Super Metroid NM

1 files changed, 1 insertions, 1 deletions

diff --git a/album/fighting-further.yaml b/album/fighting-further.yaml
index 65532ebb..bf1bcb5a 100644
--- a/album/fighting-further.yaml
+++ b/album/fighting-further.yaml
@@ -287,7 +287,7 @@ Referenced Tracks:
 Commentary: |-
     <i>Rainy:</i> ([YouTube](https://www.youtube.com/watch?v=QTYUP381xmI) / [SoundCloud](https://soundcloud.com/user-552040225/10-at-the-gates-of-truth) descriptions)
 
-    I’ll tell you what I very much felt out of my depth with this track. I wanted to write a Super Metroid inspired battle theme for Occeus in the vein of [[track:big-boss-confrontation-bgm-ridley-draigon|“Ridley’s Theme.”]] I was initially going to use soundfonts for this song but quickly realized that the Metroid soundfont sucked and decided to utilize synths instead. Personally, I don’t feel like I’m as well versed in utilizing synths compared to other music team members, so figuring out how to make my composition shine while using them was an uphill battle. Making things more difficult is the fact that Metroid’s music is typically less melody driven which contrasts starkly with my style. All that being said I began to pull in other influences to help move the song along. Aside from Ridley’s theme, the other big influence on this track was [[“Atomyk Ebonpyre”]] with its industrial feel, abrasive synths and early Toby’s signature winding melodic lines. Through combination of these two influences, I got something that was distinctly dark, alien, and futuristic. I think that song is a standout not just on the album but in whole of my composing career thus far
+    I’ll tell you what I very much felt out of my depth with this track. I wanted to write a Super Metroid inspired battle theme for Occeus in the vein of [[track:boss-battle-bgm-ridley-draygon|“Ridley’s Theme.”]] I was initially going to use soundfonts for this song but quickly realized that the Metroid soundfont sucked and decided to utilize synths instead. Personally, I don’t feel like I’m as well versed in utilizing synths compared to other music team members, so figuring out how to make my composition shine while using them was an uphill battle. Making things more difficult is the fact that Metroid’s music is typically less melody driven which contrasts starkly with my style. All that being said I began to pull in other influences to help move the song along. Aside from Ridley’s theme, the other big influence on this track was [[“Atomyk Ebonpyre”]] with its industrial feel, abrasive synths and early Toby’s signature winding melodic lines. Through combination of these two influences, I got something that was distinctly dark, alien, and futuristic. I think that song is a standout not just on the album but in whole of my composing career thus far
 ---
 Track: A Portrait Of Ruin
 Additional Names: