew the context of the name. I don't know what about it has always given me this grand, adventurous sense of wonder. It must be magic. Or that you hear it for so long while doing the arrow puzzle that it melds with your brain.
 ---
 Track: CORE [BRUTALIZED]
 Artists:
@@ -380,7 +380,7 @@ Referenced Tracks:
 - Gaster's Theme
 Commentary: |-
     <i>Jebb:</i>
-    I really like Carpenter Brut's stuff. Like, it's REALLY good. At the time of writing this commentary, i have semi-recently checked out all of their non-soundtrack albums. A big reason for me doing that was because when this album rolled around, "[[track:core|CORE]] but in the style of a Carpenter Brut track" was one of the ideas i had come up with. This was the result.
+    I really like Carpenter Brut's stuff. Like, it's REALLY good. At the time of writing this commentary, i have semi-recently checked out all of their non-soundtrack albums. A big reason for me doing that was because when this album rolled around, "[[CORE]] but in the style of a Carpenter Brut track" was one of the ideas i had come up with. This was the result.
 
     I felt like Brut's heavy, electronic, very rhythmically straightforward style fit Core - it's a track for a "final stretch battle gauntlet" after all, the area putting you up against the underground's toughest monsters, so it makes sense for it to fit an intense style.<br>
     (Actually, that being said, i feel like [[artist:ender|EnderSlime]]'s wonderful cover art made for this track reflects that idea very much! A literal wave of enemies isn't something to scoff at.)
@@ -460,7 +460,7 @@ Commentary: |-
 
 
 
-    huge thanks to [[artist:yuudii|yuuDii]] for allowing me to use her [[track:super-killer-robot|Super Killer Robot]] track! when i thought i got everything out of [[track:power-of-neo|Power of NEO]] that i could get, she dropped it and told me i could use it for my track if i wanted to. i ended up making an entire extra phase!
+    huge thanks to [[artist:yuudii|yuuDii]] for allowing me to use her [[Super Killer Robot]] track! when i thought i got everything out of [[Power of NEO]] that i could get, she dropped it and told me i could use it for my track if i wanted to. i ended up making an entire extra phase!
 
     also thanks to [[artist:ender|EnderSlime]] for helping out with the song title, in addition to the awesome art!
 
@@ -516,14 +516,14 @@ Referenced Tracks:
 - Mysterious Place
 Commentary: |-
     <i>Jebb:</i>
-    So, tell me for a second. WHY is Glyde THE only one of the Kickstarter bosses to not have a boss theme? Muffet has one! I mean, even So Sorry has one! Why does Glyde for some random reason not get a boss theme when all the others do?? Like, his spawn location gets a completely unique atmospheric track ([[track:mysterious-place|Mysterious Place]]) but his actual fight doesn't? What?? Why?? Glyde is COOL and RADICAL and he does NOT deserve this injustice!!!
+    So, tell me for a second. WHY is Glyde THE only one of the Kickstarter bosses to not have a boss theme? Muffet has one! I mean, even So Sorry has one! Why does Glyde for some random reason not get a boss theme when all the others do?? Like, his spawn location gets a completely unique atmospheric track ([[Mysterious Place]]) but his actual fight doesn't? What?? Why?? Glyde is COOL and RADICAL and he does NOT deserve this injustice!!!
 
     I decided to fix that.
 
-    Anyways. The inspiration for this track was in big part [[track:gamebro-original-1990-mix|GameBro (Original 1990 Mix)]] and [[track:catswing|Catswing]]. You can hear the GameBro inspiration most in the duty cycle and the Catswing inspiration in, well, the completely unaltered Catswing motif.<br>
+    Anyways. The inspiration for this track was in big part [[GameBro (Original 1990 Mix)]] and [[Catswing]]. You can hear the GameBro inspiration most in the duty cycle and the Catswing inspiration in, well, the completely unaltered Catswing motif.<br>
     Actually, i remembered that i was advised to at least tweak the motif a bit to not make it blatantly Catswing but i completely forgot to do that. Whoops, oh well. Let's just pretend that Catswing actually originated in Undertale as part of Glyde's totally real boss theme. Yeah.
 
-    Also, said Catswing motif is played by SGM's Comp Clav, which is the same instrument that plays the "[[track:sans|sans.]]" lead. You figure out the lore implications.
+    Also, said Catswing motif is played by SGM's Comp Clav, which is the same instrument that plays the "[[sans.]]" lead. You figure out the lore implications.
 
     I tried to make the track more "sleazy gamer cool" than "jazzy villain" coo (thus the GameBro inspiration) but the muzes lead me more into the 2nd direction. Must say, i don't regret it! I feel like it channels enough of both energies to work just fine.
 
@@ -760,7 +760,7 @@ Referenced Tracks:
 - Separate Ways (Worlds Apart)
 Commentary: |-
     <i>DalekWho1963:</i>
-    Heavily inspired by [[track:separate-ways-worlds-apart|Separate Ways (World's Apart) by Journey]]. I wanted to have a sort of epic hard vibe to it, and that track just stuck in my head. I think the new tone the track brings to the general vibe of "[[track:battle-against-a-true-hero|Battle Against a True Hero]]" is not just the normal one of fighting against all odds, but moreso "I'm going to best your ass and look cool while doing it"
+    Heavily inspired by [[Separate Ways (World's Apart)]] by Journey. I wanted to have a sort of epic hard vibe to it, and that track just stuck in my head. I think the new tone the track brings to the general vibe of "[[Battle Against a True Hero]]" is not just the normal one of fighting against all odds, but moreso "I'm going to best your ass and look cool while doing it"
 ---
 Track: Weeping Glass Shard Freedom Into Your Bloodied Hands
 Artists:
@@ -813,7 +813,7 @@ Referenced Tracks:
 - Upward Movement (Dave Owns)
 Commentary: |-
     <i>Gryotharian:</i>
-    I... dunno man. I just wanted to do something with [[track:long-elevator|long elevator]] as a joke, and this is what came out of it. [[artist:ddp|DDP]] did some fantastic art that my track feels underserving of.
+    I... dunno man. I just wanted to do something with [[long elevator]] as a joke, and this is what came out of it. [[artist:ddp|DDP]] did some fantastic art that my track feels underserving of.
 
     <i>DDP:</i>
     ah yes the elevator. the most liminal of spaces. sometimes your reflection is only yours by osmosis btw did you know that.
@@ -990,7 +990,7 @@ Lyrics: |-
     All your friends are here with you
     in your memories
 
-    All our [[track:hopes-and-dreams|Hopes and Dreams]] live on
+    All our [[Hopes and Dreams]] live on
     Seal the fear that you ran from
     Standing tall
     Breaking through the clouds
@@ -1001,7 +1001,7 @@ Lyrics: |-
     Scream it loud and proud
 
     You're the legend they foretold
-    [[track:save-the-world|SAVE the World]] and staying gold
+    [[SAVE the World]] and staying gold
     Fighting fate
     The tale of DELTARUNE
 
@@ -1025,7 +1025,7 @@ Commentary: |-
     at some point, I decided to increase the tempo, add guitars, basically make it way more J-Rock-like. I really liked how it sounded so I kept working on it.<br>
     I decided I wanted to make it a full-lenght song, and even write lyrics for it. Great ideas, but let's first try to finish a demo.
 
-    I had the full structure in my head, I knew I wanted to use the lyrics of [[track:dont-forget|Don't Forget]]. then, I knew I wanted to have cool imagery in the lyrics, some lyric concepts I wrote down in the moment made it to the final song even!
+    I had the full structure in my head, I knew I wanted to use the lyrics of [[Don't Forget]]. then, I knew I wanted to have cool imagery in the lyrics, some lyric concepts I wrote down in the moment made it to the final song even!
 
     I really had a concrete vision, at the time I literally said:<br>
     "I can't stop thinking about it, all I know is i have to make this song a reality. now I know how [[artist:toby-fox|Toby]] felt after his fever dream, but I was awake when I conjured this concept. I need to make it.........."
@@ -1164,9 +1164,9 @@ Commentary: |-
 
     This was the latest addition to the album by me, but also one of the ones that i am the most proud of. I really felt like "Seam boss theme" is a track idea that hasn't been explored nearly enough by the fandom.
 
-    The arrangement directly borrows a lot of instruments used in [[track:rude-buster|Rude Buster]], which i referenced heavily in this track considering Seam's theme, [[track:lantern-deltarune|Lantern]], is a variation on that track. (Actually, did you ever think about the fact that we have heard Lantern in more chapters by now than we have heard Rude Buster?)
+    The arrangement directly borrows a lot of instruments used in [[Rude Buster]], which i referenced heavily in this track considering Seam's theme, [[track:lantern-deltarune|Lantern]], is a variation on that track. (Actually, did you ever think about the fact that we have heard Lantern in more chapters by now than we have heard Rude Buster?)
 
-    The strings take a much more of a backseat in the track after their initial appearence in the first part for no particular reason. This track has a full part dedicated to referencing Jevil, since we know how much of a connection Seam has to him. I think this is one of the very few tracks on this album which is referencing the other part of [[track:the-world-revolving|The World Revolving]] and not the freedom motif.
+    The strings take a much more of a backseat in the track after their initial appearence in the first part for no particular reason. This track has a full part dedicated to referencing Jevil, since we know how much of a connection Seam has to him. I think this is one of the very few tracks on this album which is referencing the other part of [[The World Revolving]] and not the freedom motif.
 
     I really like that little ending part. I made it while messing around and decided to keep it in for the final version of the track.
 
@@ -1252,7 +1252,7 @@ Sampled Tracks:
 Commentary: |-
     <i>Tee-vee:</i>
     Welcome to the latest installment of "tee-vee gets too many ideas and just glues everything together".<br>
-    [[track:glaceir|GLACEIR]] is my favorite deeper cut from [[album:deltarune-ch3-4-ost|the latest chapters soundtrack]], it's simple yet haunting and it really gripped me when it started playing where it appears in game. I tried to capture some of that feeling with instrumentation from different styles that could convey similar feelings to me, with grimey chamber orchestration, dungeon synth... synths, sludgy doomy guitars and beeg reverb. I then got the idea to take advantage of the kinda baroque pedal point composition to do something else entirely as a second section
+    [[GLACEIR]] is my favorite deeper cut from [[album:deltarune-ch3-4-ost|the latest chapters soundtrack]], it's simple yet haunting and it really gripped me when it started playing where it appears in game. I tried to capture some of that feeling with instrumentation from different styles that could convey similar feelings to me, with grimey chamber orchestration, dungeon synth... synths, sludgy doomy guitars and beeg reverb. I then got the idea to take advantage of the kinda baroque pedal point composition to do something else entirely as a second section
 
     <i>bluwingz:</i>
     I had a vision of Kris and Noelle lost in a mirror maze. Kris is trying to break free from the player and get to the real Noelle, but they keep getting turned around in the ice corridors.
@@ -1285,7 +1285,7 @@ Commentary: |-
 
     This track (my last track on this album) was very much inspired by the undead "true form" Dess design made by euclicide and all the various other interpretations of the concept that have followed. After the long search, the Roaring Knight is finally revealed to be the lost girl. However, she isn't quite herself.
 
-    I liked the concept a lot, and it ended up spawning this track. I wanted to translate the unsettling fear of seeing something such as that concept while also keeping the high octane metal nature of [[track:black-knife|Black Knife]] (she IS still The Knight after all (probably)). Additionally, i wanted to add a lot of tragic over/undertones to the track, though the [[track:raise-up-your-bat|Raise Up Your Bat]] part also carries a slight bit of hope/heroism - perhaps the last remnants of Dess which still remain in there, somewhere.
+    I liked the concept a lot, and it ended up spawning this track. I wanted to translate the unsettling fear of seeing something such as that concept while also keeping the high octane metal nature of [[Black Knife]] (she IS still The Knight after all (probably)). Additionally, i wanted to add a lot of tragic over/undertones to the track, though the [[Raise Up Your Bat]] part also carries a slight bit of hope/heroism - perhaps the last remnants of Dess which still remain in there, somewhere.
 
     The track samples [[track:c|Carol's theme(?)]], which isn't a Dess motif, no, but i felt like it sounded really good as ambience and worked narratively, so why not.
 
@@ -1337,7 +1337,7 @@ Referenced Tracks:
 - Shapes
 Commentary: |-
     <i>Gryotharian:</i>
-    Accidentally was playing some muddled version of [[track:the-chase|the chase]] and [[track:silent-night|silent night]] on the piano, decided to turn it into a track, then got really carried away. Dess/Knight song. We'll see about that theory.
+    Accidentally was playing some muddled version of [[the chase]] and [[silent night]] on the piano, decided to turn it into a track, then got really carried away. Dess/Knight song. We'll see about that theory.
 
     <i>lemonzestdoodle:</i>
     If the unused text from each chapter is Dess and the Knight is her, perhaps she's not even aware of her condition. That girl sure does haunt the narrative. Go check out the Cutting Room Floor for the text by the way. It's interesting stuff.
@@ -1388,7 +1388,7 @@ Referenced Tracks:
 - track:cliffs-deltarune
 Commentary: |-
     <i>Erik Scheele:</i>
-    One of the initial ideas I had for this album was "hey, what if I did [[track:descend|Descend]], but I crammed in as much of Deltarune's incidental motifs as possible, instead of any main motifs?". Wouldn't that be a fun throwback, I thought. Wouldn't that be so silly.
+    One of the initial ideas I had for this album was "hey, what if I did [[Descend]], but I crammed in as much of Deltarune's incidental motifs as possible, instead of any main motifs?". Wouldn't that be a fun throwback, I thought. Wouldn't that be so silly.
 
     And then the anime news dropped and it was like well okay fine, this HAS to happen now.
 
@@ -1423,7 +1423,7 @@ Sampled Tracks:
 - Imminent Death
 Commentary: |-
     <i>ruby:</i>
-    I think everyone can agree [[track:vs-susie|Vs. Susie]] is too short of a song. This is an improved version of an older remix, I overhauled the mix, and [[artist:riveira-bailey|the original guitarist]] came back to record additional riffs. He's a great friend of mine, we help each other out with each other's music from time to time, and we're slowly chipping away at an original music project together! His solo at the end of the song still sounds so awesome, please send him some love and check out his music!
+    I think everyone can agree [[Vs. Susie]] is too short of a song. This is an improved version of an older remix, I overhauled the mix, and [[artist:riveira-bailey|the original guitarist]] came back to record additional riffs. He's a great friend of mine, we help each other out with each other's music from time to time, and we're slowly chipping away at an original music project together! His solo at the end of the song still sounds so awesome, please send him some love and check out his music!
 
     Also thanks to [[artist:mack|MacK]] for the song title!
 
@@ -1449,7 +1449,7 @@ Referenced Tracks:
 - NOW'S YOUR CHANCE TO BE A
 Commentary: |-
     <i>DalekWho1963:</i>
-    Basically what I wanted to go for was "what if '[[track:power-of-spamton|Power of Spamton]]' was refined and used as the final version of his theme?" I decided to include more things relating to [[track:big-shot|Big Shot]], and other Spamton related themes. I also included some aspects of the [[track:power-of-neo-unfinished|unfinished Power of NEO]], but I didn't want to lean to heavily on that and end up having it detatched from Spamton.
+    Basically what I wanted to go for was "what if '[[Power of Spamton]]' was refined and used as the final version of his theme?" I decided to include more things relating to [[Big Shot]], and other Spamton related themes. I also included some aspects of the [[track:power-of-neo-unfinished|unfinished Power of NEO]], but I didn't want to lean to heavily on that and end up having it detatched from Spamton.
 
     <i>Torrent 64:</i>
     You want a [BIG SHOT]? I got your [BIG SHOT] right here! Goes down [Smooth]!
@@ -1575,7 +1575,7 @@ Referenced Tracks:
 - Don't Forget
 Commentary: |-
     <i>Hart:</i>
-    I wanted to make a remix of [[track:flashback-excerpt|Flashback (Excerpt)]]. the 30 second version hits hard and has a really good and unique sound. I had a vision for a fuller version of the theme, though this obviously isn't remotely what the official full version would sound like.
+    I wanted to make a remix of [[Flashback (Excerpt)]]. the 30 second version hits hard and has a really good and unique sound. I had a vision for a fuller version of the theme, though this obviously isn't remotely what the official full version would sound like.
 
     <i>DalekWho1963:</i>
     Since the concept was a bit ambiguous when I first began the artwork, I decided that I would make it so there was a relationship between the vessel and Kris. So the "Flashback" in this sense refers to a sort of remembrance of Kris's potential past and origin.
@@ -1624,7 +1624,7 @@ Referenced Tracks:
 - THE WORLD REVOLVING
 Commentary: |-
     <i>hatzka:</i>
-    I wrote this (and [[track:kingdom-of-one|my other track]]) right after Chapter 1 came out, because [[track:the-holy|THE HOLY]] was really underappreciated at the time (or at least I thought it was). Later I deleted my SoundCloud because I was worried (perhaps excessively) about AI training. Unfortunately, while I saved the tracks, I forgot to note whether this or Kingdom of One was released first, so I have no idea which one the bassline originated in.
+    I wrote this (and [[track:kingdom-of-one|my other track]]) right after Chapter 1 came out, because [[THE HOLY]] was really underappreciated at the time (or at least I thought it was). Later I deleted my SoundCloud because I was worried (perhaps excessively) about AI training. Unfortunately, while I saved the tracks, I forgot to note whether this or Kingdom of One was released first, so I have no idea which one the bassline originated in.
 
     <i>Torrent 64:</i>
     Yo who put they heart in the water this is NOT okay bruh!
@@ -1954,7 +1954,7 @@ Referenced Tracks:
 - track:finale-undertale
 Commentary: |-
     <i>ruby:</i>
-    This one obviously just had to come after the last track. In fact, they were the same project! They were the same project all along!!! Even back when I first started working on [[track:an-ordeal-of-the-dreaming|An Ordeal of the Dreaming]], Retribution was made alongside it!! It too sat nearly-finished for a while, I just had to find a way to conclude the song. I hope I did it in a satisfying way, [[track:finale-undertale|Finale]] is originally meant to loop into eternity after all...
+    This one obviously just had to come after the last track. In fact, they were the same project! They were the same project all along!!! Even back when I first started working on [[An Ordeal of the Dreaming]], Retribution was made alongside it!! It too sat nearly-finished for a while, I just had to find a way to conclude the song. I hope I did it in a satisfying way, [[track:finale-undertale|Finale]] is originally meant to loop into eternity after all...
 
     I am SO PROUD of the part right before the drop. the way the breaks, the synths, the bass, everything just comes in muaaaaahh perfect.
 
@@ -1981,7 +1981,7 @@ Referenced Tracks:
 - The Shepherd's Boy
 Commentary: |-
     <i>DalekWho1963:</i>
-    Styled after the beautiful track "[[track:the-shepherds-boy|The Shepherd's Boy]]" by Murray Gold for series 9 of Doctor Who. After listening to the full track '[[track:undertale|Undertale]]' I figured they would mesh very nicely.
+    Styled after the beautiful track "[[The Shepherd's Boy]]" by Murray Gold for series 9 of Doctor Who. After listening to the full track '[[Undertale]]' I figured they would mesh very nicely.
 
     <i>Gryotharian:</i>
     something something Chara/Clara, was gonna have Asriel mourning Chara in place of the doctor but Heaven Sent's time loop stuff fits flowey's reset loops much better. Still mourning Chara. After all, he's so excited to have you back in genocide, isn't he? track is a doctor who reference so art is too.
@@ -2024,7 +2024,7 @@ Referenced Tracks:
 - Flashback (Excerpt)
 Commentary: |-
     <i>DalekWho1963:</i>
-    An extended and remixed version for the slowed down version of "[[track:anticipation|Anticipation]]" heard in the Genocide route. Tried to make it feel similar to "[[track:deal-gone-wrong|Deal Gone Wrong]]" in terms of vibes. I also wanted to have it almost act as a bridge between the Genocide route in Undertale and the Snowgrave route in Deltarune by also including "[[track:d-deltarune|d.ogg]]" in the latter half of the track. Having other Snowgrave related motifs and sounds also aided in creating this bridge.
+    An extended and remixed version for the slowed down version of "[[Anticipation]]" heard in the Genocide route. Tried to make it feel similar to "[[Deal Gone Wrong]]" in terms of vibes. I also wanted to have it almost act as a bridge between the Genocide route in Undertale and the Snowgrave route in Deltarune by also including "[[track:d-deltarune|d.ogg]]" in the latter half of the track. Having other Snowgrave related motifs and sounds also aided in creating this bridge.
 ---
 Track: It's the end.
 Artists: